Contains one hundred of the most anthologized poems in the English language, and includes notes, profiles of the authors, and bibliographic information; presented in chronological order with a glossary, and author, title, and first line indexes.

First Published in 1993. Punjabi is the language of the Punjab-the land of five rivers--of northern India and Pakistan. Primarily written in three distinct scripts, a unique feature of the language is that, along with Lahanda and the Western Pahari dialects, it is the only modern Indo-European language spoken in South Asia which is tonal in nature. It is recognized as one of the several national languages of India and Pakistan, and approximately forty-five million people speak Punjabi as either a first or second language. This Descriptive Grammar accounts for the linguistic and sociolinguistic properties of Punjabi and Lahanda/Multani. It explores the standard language, giving a comprehensive account of syntax, morphology and phonology. With a descriptive, typological and cognitive examination of the language, this is the most up-to-date, comprehensive and authoritative description of modern Punjabi to date. This volume will be invaluable to students and researchers of linguistic theory and practice.

First published in 1998, this title provides for the reader of the renowned metaphysical poet and politician a valuable reference and resource volume. It is a compendium of useful information for any reader of Andrew Marvell, including crucial biographical material, historical contextualisation, and details about his life’s work. The intention throughout is to enhance understanding and appreciation, without being exhaustive. The major portion of the volume, in both importance and size, is ‘A Marvell Dictionary’. Its entries are arranged alphabetically: they identify, describe and explain the most influential persons in Marvell’s life and works, as well as places, characters, allusions, ideas, concepts, individual words, phrases and literary terms that are relevant to a rounded appreciation of his poetry and prose. An Andrew Marvell Companion will prove invaluable for all students of English poetry and seventeenth-century political history.

Though Siegfried Sassoon would argue the point throughout his life, most critics regard his war poetry, written during World War I, as the best of his writings. Like many of his artistic contemporaries, Sassoon embraced the "Great War for Civilization" with great fervor, and it was this passion that he brought to his earliest writings about the war. "Absolution," his first war poem, published in 1915, summed up his feelings: "fighting for our freedom, we are free." Fighting on the frontlines, Sassoon soon came to the conviction that his war for civilization was anything but civilized. And thus his writings took on a new tone, courageously denouncing a conflict that was no longer about "defense and liberation" but was for "aggression and conquest." Through primary documents and extensive research, the current work provides critical analyses of Sassoon's war poetry. Detailed examinations of each of the so-called trench poems show how the poet and his poetry were transformed through his wartime experiences and give the rationale for the critical consensus that the Sassoon canon is among the most significant in the literature of modern warfare.

The World's Major Languages features over 50 of the world's languages and language families. This revised edition includes updated bibliographies for each chapter and up-to-date census figures. The featured languages have been chosen based on the number of speakers, their role as official languages and their cultural and historical importance. Each language is looked at in depth, and the chapters provide information on both grammatical features and on salient features of the language's history and cultural role. The World’s Major Languages is an accessible and essential reference work for linguists.

Some of the artworks pose difficulties in interpretation, but regardless of amorphous subjects and confusing representations, Butor's creativity finds poetry in them.".

In an educational landscape dominated by discourses and practices of learning, standardized testing, and the pressure to succeed, what space and time remain for studying? In this book, Tyson E. Lewis argues that studying is a distinctive educational experience with its own temporal, spatial, methodological, aesthetic, and phenomenological dimensions. Unlike learning, which presents the actualization of a student’s "potential" in recognizable and measurable forms, study emphasizes the experience of potentiality, freed from predetermined outcomes. Studying suspends and interrupts the conventional logic of learning, opening up a new space and time for educational freedom to emerge. Drawing upon the work of Italian philosopher and critical theorist Giorgio Agamben, Lewis provides a conceptually and poetically rich account of the interconnections between potentiality, freedom, and study. Through a mixture of educational critique, phenomenological description, and ontological analysis, Lewis redeems study as an invaluable and urgent educational experience that provides alternatives to the economization of education and the cooptation of potentiality in the name of efficiency. The resulting discussion uncovers multiple forms of study in a variety of unexpected places: from the political poetry of Adrienne Rich, to tinkering classrooms, to abandoned manifestos, and, finally, to Occupy Wall Street. By reconnecting education with potentiality this book provides an educational philosophy that undermines the logic of learning and assessment, and turns our attention to the interminable paradoxes of studying. The book will be key reading for scholars in the fields of educational philosophy, critical pedagogy, foundations of education, composition and rhetoric, and critical thinking and literacy studies.

A groundbreaking work, applying Ranciere's theories of aesthetics and politics to the field of teaching, analysing the works of Dewey, Freire and other education thinkers.

Wandering Spirits is a translation and study of the most comprehensive work on dream culture in traditional China - Lofty Principles of Dream Interpretation (Mengzhan yizhi), compiled in 1562 by Chen Shiyuan and periodically reprinted up to the modern era. This unique treatise compiles various theories, Chen's own comments concerning the nature of dreams and their role in waking life, and almost seven hundred examples assembled from a wide range of literary sources. This translation is accompanied by a full-length introduction that surveys the evolution of Chinese dream culture and the role of Chen Shiyuan and his encyclopedia.