The Experimental Novel (1880) is an essay by French author Émile Zola. Written at the height of his career as a leading proponent of Naturalism, The Experimental Novel serves to illuminate the author’s approach to the practice and purpose of writing while advocating for a revolution of style among artists of his era. Read as a reaction against Romanticism, The Experimental Novel proves a convincing counterpoint to the excesses and failures of nineteenth century art, illustrating the need for literature to draw inspiration from other sources of human understanding—such as science, history, and the social sciences—in order to effectively explore the themes of everyday life. “The return to nature, the naturalistic evolution which marks the century, drives little by little all the manifestation of human intelligence into the same scientific path. Only the idea of a literature governed by science is doubtless a surprise, until explained with precision and understood. It seems to me necessary, then, to say briefly and to the point what I understand by the experimental novel.” Rather than imitate reality, a writer must attempt a scientific investigation of the nature of everyday life. For Zola, plot must be secondary to character, and character must be subject to the laws and limitations of a particular society. As a writer interested in the relationships between rich and poor, citizen and state, culture and economy, and personal and public life, Zola found it necessary to write experimental fiction—literally, fiction which experiments with its object of inquiry. Blending science and art, he revolutionized not only the idea of what a novel is and can do, but the responsibility of the artist to society. The Experimental Novel is a masterful essay for readers interested in Zola’s work and in the history and philosophy of literature. With a beautifully designed cover and professionally typeset manuscript, this edition of Émile Zola’s The Experimental Novel is a classic work of French literature reimagined for modern readers.

Since the nineteenth century, the Western realistic novel has persistently represented the addict as a morally toxic force bent on destroying the institutions, practices, and ideologies that historically have connoted reason, order, civilization. Addiction, Representation undertakes an investigation into an alternative literary tradition that unsettles this limited portrayal of the addict. The book analyzes the practices and politics of reading the experimental addiction novel, and outlines both a practice and an ethics of reading that advocates for a more compassionate response to both diegetic and extra-diegetic addicts—an approach that, at its core, is focused on understanding.

Delving into how the traumatic experience of the Second World War formed – or perhaps malformed – the post-war experimental novel, this book explores how the symbolic violence of post-war normalization warped societies' perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take – books in boxes; of spare pages to be shuffled at the reader's will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink. Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimizes the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures.

The Experimental Novel (1880) is an essay by French author Émile Zola. Written at the height of his career as a leading proponent of Naturalism, The Experimental Novel serves to illuminate the author's approach to the practice and purpose of writing while advocating for a revolution of style among artists of his era. Read as a reaction against Romanticism, The Experimental Novel proves a convincing counterpoint to the excesses and failures of nineteenth century art, illustrating the need for literature to draw inspiration from other sources of human understanding--such as science, history, and the social sciences--in order to effectively explore the themes of everyday life. "The return to nature, the naturalistic evolution which marks the century, drives little by little all the manifestation of human intelligence into the same scientific path. Only the idea of a literature governed by science is doubtless a surprise, until explained with precision and understood. It seems to me necessary, then, to say briefly and to the point what I understand by the experimental novel." Rather than imitate reality, a writer must attempt a scientific investigation of the nature of everyday life. For Zola, plot must be secondary to character, and character must be subject to the laws and limitations of a particular society. As a writer interested in the relationships between rich and poor, citizen and state, culture and economy, and personal and public life, Zola found it necessary to write experimental fiction--literally, fiction which experiments with its object of inquiry. Blending science and art, he revolutionized not only the idea of what a novel is and can do, but the responsibility of the artist to society. The Experimental Novel is a masterful essay for readers interested in Zola's work and in the history and philosophy of literature. With a beautifully designed cover and professionally typeset manuscript, this edition of Émile Zola's The Experimental Novel is a classic work of French literature reimagined for modern readers.

Traces the development of the modern Arabic novel from the 1960s to the present.

The Experimental Book Object shows why and how books matter in the 21st century. Digital and audio platforms are commonplace, and other fields of art beyond literature have increasingly embraced books and publication as their medium of choice. Nevertheless, the manifold book object persists and continues to inspire various types of experimentation. This volume sets forth an unprecedented approach where literary and media theory are entangled with design practitioners’ artistic research and process descriptions. By probing the paradigm of the codex, this collection of essays focuses on historical and contemporary experimentation that has challenged what books are and could be from the perspectives of materiality, mediation, and visual and typographic design. Investigations into less-studied areas and cases of performativity demonstrate what experimental books do by interacting with their systemic and cultural environments. The volume offers a multifaceted and multidisciplinary view of the book object, the book design and publishing processes, and their significance in the digital age.

Provides a valuable selection of nineteenth- century essays on the art of fiction. These contemporary essays are strategically placed alongside a selection of modern critical responses to twelve familiar nineteenth-century novels.

Ever since Ezra Pound's exhortation to 'make it new', experimentation has been a hallmark of contemporary literature. Ranging from the modernists, through the Beats to postmodernism and contemporary 'hyperfiction', this is a unique introduction to experimental fiction. Creative exercises throughout the book help students grapple with the many varieties of experimental fiction for themselves, deepening their understanding of these many forms and developing their own writing skills. In addition, the book examines the historical contexts and major themes of 20th-century experimental fiction and new directions for the novel offered by writers such as David Shields and Zadie Smith. Making often difficult works accessible for the first time reader and with extensive further reading guides, Experimental Fiction is an essential practical guidebook for students of creative writing and contemporary fiction. Writers covered include: James Joyce, Virginia Woolf, Franz Kafka, Marcel Proust, Ralph Ellison, Allen Ginsberg, Jack Kerouac, William Gibson, Italo Calvino, Jeanette Winterson, Don Delillo, Caitlin Fisher, Geoff Ryeman, Xiaolu Guo, Tom McCarthy, James Frey and David Mitchell.