This electronic version has been made available under a Creative Commons (BY-NC) open access license. This book is available as an open access ebook under a CC-BY-NC-ND licence. Much of the French department of the Nord was occupied during the First World War. This book considers the ways in which occupied locals responded to and understood their situation, focusing on key behaviours adopted by locals and the beliefs surrounding such conduct. Key topics examined include forms of complicity, disunity, criminality, resistance, and the memory of the occupation. This local case study calls into question overly-patriotic readings of this experience, and suggests a new conceptual vocabulary to help understand certain civilian behaviours under military occupation. Drawing on extensive primary documentation, this book proposes that a dominant ‘occupied culture’ existed among locals: a moral-patriotic framework, born of both pre-war socio-cultural norms and daily interaction with the enemy, that guided conduct and was especially concerned with what was considered acceptable and unacceptable behaviour.

This study considers the ways in which locals of the occupied Nord responded to and understood their situation across four years of German domination, focusing in particular on key behaviours adopted by locals, and the way in which such conduct was perceived. Behaviours examined include forms of complicity, misconduct, disunity, criminality, and resistance. This local case study calls into question overly-patriotic readings of this experience, and suggests a new conceptual vocabulary to help understand certain civilian behaviours under military occupation. Drawing on extensive primary documentation - from diaries and letters to posters and police reports - this book proposes that a dominant 'occupied culture' existed among locals. This was a moral-patriotic framework, born of both pre-war socio-cultural norms and daily interaction with the enemy, that guided conduct and was especially concerned with what was considered acceptable and unacceptable behaviour. Those who breached the limits of this occupied culture faced criticism and sometimes punishment. This study attempts to disentangle perceptions and reality, but also argues that the clear beliefs and expectations of the occupied French comprise a fascinating subject of study in their own right. They provide an insight into national and local identity, and especially the way in which locals understood their role within the wider conflict. This book will be useful to undergraduates, post-graduates and academics interested in an understudied aspect of the history of modern France, the First World War, and military occupations.

Włodzimierz Borodziej and Maciej Górny set out to salvage the historical memory of the experience of war in the lands between Riga and Skopje, beginning with the two Balkan conflicts of 1912–1913 and ending with the death of Emperor Franz Joseph in 1916. The First World War in the East and South-East of Europe was fought by people from a multitude of different nationalities, most of them dressed in the uniforms of three imperial armies: Russian, German, and Austro-Hungarian. In this first volume of Forgotten Wars, the authors chart the origins and outbreak of the First World War, the early battles, and the war's impact on ordinary soldiers and civilians through to the end of the Romanian campaign in December 1916, by which point the Central Powers controlled all of the Balkans except for the Peloponnese. Combining military and social history, the authors make extensive use of eyewitness accounts to describe the traumatic experience that established a region stretching between the Baltic, Adriatic, and Black Seas.

Europe was forged out of the ashes of the Napoleonic wars by means of a collective fight against revolutionary terror. The Allied Council created a culture of in- and exclusion, of people that were persecuted and those who were protected, using secret police, black lists, border controls and fortifications, and financed by European capital holders.

Between 1914 and 1918, the Western Front passed through some of Europe's most populated and industrialised regions. Large towns including Nancy, Reims, Arras, and Lens lay at the heart of the battlefield. Their civilian inhabitants endured artillery bombardment, military occupation, and material hardship. Many fled for the safety of the French interior, but others lived under fire for much of the war, ensuring the Western Front remained a joint civil-military space. Communities under Fire explores the wartime experiences of civilians on both sides of the Western Front, and uncovers how urban communities responded to the dramatic impact of industrialized war. It discusses how war shaped civilians' personal and collective identities, and explores how the experiences of military violence, occupation, and forced displacement structured the attitudes of civilians at the front towards the rest of the nation. Drawing on a vast array of archival sources, letters, diaries, and newspapers in English, French, and German, it reveals the history of the Western Front from the perspective of its civilian inhabitants. From Leningrad to Warsaw, Hamburg, and, more recently, Sarajevo and Donetsk, urban violence has remained a feature of warfare in Europe, turning cities into battlefields. On each occasion, civilian populations were at the heart of military operations, and forced to adapt to life in a warzone. This was also the case between 1914 and 1918, despite the myth that the First World War was predominantly a soldiers' war. The civilian inhabitants of the Western Front were among the first to suffer the full impact of modern, industrialized war in an urban setting. Communities under Fire explains the multiple ways by which these urban residents responded to, were changed by, succumbed to, or survived the enormous pressures of life in a warzone.

This book examines the history of Herbert Hoover’s Commission for Relief in Belgium, which supplied humanitarian aid to the millions of civilians trapped behind German lines in Belgium and Northern France during World War I. Here, Clotilde Druelle focuses on the little-known work of the CRB in Northern France, crossing continents and excavating neglected archives to tell the story of daily life under Allied blockade in the region. She shows how the survival of 2.3 million French civilians came to depend upon the transnational mobilization of a new sort of diplomatic actor—the non-governmental organization. Lacking formal authority, the leaders of the CRB claimed moral authority, introducing the concepts of a “humanitarian food emergency” and “humanitarian corridors” and ushering in a new age of international relations and American hegemony.

This book explores the creative women of the "Lost Generation" including painters, sculptors, film makers, writers, singers, composers, dancers, and impresarios who all pursued artistic careers in the years leading up to, during, and following World War I. These women’s stories, and the art they created, commissioned, mobilized as propaganda, and performed shed light on the shifting nature of gender norms during this period. With the combined knowledge and expertise from different contributors, chapters in this book consider how modernist practices continued their development in women’s hands during the war through networks forged by and for women artists in the absence of their male colleagues. These chapters also reflect on how, in many cases, the dissolution of these structures after the November 1918 armistice had detrimental consequences for their professional trajectories. This book challenges the place creative women currently hold in the historical record while also clarifying how these artists and impresarios contributed to wartime and post-war culture. This collection of essays will be of great value to scholars interested in social and gender history of the twentieth century, as well as historians of the arts through offering nuanced understanding of the essential work of female creative professionals, highlighting artistic women’s experiences of resistance, mourning, and reinvention in the shadow of the Great War.

Based on personal experience, survivor testimony, and documentary research, Invasion 14 portrays the German occupation of northern France during World War I. Regarded by critics as Maxence Van der Meersch’s finest work, the novel is set in Lille, Roubaix, and nearby villages along the Belgian border, with the front lines just miles away and the shelling routinely audible. An antiwar novel that goes beyond the trenches, this book is not about combat but its consequences, providing remarkable insights on the plight of French civilians and German soldiers as each group struggles to survive. A gripping epic that weaves together a vast range of characters, Invasion 14 provides a sweeping account of life under German rule and explores collaboration, resistance, and the grey areas between these stark choices, foreshadowing dilemmas the entire French nation would later face during World War II. Though originally published to great renown in 1935 - and considerable regional controversy - Invasion 14 was neglected after World War II, when national discourse focused predominantly on heroes of anti-Nazi resistance movements. As more nuanced understandings of war and occupation have evolved, Van der Meersch’s masterful rendition of life along the Western Front has enjoyed a well-deserved renaissance. Presenting a new translation along with an introduction and explanatory notes, W. Brian Newsome captures the moving imagery of Van der Meersch’s narrative, situates Invasion 14 in the context of the author’s life experience, addresses issues of postwar remembrance, and positions the novel amid literary movements of the time.

This book provides fresh perspectives on a key period in the history of humanitarianism. Drawing on economic, cultural, social and diplomatic perspectives, it explores the scale and meaning of humanitarianism in the era of the Great War. Foregrounding the local and global dimensions of the humanitarian responses, it interrogates the entanglement of humanitarian and political interests and uncovers the motivations and agency of aid donors, relief workers and recipients. The chapters probe the limits of humanitarian engagement in a period of unprecedented violence and suffering and evaluate its long-term impact on humanitarian action.

In this revised version of a ground-breaking global history of women and the First World War, Susan Grayzel shows the multiple ways in which women faced the enormous challenges the war presented, both the losses as well as the opportunities that the war provided. The First World War was a total war requiring the mobilisation of millions of both civilians and combatants. It decisively shaped the modern world. A century after the signing of the last peace treaty to end this conflict, its experiences and legacies for women continue to inspire debate and interest. With new evidence from the tremendous outpouring of scholarship on women in all participant states, including those in occupied territories, Europe and its overseas empires, Asia, the Middle East, Africa and the United States over the last twenty years, this edition greatly expands the coverage of the war geographically while continuing to showcase diverse women’s voices. Topical in its approach, it allows for a thorough exploration of the intersectional experiences of women. Including new documents highlighting the ways in which women wrote their wars and that detail the impact of this conflict on women of different statuses and geographies, this book opens the door to further inquiry on the women of the First World War. With documents providing first-hand accounts, a chronology and a glossary, the book is an ideal text for students studying the First World War or the history of women.