"The Exorcist Effect is a historical study of the ongoing relationship between religious culture in the West and horror movies, looking particularly at the period from 1968 to the present. Taking its name from the 1973 film The Exorcist, which was widely understood to be based on a true story, this book outlines a cycle in which religious beliefs and practices become the basis of films that in turn inspire religious beliefs, practices, and experiences. This book draws on archival research to shed new light on such figures as Ed and Lorraine Warren and Malachi Martin, who inserted themselves into this cycle. It also incorporates interviews with horror authors, film writers, and paranormal investigators. This book draws on such fields as psychology, sociology, and folklore studies in order to theorize how film informs religious experience and shapes religious cultures. Next, it examines the production and reception of Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) as seminal films in the genre. Two chapters examine the Warrens and Malachi Martin, respectively, including the horror films that influenced and were inspired by their careers. The next three chapters examine areas of culture where the influence of this cycle was most apparent: exorcism, Satanic Panic, and moral panic over heavy metal. The final chapter considers the QAnon conspiracy theory and its numerous allusions to film as a contemporary manifestation of The Exorcist effect."--

Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.' The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body. Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer... First published in 1971, The Exorcist became a literary phenomenon and inspired one of the most shocking films ever made. This edition, polished and expanded by the author, includes new dialogue, a new character and a chilling new extended scene, provides an unforgettable reading experience that has lost none of its power to shock and continues to thrill and terrify new readers.

The Exorcist Effect examines the relationship between horror films and religious culture, focusing on the period from 1968 to the present. Films like Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) claimed to be based on actual events, religious traditions, and Biblical texts. These films inspired subsequent beliefs and experiences, which became the basis for yet more horror films. This book draws on archival research to shed new light on such figures as Ed and Lorraine Warren and Malachi Martin, who inserted themselves into this cycle. It also incorporates interviews with horror authors, film writers, and paranormal investigators.

"The Exorcist Effect is a historical study of the ongoing relationship between religious culture in the West and horror movies, looking particularly at the period from 1968 to the present. Taking its name from the 1973 film The Exorcist, which was widely understood to be based on a true story, this book outlines a cycle in which religious beliefs and practices become the basis of films that in turn inspire religious beliefs, practices, and experiences. This book draws on archival research to shed new light on such figures as Ed and Lorraine Warren and Malachi Martin, who inserted themselves into this cycle. It also incorporates interviews with horror authors, film writers, and paranormal investigators. This book draws on such fields as psychology, sociology, and folklore studies in order to theorize how film informs religious experience and shapes religious cultures. Next, it examines the production and reception of Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) as seminal films in the genre. Two chapters examine the Warrens and Malachi Martin, respectively, including the horror films that influenced and were inspired by their careers. The next three chapters examine areas of culture where the influence of this cycle was most apparent: exorcism, Satanic Panic, and moral panic over heavy metal. The final chapter considers the QAnon conspiracy theory and its numerous allusions to film as a contemporary manifestation of The Exorcist effect."--

A guided tour through the burgeoning business of exorcism and the darker side of American life. There is no other religious ritual more fascinating, or more disturbing, than exorcism. This is particularly true in America today, where the ancient rite has a surprisingly strong hold on our imagination, and on our popular entertainment industry. We’ve all heard of exorcism, seen the movies and read the books, but few of us have ever experienced it firsthand. Conducted by exorcists officially appointed by Catholic archdioceses and by maverick priests sidestepping Church sanctions, by evangelical ministers and Episcopal charismatics, exorcism is alive and well in the new millennium. Oprah, Diane Sawyer, and Barbara Walters have featured exorcists on their shows. The New York Times, Los Angeles Times, Time, and other publications have charted the proliferation of exorcisms across the United States. Last year, the Archdiocese of Chicago appointed its first full-time exorcist in its 160-year history; in New York, four priests have officially investigated about forty cases of suspected possession every year since 1995. American Exorcism is an inside look at this burgeoning phenomenon, written with objectivity, insight, and just the right touch of irony. Michael W. Cuneo attended more than fifty exorcisms and interviewed many of the participants–both the exorcists who performed the rituals and the people from all walks of life who believed they were possessed by the devil. He brings vividly to life the ceremonies themselves, conjuring up memories of Linda Blair’s astonishing performance in the 1973 movie The Exorcist and other bizarre (and sometimes stomach-churning) images. Cuneo dissects, as well, the arguments of such well-known exorcism advocates as Malachi Martin, author of the controversial Hostage to the Devil, self-help guru M. Scott Peck, and self-professed demonologists Ed and Lorraine Warren of Amityville Horror fame. As he explores this netherworld of American life, Cuneo reflects on the meaning of exorcism in the twenty-first century and on the relationship between religious ritual and popular culture. Touching on such provocative topics as the “satanic panics” of the 1980s, repressed memory, and ritual abuse, American Exorcism is a remarkably revealing, consistently entertaining work of cultural commentary.

The art and craft of recording sound for movies comes to life in this book chronicling the career of one of the most experienced and respected sound mixers in Hollywood. Naked Under a Waterfall is a fresh and colorful look at a subject that has been largely overlooked until now. The production sound mixer is responsible for recording dialogue and sound effects and is a vital component of any film or TV crew, yet it's a craft relatively unexplored by writers on cinema. This practical book presents a balanced discussion of the evolution of the craft, aesthetics, techniques, and on-set dynamics. It will be of interest to anyone on the sound crew of a movie or TV production. In addition, it is not overly technical and therefore suitable for film students and amateur filmmakers.

Archdiocese of Washington exorcist Msgr. Stephen Rossetti and his team have a very active caseload of demonic possessions. Msgr. Rossetti presents many of these stories here, without varnish or hype. In these ninety-five detailed cases, two vivid lessons consistently emerge: 1. Demons possess or simply harass people in myriad ways and need to be taken seriously, even when they do not enter a soul. 2. Demons are defeated, decisively, by the power of Christ and His Church, employing prayer, sacramentals, rites of exorcism -- and especially, invocations to the Blessed Mother. "Despite all their bluster and arrogance, demons are cowards," Msgr. Rossetti reveals. In fact, in every section of his work, he offers detailed "Theological Reflections" explaining the meaning of these possessions, why he thinks God permitted each, and the spiritual benefits accrued. The devil is no match for the Lord of Heaven and Earth.

Soon to be a major motion picture. This ENHANCED DIGITAL EDITION features TONS of TOTALLY AWESOME ’80s bonus materials—including Satanic Panic educational pamphlets, a do-it-yourself exorcism cheat sheet, a Spotify playlist of awesome ’80s tunes, animated cover artwork, and much more! From the New York Times best-selling author of The Southern Book Club's Guide to Slaying Vampires, this unholy hybrid of Beaches and The Exorcist blends teen angst and unspeakable horrors into a pulse-pounding supernatural thriller. The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act…different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries—and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil?

Inspired by an alleged real case of demonic possession in 1949, The Exorcist became an international phenomenon on its release in 1973. A blockbusting adaptation of a best-selling novel, it was praised as 'deeply spiritual' by some sections of the Catholic Church while being picketed by the Festival of Light and branded 'Satanic' by the evangelist Billy Graham. Banned on video in the UK for nearly fifteen years, the film still retains an extraordinary power to shock and startle. Mark Kermode's compelling study of this horror classic was originally published in 1997, and then extensively updated and expanded in 2003 to incorporate the discovery of new material. This revised edition documents the deletion and reinstatement of key scenes that have now been integrated into the film to create The Exorcist: The Version You've Never Seen. Candid interviews with director William Friedkin and writer/producer William Peter Blatty reveal the behind the-scenes battles which took place during the production. In addition, exclusive stills reveal the truth about the legendary 'subliminal images' allegedly lurking within the celluloid.

"The Exorcist", a 1973 movie about a twelve-year-old girl possessed by the Devil, frightened people more than any horror film ever did. Many moviegoers sought therapy to rid themselves of fears they could not explain. Psychiatrists coined the term "cinematic neurosis" for patients who left the movie feeling a terrifying presence of demons. At the Washington premiere, a young woman stood outside the theater, trembling. "I come out here in the sunlight," she said, "and I see people's eyes, and they frighten me." Among the few moviegoers unmoved by the horror were two priests, Father William S. Bowdern and Father Walter Halloran, members of the Jesuit community at St. Louis University. "Billy came out shaking his head about the little girl bouncing on the bed and urinating on the crucifix," Halloran remembers. "He was kind of angry. 'There is a good message that can be given by this thing,' he said. The message was the fact that evil spirits operate in our world." Bowdern and Halloran knew that the movie was fictional veneer masking a terrible reality. Night after night in March and April 1949, Bowdern had been an exorcist, with Halloran assisting. Bowdern fervently believed that he had driven a demon from a tormented soul. The victim had been a thirteen-year-old boy strangely lured to St. Louis from a Maryland suburb of Washington. Bowdern's exorcism had been the inspiration for the movie. The true story of this possession, told in Possessed, is based on a diary kept by a Jesuit priest assisting Father Bowdern. The diary, the most complete account of an exorcism since the Middle Ages, is published for the first time in this revised edition of Possessed.