This is a book for the thinking actor, and the finest actors I've known are just that. The best actors bring it all together body, heart, spirit, and mind. This book is for the actor who thinks about craft and influence, who thinks about the relationship of performance to living, who thinks about doing and what that doing means. Acting is a metaphor and it's a mirror, and, so, a theory of acting, if true, shows us to ourselves. Jeff Zinn knows this. He knows it as an actor, director, teacher, and thinker. His theory of everything is simple and revelatory. (from the foreword by Todd London)

Sommer Browning's third poetry collection At birth we are given a role--it is our name. GOOD ACTORS is a side-eyed illumination of the artist as self-help guru, oracle, and sage, but more importantly as mother, lover, and friend. Part psychological experiment, part conceptual art piece, part screenplay, GOOD ACTORS is 100% a joyful celebration of language and life. And because it is Sommer, the book is hilarious, melancholy, and existential. Poetry. Women's Studies. Art. Hybrid.

Analyzing the relationship between dramatic action and the controversial art of acting, William Worthen demonstrates that what it means to act, to be an actor, and to communicate through acting embodies both an ethics of acting and a poetics of drama. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"As Cotkin shows, not only did Americans readily take to existentialism, but they were already heirs to a rich tradition of thinkers - from Jonathan Edwards and Herman Melville to Emily Dickinson and William James - who had wrestled with the problems of existence and the contingency of the world long before Sartre and his colleagues. After introducing the concept of an American existential tradition, Cotkin examines how formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals for the works of Sartre, Beauvoir, and Camus.

From Richard Hornby's preface: This book is written for those who act, those who teach acting, and those who are interested in seeing it. It is both a theoretical work and a call for action. This book is an unashamed attack on the American acting establishment ... The concepts derive from my graduate seminars in acting theory and history in the School of Theatre at Florida State University ... Much of the feistiness of those classes carries over into this book ... If my arguments serve only to stimulate new dialogue, they will have been valuable.

Pluriversalism within International Relations and the literature on Chinese international relations each embrace ideas of relation and difference. While they similarly strive for recognition by Western academics, they do not seriously engage with each other. To the extent that either succeeds in winning recognition, it ironically reproduces Western centrism and the binary of the Western versus the non-Western. In Relations and Roles in China's Internationalism, author Chih-yu Shih demonstrates, through a critical translation exercise, that Confucian themes enable both the critique and realignment of liberal thought, allowing all of us, including the members of Confucianism and the neo-liberal order, to understand how we adapt to and coexist with each another. In the end, Confucianism not only informs the pluriversal necessity that all are bound to be related but also de-nationalizes China's internationalism.

Partition and Quantity: Numeral Classifiers, Measurement, and Partitive Constructions in Mandarin Chinese presents an in-depth investigation into the semantic and syntactic properties of Chinese classifiers and conducts a comprehensive examination on the use of different quantity constructions in Chinese. This book echoes a rapid development in the past decades in Chinese linguistics research within the generative framework on Chinese classifier phrases, an area that has emerged as one of the most cutting-edge themes in the field of Chinese linguistics. The book on the one hand offers a closer scrutiny on empirical data and revisits some long-lasting research problems, such as the semantic factor bearing on the formation of Chinese numeral classifier constructions, the (non-)licensing of the linker de (的) in between the numeral classifier and the noun, and the conditions regulating the use of pre-classifier adjectives. On the other hand, particular attention is paid to the issues that have been less studied or gone unnoticed in previous studies, including a (more) fine-grained subcategorization of Chinese measurement constructions, the multiple grammatical roles played by the marker de (的) in different numeral classifier constructions, the formation and derivation of Chinese partitive constructions, etc.

The security issues confronting Asia are both complex and diverse. Given the increasing trend towards an expanding security agenda beyond the military dimension of inter-state relations, this volume provides an extensive study of emerging non-traditional challenges to this region. New realities and new challenges have come to the fore including environmental degradation, illegal immigration, infectious diseases, transnational crime, poverty and underdevelopment. Drawing upon the concepts of securitization and de-securitization, this book brings together regional perspectives from across Asia to examine how these challenges are perceived and managed. It is a valuable contribution to both security and Asian studies and will be ideally suited to those interested in security studies, international relations and development studies.

The first collection dedicated to David Bowie's acting career shows that his film characterisations and performance styles shift and reform as decoratively as his musical personas. Though he was described as the most influential pop artis of the 20th century, whose work became synonymous with mask, mystery, sexual excess and ch-ch-ch-changing genres, Bowie also applied his genius to the craft of acting. Bowie's considerable filmography is systematically examined in 12 scholarly essays that include tributes to Bowie's performance craft in other media forms. Classic films such as The Prestige and Merry Christmas, Mr. Lawrence, cult hits Labyrinth and The Man Who Fell To Earth, as well as lesser-known roles in The Image, Christiane F. and Broadway hit The Elephant Man are viewed, not simply through the lens of Bowie's mega-stardom, but as the work of a serious actor with inimitable talent. This compelling analysis celebrates the risk-taking intelligence and bravura of David Bowie: actor, mime, mimic and icon.

This volume is a collection of phenomenological investigations of the political domain. Its aim is to present recent examinations of political matters and to foster a renewal of this sort of inquiry in phenomenology generally. Although it has often gone unrecognized, investigations of this sort have been a part of the phenomenological project since its inception. Two phases can be identified: the first governed primarily by the methods of realistic and constitutive phenomenology, and the second under the guidance of existential and hermeneutical approaches. Standard accounts of the history of phenomenology begin, of course, with the publication of Husserl's Logische Untersuchungen (1900-1901) in which for the first time he publicly developed and applied his distinctively descriptive approach-the so-called method of eidetic analysis with its unique emphasis on the concept of evidence understood as intention fulfillment-to the fields of logical and mathematical systems. But those around him in Gottingen quickly saw the innovative character of this method and began employing it in a wide variety of other areas of research: literature, sociology, ethics, action theory, and even theology, for example.