Miyuu believes that she’s been “updated” into someone better. She now has faith in her self-worth and an eye for beauty, and takes on the art exam. What is the essence of Miyuu, who pines after the Muse of art?

Twenty-three-year-old art school reject Miyuu Seno has a blue print for the future, but it’s not her own. Instead, she’s stuck on the “secure”path her mom has laid out for her—from her office job, to her clothes, to the guys she meets—and it’s making Miyuu more miserable by the day. When things come to a head between them, Miyuu leaves home with a blank canvas in tow, holding on to the hope that painting can somehow undo the phony she’s become...

Miyuu now lives in Koenji and attends an art prep school. Having broken free of her mother’s spell, she returns to drawing once more while also realizing her feelings for Ryuen. Miyuu’s the happiest she’s ever been, but where will her distorted, unrequited love for the god of art take her...?

This volume continues to explore the life and works of Auguste Comte during his so-called second career. It covers the period from the coup d'état of Louis Napoleon in late 1851 to Comte's death in 1857. During these early years of the Second Empire, Comte became increasingly conservative and anxious to control his disciples. This study offers the first study of the tensions within his movement. Focusing on his second masterpiece, the Système de politique positive, and other important books, such as the Synthèse subjective, Mary Pickering not only sheds light on Comte's intellectual development but also traces the dissemination of positivism and the Religion of Humanity throughout many parts of the world.

The beloved creator of the Xanth series offers a new installment in a series that explores the history of the human race on Earth as seen through the eyes and experiences of a single family as they are reincarnated through life after life.

The International Handbooks of Museum Studies is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume International Handbooks of Museum Studies is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.

The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. One of the most important features of British literary and intellectual history over the past 250 years is the influence of German literature. From the second half of the 18th Century, through the first decades of the 19th, German books and ideas attracted, then gained the attention of a nation. Despite the acknowledged importance of the influence on writers such as Coleridge and Carlyle the subject, though often alluded to, was rarely studied. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail. In order to make the collection useful to scholars with a wide range of interest, it has been divided into three parts: Part 1 is a chronological presentation of commentary on German literature in general. It also contains collective reviews of multiple German authors, notices of important anthologies and reactions to influential works about Germany and its culture. Part 2 collects reviews of 18th Century individual German authors and Part 3 is devoted to the English reception of Goethe and Schiller. Parts 2 & 3 contain cross-references to the collective reviews of Part 1. Containing over 200 British serials and articles and reviews from all the major English literary periodicals, the collection also includes a broad sampling of opinion from the more general magazines, including some popular religious publications.

Miyuu believes that she's been "updated" into someone better. She now has faith in her self-worth and an eye for beauty, and takes on the art exam. What is the essence of Miyuu, who pines after the Muse of art?

Isaac Rosenberg was among the greatest poets of the First World War. The British-born son of impoversihed Russian Jews, Rosenberg fought as a private in the trenches of the Great Was and died on the Western Front in 1918 as the age of 27. In Isaac Rosenberg, Wilson examines the influence of Rosenberg's class and heritage on his writings, as well as the development of his poetic technique. She traces his maturation from his childhood in Bristol and the Jewish East End of London to art school, his travels to South Africa, and finally his harrowing service as a private in the British Army. Rosenberg was also a gifted painter and this beautifully illustrated volume oncludes some hitherto inseen self-portraits, along with photogrpahs of Rosenberg and his family. Wilson's biogrpahy brings together all known Rosenberg material with a mass of important new discoveries. Isaac Rosenberg is a long-overdue consideration of a remarkable war poet.

The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.