A one-volume collection of the prose and poetry of eighteenth-century Britain’s pre-eminent lexicographer, critic, biographer, and poet Samuel Johnson Samuel Johnson was eighteenth-century Britain’s preeminent man of letters, and his influence endures to this day. He excelled as a moral and literary critic, biographer, lexicographer, and poet. This anthology, designed to make Johnson’s essential works accessible to students and general readers, draws its texts from the definitive Yale Edition of the Works of Samuel Johnson. In most cases, texts are included in full rather than excerpted. The anthology includes many essays from The Rambler and other periodicals; Rasselas; the prefaces to Johnson’s Dictionary and his edition of Shakespeare; the complete Lives of Cowley, Milton, Pope, Savage, and Gray, as well as generous selections from A Journey to the Western Islands of Scotland. Some parts are arranged thematically, allowing readers to focus on such topics as religion, marriage, war, and literature. The anthology includes a biographical introduction, and its ample annotation updates and enlarges the commentary in the Yale Edition.

This selection of the cream of the writing from Volumes II-V of the Yale Edition of the Works of Samuel Johnson fills the largest remaining gap in easily available eighteenth-century texts for the student and general reader. The edition provides in popular form the amplest selection available of Johnson’s essays, ranging from his great moral pieces to the valuable essays on literary criticisms. The text is that of the authoritative Yale Edition and includes full annotation. An introduction by W.J. Bate provides a concise summary of the publication history of the essays and probes in detail the moral vision that pervades most of them. Mr. Bate is Lowell Professor of the Humanities at Harvard University and joint editor of Volumes II-V of the Yale Edition of the Works of Samuel Johnson.

The first new biography for a generation of one of the great figures of English literature Poet, essayist, biographer, lexicographer, critic, conversationalist and wit, Dr Johnson is one of the great figures of English literature, perhaps the most quoted English writer after Shakespeare. Our view of Johnson has been overwhelmingly shaped by James Boswell's Life of Samuel Johnson, published in 1791, the most famous biography in the English language. But invaluable as Boswell is as a source, he should not be the last word. This new biography illuminates the Johnson that Boswell never knew: the awkward youth, the unsuccessful schoolmaster, the eccentric marriage, his early years in London in the 1740s scratching a living, the epic struggle to produce the Dictionary. Very much the outsider, rather than the supremely confident dispenser of robust common sense. Using material unknown to previous biographers, Peter Martin describes the psychological knife-edge on which Johnson felt he lived, caused by his severe melancholia and his physical diseases. He explores Johnson's role in the publishing and printing world of the time and he reveals how important women were to Johnson throughout his life. The Samuel Johnson that emerges from this enthralling biography is still the foremost figure of his age but a more rebellious, unpredictable and sympathetic figure than the one that Boswell so memorably portrayed.

Jeffrey Meyers tells the extraordinary story of Samuel Johnson one of the most illustrious figures of English literary tradition. Johnson was famous as a poet, novelist, biographer, essayist, critic, editor, lexicographer, conversationalist and larger than life personality. After nine years of work Johnson's, 'A dictionary of the English Language, was published in 1755. He overcame great adversity to achieve success. 'The Struggle' is a masterful portrait of a brilliant and tormented figure.

New Essays on Samuel Johnson: Revaluation is a collection of essays by various hands that examines its point of focus, the inexhaustible English author Samuel Johnson, from a variety of different critical perspectives. The book also simultaneously interrogates particular texts (such as the Dictionary, the Lives of the Poets) alongside general themes (such as Johnson and intertextuality, Johnson and autobiography). The word “revaluation” from the title connotes both the deployment of specifically au courant approaches—viewing, for example, Johnson in relation to climate change, or Johnson and the notion of “osmology”—as well as more general reflections upon Johnson’s importance to our present cultural and temporal moment.

This Companion, first published in 1997, provides an introduction to the works and life of one of the key figures in English literary history.

European literary history teems with prejudices. Nowhere perhaps is bias more evident than in the field of Anglo-French relations of the eighteenth century. In England looms the formidable figure of Samuel Johnson, while the French-speaking world is dominated by Rousseau, Voltaire, and Diderot. Samuel Johnson thought little of Voltaire and never mentioned Diderot. That he wanted to banish Rousseau to the American colonies is well known. All three men were, in Johnson's mind, infidels to the Christian order of society. In Samuel Johnson and Three Infidels, Mark Temmer reevaluates dogmatic views and critical commonplaces that have encrusted these relationships by comparing representative works of the three Continental authors to corresponding works and realities embodied and created by Samuel Johnson. After reviewing existing harmonies and dissonances between France and England, Temmer turns to the lives of Johnson and Rousseau, interpreting them as ontological masterpieces made visible mainly in Rousseau's Confessions and in biographies of Johnson by James Boswell and Hester Piozzi, both of whom insist on remarkable affinities between the two men. In the words of Mrs. Piozzi, they were "alike as sensations of frost and fire." Despite their opposing doctrines, Temmer reveals a pietism in Rousseau that often matches in intensity Johnson's otherworldly yearnings. Temmer moves from this comparison into a discussion of Candide and Rasselas, works published within months of each other in 1759. Integrating Voltaire's satire and Johnson's moral tale into the philosophical history of the age, Temmer goes on to uncover shared moments of laughter and music, ringing out against the gray background of a life in which, for both men, "much is to be endured and little to be enjoyed." Finally, exploring Johnson's Life of Richard Savage and Diderot's Le Neveu de Rameau, Temmer suggests the strong possibility that Diderot's masterpiece may have been influenced by Johnson's biography as well as by Savage's own An Author to be Lett. In this book, Temmer moves beyond the boundaries that have traditionally defined eighteenth-century scholarship on either shore of the English Channel. Creating a cross-cultural conversation bounded only by the lives and interests of his subjects, Temmer relates Johnson to Continental literature and defines his innovative role in a tradition that leads to Hegel, Dostoevsky, and Nietzsche.