The poems in The Error of Nostalgia explore the relationships between individuals and their natural and urban environments in the American South and South America. These disparate locations serve as sites where, among other things, humans confront the perils of natural catastrophes, expatriation, urbanization, and crises of identity. “Richard Boada’s brilliant and self-torn poems mediate nature and the urbane. Their economies chafe, rousing teargas and vulcanism. They are not nostalgia, but ‘lucidities that appear when one goes home,’ ‘evidence of who we are.’” —Angela Ball “The poems in Richard Boada’s The Error of Nostalgia are quick and tactile, moving through landscapes and histories with the speed of fresh recognition, what Brodsky called the ‘accelerated thinking’ of poetry.” —Jesse Graves author, Tennessee Landscape with Blighted Pine “These poems brim with sonic lushness, with musicality, and with a delicacy that reminds me of James Wright and Louise Glück. However, Boada’s poetry is his own: complex, pulsing, curious, and always surprising.” —William Wright author, Night Field Anecdote and Bledsoe

The poems in The Error of Nostalgia explore the relationships between individuals and their natural and urban environments in the American South and South America. These disparate locations serve as sites where, among other things, humans confront the perils of natural catastrophes, expatriation, urbanization, and crises of identity. "Richard Boada's brilliant and self-torn poems mediate nature and the urbane. Their economies chafe, rousing teargas and vulcanism. They are not nostalgia, but 'lucidities that appear when one goes home, ' 'evidence of who we are.'" --Angela Ball "The poems in Richard Boada's The Error of Nostalgia are quick and tactile, moving through landscapes and histories with the speed of fresh recognition, what Brodsky called the 'accelerated thinking' of poetry." --Jesse Graves author, Tennessee Landscape with Blighted Pine "These poems brim with sonic lushness, with musicality, and with a delicacy that reminds me of James Wright and Louise Glück. However, Boada's poetry is his own: complex, pulsing, curious, and always surprising." --William Wright author, Night Field Anecdote and Bledsoe

Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.

An ethnographic analysis of the ways that, during the 1990s, Turkish citizens began to express nostalgia for the secularist and nationalist foundations of the Turkish Republic.

Americans today are frustrated and anxious. Our economy is sluggish, and leaves workers insecure. Income inequality, cultural divisions, and political polarization increasingly pull us apart. Our governing institutions often seem paralyzed. And our politics has failed to rise to these challenges. No wonder, then, that Americans -- and the politicians who represent them -- are overwhelmingly nostalgic for a better time. The Left looks back to the middle of the twentieth century, when unions were strong, large public programs promised to solve pressing social problems, and the movements for racial integration and sexual equality were advancing. The Right looks back to the Reagan Era, when deregulation and lower taxes spurred the economy, cultural traditionalism seemed resurgent, and America was confident and optimistic. Each side thinks returning to its golden age could solve America's problems. In The Fractured Republic, Yuval Levin argues that this politics of nostalgia is failing twenty-first-century Americans. Both parties are blind to how America has changed over the past half century -- as the large, consolidated institutions that once dominated our economy, politics, and culture have fragmented and become smaller, more diverse, and personalized. Individualism, dynamism, and liberalization have come at the cost of dwindling solidarity, cohesion, and social order. This has left us with more choices in every realm of life but less security, stability, and national unity. Both our strengths and our weaknesses are therefore consequences of these changes. And the dysfunctions of our fragmented national life will need to be answered by the strengths of our decentralized, diverse, dynamic nation. Levin argues that this calls for a modernizing politics that avoids both radical individualism and a centralizing statism and instead revives the middle layers of society -- families and communities, schools and churches, charities and associations, local governments and markets. Through them, we can achieve not a single solution to the problems of our age, but multiple and tailored answers fitted to the daunting range of challenges we face and suited to enable an American revival.

Penny M. Von Eschen offers a sweeping examination of the afterlife of the cold war and its lingering shadows, showing how a nostalgia and longing for stability fuels US-led militarism and the rise of xenophobic right-wing nationalism and authoritarianism around the world.

As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories. Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, she reveals nostalgia’s capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments. Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past.

Can one be nostalgic for the home one never had? Why is it that the age of globalization is accompanied by a no less global epidemic of nostalgia? Can we know what we are nostalgic for? In the seventeenth century, Swiss doctors believed that opium, leeches, and a trek through the Alps would cure nostalgia. In 1733 a Russian commander, disgusted with the debilitating homesickness rampant among his troops, buried a soldier alive as a deterrent to nostalgia. In her new book, Svetlana Boym develops a comprehensive approach to this elusive ailment. Combining personal memoir, philosophical essay, and historical analysis, Boym explores the spaces of collective nostalgia that connect national biography and personal self-fashioning in the twenty-first century. She guides us through the ruins and construction sites of post-communist cities -- St. Petersburg, Moscow, Berlin, and Prague-and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstam, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, from love letters on Kafka's grave to conversations with Hitler's impersonator, Boym unravels the threads of this global epidemic of longing and its antidotes.

Remember what a wild frontier the early days of home gaming were? Manufacturers releasing new consoles at a breakneck pace; developers creating games that kept us up all night, then going bankrupt the next day; and what self-respecting kid didn't beg their parents for an Atari or a Nintendo? This explosion of computers, consoles, and games was genuinely unlike anything the tech world has seen before or since. This thoroughly researched and geeky trip down memory lane pulls together the most entertaining stories from this dynamic era, and brings you the classic tech that should never be forgotten.

“A thrilling and immersive work of speculative climate fiction.” —Kirkus Reviews The second installment in the topical, award-winning Heartless Series, Nostalgia Is Heartless delves into a world on the brink of climate catastrophe. Pregnant, unemployed, and living back home with her father, scientist Quinn Buyers wonders how she got to this point. Her famous scientist mother is still mysteriously missing, the planet is at risk from a massive solar storm, the pesky Transhumans want to take a colony to Titan, and her assisted living companion, a robotic meerkat, is showing clear signs of anxiety and depression. But her biggest challenge is her partner. How can she reconcile her long-distance relationship with this reserved, enigmatic cyborg? This time, Quinn’s adventures take her across the globe to Antarctica . . . where it rains all day, every day. Full of humor and whimsy, Nostalgia Is Heartless will delight readers as they follow Quinn’s race to save her family, her planet, and—hopefully—her love life.