In The Eroticization of Distance: Nietzsche, Blanchot and the Legacy of Courtly Love, Joseph D. Kuzma explores the significance of courtly erotic themes in Friedrich Nietzsche’s mature philosophy and in Maurice Blanchot’s writings of the 1940s and early 1950s. Rather than offering an account of erotic relationality that prioritizes reconciliation, fulfillment, or release, Nietzsche attempts to formulate a nonteleological eroticism that aims at nothing but the perpetual intensification of desire. Kuzma suggests that it is Blanchot who carries Nietzsche’s courtly erotic tendencies to their most provocative point, by highlighting potentials for intimate relationality that might be established through a shared experience of dispossession and loss. This first monograph to engage specifically with the theme of eroticism in Blanchot’s writings will be of interest not only to students and scholars of Nietzsche, Blanchot, or French philosophy, but also anyone interested in the philosophy of sexuality, the history of love, theories of the emotions, or nineteenth and twentieth-century European thought more generally.

Heightened awareness of the problem of sexual abuse has led to deep anxiety over adults touching children in nearly any context. This book probes the disquieting issue of how we can draw a clear line between natural affection towards children and perverse exploitation of them.

The Heart Has Its Reasons explores a hitherto neglected area of theological anthropology: the unity of human emotion and reason embodied in the Biblical concept of the heart. While the theological contours of human rationality have long been clearlydrawn and presented as the exclusive seat of the image of God, affectivity has been relegated to a secondary position. With the reintegration of the body into recent philosophical and theological discourses, a number of questions have arisen: if theimage (also) resides in the body, how does this change one's view of the theological significance of human affect? In what way is our likeness to God realised in the whole of what we are? Can one overcome the traditional dissociation between intellect and affect by a renewed theory of love? In conversation with patristic and medieval authors like Irenaeus, Tertullian, Gregory of Nyssa, Maximus, and Thomas Aquinas, and in dialogue with more recent interlocutors such as Blaise Pascal, Ricoeur, Marion, Milbank, and John Paul II, Beata Toth pursues a novel theological vision of the essential unity of our humanity.

This book explores the different dimensions of Christian love. It argues that all expressions of love are wrestling with the challenge of otherness.

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Economic liberalization and globalization in India in the early 1990s resulted in a whirlwind of consumerist activities. New material and visual temptations swamped the markets. Expanding field of commodification infiltrated consumer minds through media imageries. New objects of desire aroused inhibited cravings. This engendered an accelerated and intensified relationship with things and images that permeate our everyday lives. Consumerist Encounters elucidates how our all-consuming relationship with objects and their representations have transformed rapidly over the last few decades in contemporary urban India. It argues that ephemerality, frivolousness, and multiplicity of choice regulate our flirtatious encounters with commodities and their images as we restlessly use, exhaust, dispose, and move on. Such a trend is illustrated by examining a plethora of commodity-centric phenomena such as exclusion through apparel, eroticization of body images, population of the T-shirt surface with graphics and text, rise of business process outsourcing, instantaneous seeing and sharing of images, and rejection of material goods in junkyards and ruins. These explorations collectively shed light on the constant negotiation of our identities, statuses, and mobilities in the image-saturated commodity landscape.

This collection of eleven new essays contains the latest developments in analytic feminist philosophy on the topic of pornography. While honoring early feminist work on the subject, it aims to go beyond speech act analyses of pornography and to reshape the philosophical discourse that surrounds pornography. A rich feminist literature on pornography has emerged since the 1980s, with Rae Langton's speech act theoretic analysis dominating specifically Anglo-American feminist philosophy on pornography. Despite the predominance of this literature, there remain considerable disagreements and precious little agreement on many key issues: What is pornography? Does pornography (as Langton argues) constitute women's subordination and silencing? Does it objectify women in harmful ways? Is pornography authoritative enough to enact women's subordination? Is speech act theory the best way to approach pornography? Given the deep divergences over these questions, the first goal of this collection is to take stock of extant debates in order to clarify key feminist conceptual and political commitments regarding pornography. This volume further aims to go beyond the prevalent speech-acts approach to pornography, and to highlight novel issues in feminist pornography-debates, including the aesthetics of pornography, trans* identities and racialization in pornography, and putatively feminist pornography.

This long-awaited, magisterial study-an unparalleled blend of philosophy, poetry, and philology-draws on theories of sexuality, phenomenology, comparative religion, philological writings on Kabbalah, Russian formalism, Wittgenstein, Rosenzweig, William Blake, and the very physics of the time-space continuum to establish what will surely be a highwater mark in work on Kabbalah. Not only a study of texts, Language, Eros, Being is perhaps the fullest confrontation of the body in Jewish studies, if not in religious studies as a whole. Elliot R. Wolfson explores the complex gender symbolism that permeates Kabbalistic literature. Focusing on the nexus of asceticism and eroticism, he seeks to define the role of symbolic and poetically charged language in the erotically configured visionary imagination of the medieval Kabbalists. He demonstrates that the traditional Kabbalistic view of gender was a monolithic and androcentric one, in which the feminine was conceived as being derived from the masculine. He does not shrink from the negative implications of this doctrine, but seeks to make an honest acknowledgment of it as the first step toward the redemption of an ancient wisdom. Comparisons with other mystical traditions-including those in Christianity, Buddhism, and Islam-are a remarkable feature throughout the book. They will make it important well beyond Jewish studies, indeed, a must for historians of comparative religion, in particular of comparative mysticism. Praise for Elliot R. Wolfson: "Through a Speculum That Shines is an important and provocative contribution to the study of Jewish mysticism by one of the major scholars now working in this field."-Speculum

Evil and Givenness: The Thanatonic Phenomenon provides a phenomenological study of evil in its conceptual integrity.Describing a phenomenological situation exclusive to evil in its distinct mode of givenness and manners of manifestation, the account of evil in this book centers on the thanatonic as that phenomenality proper to evil. Although situated within a phenomenology of givenness via Jean-Luc Marion, the thanatonic is distinguished from saturated phenomena by giving itself in a parasitic mode. Brian W. Becker identifies four figures as displaying characteristics of this parasitic givenness—trauma, evil eye, foreign-body, and abject—each expressing a dimension of the thanatonic and paralleling the four figures of the saturated phenomenon. Like the four horsemen who serve as heralds for the destruction of the world, these figures beckon the destruction of our lifeworld, diminishing the self who encounters them. Upon losing the will to bear the excess of saturated phenomena, the receding of horizons, and the loss of singularity, this impoverished self misrecognizes itself in a manner that begins to resemble the metaphysical ego and, in doing so, becomes a vector for retransmitting the thanatonic’s suffering unto others.

Spatial Representations and the Jacobean Stage offers a timely alternative to theatre criticism's neglect of the intensely spatial character of theatrical performance. The book shows that early modern audiences were highly aware of the spatial aspects of the stage. West examines the ways Jacobean dramatists used stage space to explore the spatial transformations of early modern society - social mobility, wandering populations, rural enclosure, sea travel, localized empirical thought. Dramas by Shakespeare, Jonson, Middleton and Webster are scrutinized for their treatment of these controversial themes.