The Erotic Diary of Isabelle The Raunchy Red Book By: Dianne Rose & Derrick Andre These books form part of the Literally Lovesick Universe consisting of multiple books with crossing stories, narratives and timelines. A diary of carnal lust. . .erotic moments. ..new experiences... After a shock revelation about her past at her older sister's engagement party, Isabelle decides to move away from her home city of Birmingham and seek a new life and new experiences in another city...London. Isabelle immediately finds a job working as a server in a high-end fancy restaurant. The pay is good, and the tips are great and there is also the chance to work at the owner's other business...a gay club. Meeting new friend Scarlett, Isabelle realises that for the first time in her life she is free to choose who and where to sleep with... "There's no judgements. There's no one there to tell you what to do and how to behave. For the first time in my life, I have the freedom just to be me. The problem is, I don't really know who that is." It isn't long before Isabelle discovers that her new found freedom entitles her to all sorts of new and sexy experiences and adventures, so many that she begins to make a list... "No boyfriend. No family. Hell, not even really any friends. There's no better time than now to be a little wild and have some fun. My Sex List... Lesbian Sex Swallowing a guy First Black guy Married man Anal Bondage- light Group sex" How far will Isabelle go? Will she complete her list? Will it be all sexy fun or will there be danger, regrets and situations beyond her control? Available on Kindle and in Paperback... What are you waiting for? Grab YOUR copy NOW!

Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominent scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation. Feminism and Documentary begins with a substantial historical introduction that highlights several of the specific areas that contributors address: debates over realism, the relationship between filmmaker and subject, historical thinking about documentary and thinking about the historical documentary, biography and autobiography, and the use of psychoanalysis. Other essays, most of which appear here for the first time, range from broad overviews to close analyses of particular films and videos and from discussions of well-known works such as Roger and Me and Don't Look Back to lesser known texts that might revise the canon. The collection includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. Lucid, sophisticated, and eye-opening, this book will galvanize documentary studies and demonstrate the need for women's and cultural studies to grapple with visual media.

I knew her as a child. Her father was best friends with mine. When he asked, of course I agreed to bring her into my company as an intern. I had no idea what the hell I was getting myself into. Eleven years separate me and that girl. My relationship with her father is too important to risk losing. Tasting her has become an obsession I can't let go. And making sure no one else has her is going to become my God damned downfall.

Textual Mothers/Maternal Texts focuses on mothers as subjects and as writers who produce auto/biography, fiction, and poetry about maternity. International contributors examine the mother without child, with child, and in her multiple identities as grandmother, mother, and daughter. The collection examines how authors use textual spaces to accept, negotiate, resist, or challenge traditional conceptions of mothering and maternal roles, and how these texts offer alternative practices and visions for mothers. Further, it illuminates how textual representations both reflect and help to define or (re)shape the realities of women and families by examining how mothering and being a mother are political, personal, and creative narratives unfolding within both the pages of a book and the spaces of a life. The range of chapters maps a shift from the daughter-centric stories that have dominated the maternal tradition to the matrilineal and matrifocal perspectives that have emerged over the last few decades as the mother’s voice moved from silence to speech. Contributors make aesthetic, cultural, and political claims and critiques about mothering and motherhood, illuminating in new and diverse ways how authors and the protagonists of the texts “read” their own maternal identities as well as the maternal scripts of their families, cultures, and nations in their quest for self-knowledge, agency, and artistic expression.

***The Amazon Bestselling Erotic Romance Series - Revamped edition with over five new chapters of never before seen content!*** She was the sexiest, juiciest thing I'd ever laid eyes on, and I couldn't have her. I knew her as a child. Her father was best friends with mine. When he asked, of course I agreed to bring her into my company as an intern. I had no idea what the hell I was getting myself into. My body wants her and no one else-and I know, despite how hard I'm fighting it, I'm going to end up having her. Eleven years separate me and that girl. My relationship with her father is too important to risk losing. Fucking her has become an obsession I can't let go. And making sure no one else has her is going to become my God damned downfall.

Sometimes they fell in love, sometimes not, but their erotic encounters colored their perceptions of abroad forever."--BOOK JACKET.

Award-winning creators, Amy Novesky and Isabelle Arsenault, present a picture book biography of a beloved artist in Cloth Lullaby: The Woven Life of Louise Bourgeois. Louise Bourgeois (1911–2010) was a world-renowned modern artist noted for her sculptures made of wood, steel, stone, and cast rubber. Her most famous spider sculpture, Maman, stands more than 30 feet high. Just as spiders spin and repair their webs, Louise’s own mother was a weaver of tapestries. Louise spent her childhood in France as an apprentice to her mother before she became a tapestry artist herself. She worked with fabric throughout her career, and this biographical picture book shows how Bourgeois’s childhood experiences weaving with her loving, nurturing mother provided the inspiration for her most famous works. With a beautifully nuanced and poetic story, this book stunningly captures the relationship between mother and daughter and illuminates how memories are woven into us all. “With evocative, gorgeous illustrations and an inspirational story of an artist not often covered in children’s literature, this arresting volume is an excellent addition to nonfiction picture book collections, particularly those lacking titles about women artists.” —Booklist, starred review

Publishes solicited manuscripts on French literary and cultural studies.