"This anthology serves as an introduction to Boehme's thought and will bring readers deeper into his philosophy. Part One gives biography and context of Boehme's writings and their influence on later scientists, alchemical researchers and poets. Part Two contains selections from Boehme's works grappling with his main themes including the birth of God and the vindication of His goodness. Of particular interest are a number of letters from Boehme which have never appeared previously in English."--BOOK JACKET.

Jacob Böhme (1575–1624) is famous as a shoemaker and spiritual author. His works and thought are frequently studied as a product of his mystical illumination. Jacob Böhme and His World adopts a different perspective. It seeks to demystify Böhme by focusing on aspects of his immediate cultural and social context and the intellectual currents of his time, including Böhme’s writing as literature, the social conditions in Görlitz, Böhme’s correspondence networks, a contemporary “crisis of piety,” Paracelsian and kabbalistic currents, astrology, astronomy and alchemy, and his relationship to other dissenting authors. Relevant facets of reception include Böhme’s philosophical standing, his contributions to pre-Pietism, and early English translations of his works.

The Way to Christ was the first published book of German mystic JACOB BOEHME (1575-1624), who received a revelatory vision in 1600 while watching a beam of sunlight reflect in a metal dish. A spiritual guide for Christians, this book contains Boehme's method for attaining enlightenment and unity with God. He offers prayers for readers to repeat and guides them through the repentance that is necessary in finding Christ. Lost souls and Christians out of touch with their faith will find Boehme's conviction and passion inspiring.

Time, Consciousness and Writing brings together a collection of critical reflections on Peter Malekin’s “model of the mind”, which he saw as a crucial yet often neglected aspect of critical theory in relation to theatre, literature and the arts. The volume begins with a selection of Peter Malekin’s own writings that lay out his critique of western culture, its overstated claims to universal competence and validity, and lays out an alternative view of consciousness that draws partly on Asian traditions and partly on underground traditions from the west. The essays that follow, commissioned for this volume, critically examine Malekin’s ideas, drawing out their implications in a variety of contexts including theatre, liturgical performance, poetry and literature. The book ends with an assessment of future prospects opened by this work.