The Epic of Hades by Sir Lewis Morris.

Hades is dying. All of his money couldn’t save him from falling for Persephone. If his final secret is revealed, she stands to lose as much as he does. The only way to save her life is to set her free. Persephone would rather die herself than lose him. But choosing the broken billionaire means walking away from her old life forever. It means giving up everything. But time is running out. And everything might not be enough. MIDNIGHT KINGDOM is the third and last book in the King of Shadows trilogy by USA Today bestselling author Amelia Wilde. KING OF SHADOWS and SUMMER QUEEN should be read first.

The story of Lucifer's fall from heaven is well known. His wicked nature is legendary, surviving for many years, yet as all conflicts go there are two sides. These opposing sides each with their own reasons and justifications. Knowing only part of the story is worthless. The Keys of Death and Hades is the first book in the Epic of Lucifer. It is the story as it happened through the Wyrm's eyes. What could be so precious that Lucifer would dare defy the will of God, supreme creator of all, fail and try again?

From the author of the Madison Kate series comes the next in the dark and delicious interconnected Hades series, another biting "why choose" romance in Shadow Grove. "I wasn't fighting this war with Chase alone. I never had been, with Zed at my back. But this time I also had Cass and Lucas, and goddamn if we weren't a force to be f***ing reckoned with." They say to keep your enemies close, and mine are all around me. At the heart of it are four dangerously gorgeous men: The man who wants to light my darkness and has already paid the price for loving me. The man who can handle my power and loves every dark inch of me. The man who has been my closest companion, and now threatens to upend our carefully balanced world in pursuit of me. But the fourth man is probably the most terrifying, because he wants to take the others away from me. He wants to tear the spinal column out of the empire I've built. Destroy my businesses. Destroy me. Why? Because this man should have stayed dead, but he didn't, and now he wants revenge. He will stop at nothing until he's carved out my bloody, beating heart and left me broken. But he should remember who he's dealing with. I'm not the girl he knew anymore, and I will never let him have what's mine.

For most souls, the Greek Underworld was a world of eternal shadows. The dead were ferried across a river in a boat guided by the grim Charon, who demanded payment from each soul. As they disembarked, a low growl rumbled through the silence, and a huge creature with three heads emerged from the dank mist along the riverbank. It was Cerberus, Hades’ watchdog who guarded the gates of his realm. The souls arriving had nothing to fear from the beast—but any souls trying to escape would be torn to shreds. Once a soul entered the Underworld, it was Cerberus’s job to make sure it never left. Cerberus is one of the best-known monsters in Greek mythology. His story takes readers on an intriguing tour of the Underworld and inside his unwitting part in the Twelve Labors of Hercules. Despite his fearsomeness, Cerberus is not seen as evil; instead he is respected as Hades’ loyal protector, making him perhaps the most appreciated monster of them all.

"Persephone is the Goddess of Spring in title only. Since she was a little girl, flowers have only shriveled at her touch. After moving to New Athens, she hoped to lead an unassuming life disguised as a mortal journalist. All of that changes when she sits down in a forbidden nightclub to play a hand of cards with a hypnotic and mysterious stranger. Hades, God of the Dead, has built a gambling empire in the mortal world and his favorite bets are rumored to be impossible. But nothing has ever intrigued him as much as the goddess offering him a bargain he can't resist. After her encounter with Hades, Persephone finds herself in a contract with the God of the Dead, and his terms are impossible: Persephone must create life in the Underworld or lose her freedom forever. The bet does more than expose Persephone's failure as a goddess, however. As she struggles to sow the seeds of her freedom, love for the God of the Dead grows-a love that is both captivating and forbidden"--

This unique approach to the Iliad and the Odyssey explores the role and function of Hades as a poetic environment in which traditional exposition of heroic values may be subverted in favour of a more personally inflected approach to the epic past, giving rise to a different kind of poetics: the 'poetics of Hades'.