This book provides an overview of the extent to which the 18th-century English Landscape Garden spread through Europe and Russia. While this type of garden acted widely as an inspiration, it was not slavishly copied but adapted to local conditions, circumstances and agendas. A garden 'in the English style' is commonly used to denote a landscape garden in Europe, while the term 'landscape garden' is used for layouts that are naturalistic in plan and resemble natural scenery, though they might be highly contrived and usually large in scale. The landscape garden took hold in mainland Europe from about 1760. Due to the differing geopolitical character of several of the countries, and a distinct division between Catholic and Protestant, the notion of the landscape garden held different significance and was interpreted and applied variously in those countries: in other words, they found it a very flexible medium. Each country is considered individually, with a special chapter devoted to 'Le Jardin Anglo-Chinois', since that constitutes a major issue of its own. The gardens have been chosen to illustrate the range and variety of applications of the landscape garden, though they are also those about which most is known in English.

The eighteenth-century phenomenon of the English landscape garden was so widespread that even today, when so much has been built over or otherwise changed, examples remain throughout England. Although seemingly natural, the English landscape was generally the result of considerable effort, contrivance, and design skill, the glorious outcome of "the art that conceals art." Taking many forms, the landscape garden might involve digging lakes, raising or leveling hills, or planting vast numbers of trees--whatever was required to show nature to best advantage. Richly illustrated throughout, this book uncovers the complex, multi-layered, and wide-ranging story of the landscape garden in England.

The author traces the rise of the picturesque garden in England and throughout Europe, exploring intricate dialogues between practical place-making and the theoretical formulations of the picturesque. He surveys a wide range of sites - Rousham, Stourhead, Kew, Hestercombe, The Leasowes, Hafod, Ermenonville, Désert de Retz among others - and the contributions to their creation by both amateurs and professionals. The impact on European countries of the English example was complicated by the parallel rise of a picturesque garden in France, which had its own cultural direction even while it looked to England and China for inspiration. Finally, the book analyses and assesses the impact of English and French design upon other countries, in particular Sweden, the German-speaking lands and Russia.

A garden classic, The Genius of the Place reveals that the history of landscape gardening is much more than a history of design and style; it opens up a wide perspective of English cultural history, showing how landscape gardening was gradually transformed over two centuries into an art that has been widely imitated throughout Europe and North America. The English landscape garden is richly documented in this anthology. Over 100 illustrations accompany writings that range from Francis Bacon to Jane Austin; from the early 1600s, when Englishmen began to determine their own concept and form of the garden, through the first half of the eighteenth century when its distinctive feature emerged, to the heyday of the landscape garden under "Capability" Brown and the reactions to his pure formalism under Repton and Loudon in the 1800s. This edition contains a new introduction and bibliography covering the many developments in garden history during the last dozen years.

This authoritative new series of guidebooks to the gardens of Europe is the perfect companion for any garden enthusiast, whether tourist or armchair traveler. Each title is a richly illustrated in-depth guide to over 100 gardens, from the famous to little-known hidden treasures, and features colorful photography and easy-to-read illustrations commissioned especially for this series. Also included are maps, directions, complete visitor information, special features, and neighboring sites of interest. Each guide, written by a gardening expert, begins with a comprehensive background on the country's garden history and local climate. The most significant gardens in each volume are featured in even greater detail, accompanied by illustrated plans of the gardens and close-up views of particular features. The numerous color photographs and maps show travelers what awaits at each garden. The Garden Lover's Guides are indispensible aids for those planning European travel itineraries. The Garden Lover's Guide to Britain, written by Patrick Taylor, ranges from the sweeping views of Stourhead to the jungle-like ambiance of Inverewe on the Scottish coast.

Garden design began in West Asia and spread through Europe. This book tells how, in the British Isles, it flourished to an extraordinary degree. Following the historical method in Tom Turnere(tm)s books on Asian gardens (2010) and European gardens (2011), it uses almost 1000 colour photographs, plans and style diagrams to provide a word and image history of garden design. Individual chapters cover the Celtic, Roman, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Arts and Crafts, Modern and Postmodern periods. Additional information about the gardens in the book is available on the Gardenvisit.com website, which the author edits eehttp://www.gardenvisit.com/history_theory/british_gardens_companion

The English love affair with the landscape garden reached its height in the eighteenth century, when the creation of some of our greatest gardens set a stylistic lead which Continental Europe was eager to follow. In this informed and entertaining book, Timothy Mowl reveals how this development in garden style came about through an interaction between the garden owners, who had a vision of what these gardens might become, and the professionals who had the expertise to realise this vision. Technologies and discoveries were exchanged, and theories were absorbed, popularised and then discarded, in a fascinating sequence of action and reaction. It was a mould-breaking, revolutionary period in garden history. Mowl takes the reader on a fascinating journey to the magnificent gardens at Chiswick, Stowe, Castle Howard, Painshill, Stourhead and an astonishing host of lesser Edens, and casts a fresh and illuminating perspective on the great age of the English Arcadia (1620-1820).

The English Landscape Garden is a beautifully photographed celebration of the best of the 18th century English landscape garden—a quintessentially British art form that influenced the rest of the world.