This is a major revision of The Anglican Use Gradual, 2007 which follows the structure of the Graduale Romanum and draws upon the musicological work of Dr. Palmer (G.H.P.), Francis Burgess (F.B.), and Winfred Douglas (W.D.). Since The Plainchant Gradual of Palmer and Burgess is again available in a reprint, I have eliminated most of the occasional melismatic chants and have included simple psalm tone chants based on Burgess' The English Gradual in order to provide a practical book that can be used in most churches. This expanded volume follows the structure and text of Divine Worship: The Missal, 2015, and covers all of the minor propers called for in that Missal. An index is included to adapt this book to the Ordinary Time lectionary sequence.

The Chants of the Mass for Sundays, Solemnities, and Feasts.

These simple settings of the Introits, Graduals, Alleluias, tracts, offertories and Communions are intended for the use of parish choirs at the principal service on Sundays and Holy-days throughout the Christian year.

A composer’s tour of a mysterious chain of islands reveals startling truths in this “brilliant, meditative fantasy” by the multiple award-winning author of The Prestige (Barnes & Noble) Alesandro Sussken is a composer living in Glaund, a fascist state constantly at war with another equally faceless opponent. His brother is sent off to fight; his family is destroyed by grief. Occasionally Alesandro catches glimpses of islands in the far distance from the shore, and they feed into the music he composes. But all knowledge of the other islands is forbidden by the military junta, until he is unexpectedly sent on a cultural tour. And what he discovers on his journey will change his perceptions of his home, his music, and the ways of the islands themselves. Bringing him answers where he could not have foreseen them. A rich and involving tale playing with the lot of the creative mind, the rigors of living under war and the nature of time itself, this is multi award-winning, master storyteller Christopher Priest at his absolute best.

Introduction by Archbishop Salvatore Cordileone. The Propers of the Mass book contains English chant settings for the Entrance and Communion Antiphons given in The Roman Missal, 2010, as well as suggestions for the Offertory Antiphons, following the pattern of the Graduale Romanum,1974. For most antiphons, four levels of settings from complex to very simple are provided, : i. through-composed melismatic; ii. through-composed simple; iii. Gregorian psalm tone; iv. English psalm tone. Optional psalm verses are provided in the Gregorian psalm tone style. Thus this collection provides an option intended to suit the abilities and needs of any choir or cantor. Ordination and nuptial Masses are also included, as well as the Asperges me and Vidi aquam. The Gloria Patri is given in the eight Gregorian tones, solemn and simple.

Following the abolition of slavery in New England, white citizens seemed to forget that it had ever existed there. Drawing on a wide array of primary sources—from slaveowners' diaries to children's daybooks to racist broadsides—Joanne Pope Melish reveals not only how northern society changed but how its perceptions changed as well. Melish explores the origins of racial thinking and practices to show how ill-prepared the region was to accept a population of free people of color in its midst. Because emancipation was gradual, whites transferred prejudices shaped by slavery to their relations with free people of color, and their attitudes were buttressed by abolitionist rhetoric which seemed to promise riddance of slaves as much as slavery. She tells how whites came to blame the impoverished condition of people of color on their innate inferiority, how racialization became an important component of New England ante-bellum nationalism, and how former slaves actively participated in this discourse by emphasizing their African identity. Placing race at the center of New England history, Melish contends that slavery was important not only as a labor system but also as an institutionalized set of relations. The collective amnesia about local slavery's existence became a significant component of New England regional identity.

Better Learning Through Structured Teaching describes how teachers can help students develop stronger learning skills by ensuring that instruction moves from modeling and guided practice (situations where the teacher has most of the responsibility) to collaborative learning and, finally, to independent tasks. You'll find out how to use the four components of this approach to help meet critical challenges, including differentiating instruction and making effective use of class time: 1. Focus Lessons: Establishing the lesson’s purpose and then modeling your own thinking for students.2. Guided Instruction: Working with small groups of students who have similar results on performance assessments. 3. Collaborative Learning: Enabling students to discuss and negotiate with one another to create independent work, not simply one project. 4. Independent Tasks: Requiring students to use their previous knowledge to create new and authentic products. The authors explore each component using student dialogues and examples from a variety of disciplines and grade levels. They provide tips and tools for successfully implementing this instructional approach in your own classroom, including checklists for classroom setup and routines, critical questions, real-world lesson plans, and more. No matter what grade level you teach, Better Learning Through Structured Teaching is your essential guide to helping students develop and expand their capacity for authentic and long-lasting learning.

The HymnTune Psalter, an immediate success throughout the church when it debuted in 1998, has now been revised and reorganized for the Revised Common Lectionary. Book 2 contains all the psalms for Sunday worship during the Season after Pentecost. These settings are ideal for congregations new to psalm singing because the refrains are based on familiar hymn tunes. The chants are in the Simplified Anglican Chant style which may be sung by the choir or a cantor. Explore the ancient practice of singing psalmody; enjoy unity with other mainline denominations who follow this lectionary.