From THE ENEMY AT HOME: “In this book I make a claim that will seem startling at the outset. The cultural left in this country is responsible for causing 9/11. … In faulting the cultural left, I am not making the absurd accusation that this group blew up the World Trade Center and the Pentagon. I am saying that the cultural left and its allies in Congress, the media, Hollywood, the nonprofit sector, and the universities are the primary cause of the volcano of anger toward America that is erupting from the Islamic world. The Muslims who carried out the 9/11 attacks were the product of this visceral rage—some of it based on legitimate concerns, some of it based on wrongful prejudice, but all of it fueled and encouraged by the cultural left. Thus without the cultural left, 9/11 would not have happened. “I realize that this is a strong charge, one that no one has made before. But it is a neglected aspect of the 9/11 debate, and it is critical to understanding the current controversy over the ‘war against terrorism.’ … I intend to show that the left has actively fostered the intense hatred of America that has led to numerous attacks such as 9/11. If I am right, then no war against terrorism can be effectively fought using the left-wing premises that are now accepted doctrine among mainstream liberals and Democrats.” Whenever Muslims charge that the war on terror is really a war against Islam, Americans hasten to assure them they are wrong. Yet as Dinesh D’Souza argues in this powerful and timely polemic, there really is a war against Islam. Only this war is not being waged by Christian conservatives bent on a moral crusade to impose democracy abroad but by the American cultural left, which for years has been vigorously exporting its domestic war against religion and traditional morality to the rest of the world. D’Souza contends that the cultural left is responsible for 9/11 in two ways: by fostering a decadent and depraved American culture that angers and repulses other societies—especially traditional and religious ones— and by promoting, at home and abroad, an anti-American attitude that blames America for all the problems of the world. Islamic anti-Americanism is not merely a reaction to U.S. foreign policy but is also rooted in a revulsion against what Muslims perceive to be the atheism and moral depravity of American popular culture. Muslims and other traditional people around the world allege that secular American values are being imposed on their societies and that these values undermine religious belief, weaken the traditional family, and corrupt the innocence of children. But it is not “America” that is doing this to them, it is the American cultural left. What traditional societies consider repulsive and immoral, the cultural left considers progressive and liberating. Taking issue with those on the right who speak of a “clash of civilizations,” D’Souza argues that the war on terror is really a war for the hearts and minds of traditional Muslims—and traditional peoples everywhere. The only way to win the struggle with radical Islam is to convince traditional Muslims that America is on their side. We are accustomed to thinking of the war on terror and the culture war as two distinct and separate struggles. D’Souza shows that they are really one and the same. Conservatives must recognize that the left is now allied with the Islamic radicals in a combined effort to defeat Bush’s war on terror. A whole new strategy is therefore needed to fight both wars. “In order to defeat the Islamic radicals abroad,” D’Souza writes, “we must defeat the enemy at home.”

A Classic in Counterintelligence—Now Back in Print Originally published in 1987, Thwarting Enemies at Home and Abroad is a unique primer that teaches the principles, strategy, and tradecraft of counterintelligence (CI). CI is often misunderstood and narrowly equated with security and catching spies, which are only part of the picture. As William R. Johnson explains, CI is the art of actively protecting secrets but also aggressively thwarting, penetrating, and deceiving hostile intelligence organizations to neutralize or even manipulate their operations. Johnson, a career CIA intelligence officer, lucidly presents the nuts and bolts of the business of counterintelligence and the characteristics that make a good CI officer. Although written during the late Cold War, this book continues to be useful for intelligence professionals, scholars, and students because the basic principles of CI are largely timeless. General readers will enjoy the lively narrative and detailed descriptions of tradecraft that reveal the real world of intelligence and espionage. A new foreword by former CIA officer and noted author William Hood provides a contemporary perspective on this valuable book and its author.

THE #1 NEW YORK TIMES BESTSELLING JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER “A thriller that gallops at a breakneck pace.”—Chicago Sun-Times Jack Reacher. Hero. Loner. Soldier. Soldier’s son. An elite military cop, he was one of the army’s brightest stars. But in every cop’s life there is one case that changes everything. For Jack Reacher, this is that case. New Year’s Day, 1990. In a North Carolina motel, a two-star general is found dead. His briefcase is missing. Nobody knows what was in it. Within minutes Reacher has his orders: Control the situation. Within hours the general’s wife is murdered. Then the dominoes really start to fall. Somewhere inside the vast worldwide fortress that is the U.S. Army, Reacher is being set up as a fall guy with the worst enemies a man can have. But Reacher won’t quit. He’s fighting a new kind of war—against an enemy he didn’t know he had. And against a conspiracy more chilling, ingenious, and treacherous than anyone could have guessed. The Enemy, like most of the books in the Jack Reacher series, can be read as a standalone thriller.

A British soldier walked over to the German front line to deliver newspapers; British women married to Germans became 'enemy aliens' in their own country; a high-ranking British POW discussed his own troops' heroism with the Kaiser on the battlefield. Just three amazing stories of contact between the opposing sides in the Great War that eminent historian Richard van Emden has unearthed – incidents that show brutality, great humanity, and above all the bizarre nature of a conflict between two nations with long-standing ties of kinship and friendship. Meeting the Enemy reveals for the first time how contact was maintained on many levels throughout the War, and its stories, sometimes funny, often moving, give us a new perspective on the lives of ordinary men and women caught up in extraordinary events.

In the wake of a devastating disease, everyone sixteen and older is either dead or a decomposing, brainless creature with a ravenous appetite for flesh. Teens have barricaded themselves in buildings throughout London and venture outside only when they need to scavenge for food. The group of kids living a Waitrose supermarket is beginning to run out of options. When a mysterious traveler arrives and offers them safe haven at Buckingham Palace, they begin a harrowing journey across London. But their fight is far from over???the threat from within the palace is as real as the one outside it. Full of unexpected twists and quick-thinking heroes, The Enemy is a fast-paced, white-knuckle tale of survival in the face of unimaginable horror.

Mitch Rapp, the CIA’s top operative, searches for a high-level mole with the power to rewrite the world order in this riveting thriller from #1 New York Times bestselling author Vince Flynn, written by Kyle Mills. Mitch Rapp has worked for several presidents over his career, but Anthony Cook is unlike any he’s encountered before. Cunning and autocratic, he feels no loyalty to America’s institutions and is distrustful of the influence Rapp and CIA director Irene Kennedy have in Washington. When Kennedy discovers evidence of a mole scouring the Agency’s database for sensitive information on Nicholas Ward, the world’s first trillionaire, she assigns Rapp the task of protecting him. In doing so, he finds himself walking an impossible tightrope: Keep the man alive, but also use him as bait to uncover a traitor who has seemingly unlimited access to government secrets. As the attacks on Ward become increasingly dire, Rapp and Kennedy are dragged into a world where the lines between governments, multinational corporations, and the hyper-wealthy fade. An environment in which liberty, nationality, and loyalty are meaningless. Only the pursuit of power remains. With “sizzling storytelling at its level best” (The Providence Journal), Kyle Mills has created another suspenseful thriller that not only echoes the America of today, but also offers a glimpse into its possible future.

For fans of Gone Girl and of Harlan Coben and Linwood Barclay’s domestic suspense—a gripping novel by New York Times and USA Today bestselling author Kevin O'Brien, in which “the other woman” becomes the prime suspect when the wife goes missing. Some nightmares you can’t forget From the depths of sleep, Seattle TV reporter Anna Malone awakens to her phone ringing. She rarely drinks, and this hangover is brutal. Why can’t she shake the feeling that something terrible happened last night? And why can’t she recall any of it? But even worse What Anna does remember: an awkward restaurant meal with her married lover, Russ Knoll, and his unsuspecting wife, Courtney. Russ’s phone call reveals that Courtney is missing, and as days go by with no trace, he comes under police scrutiny. Anna’s in the spotlight too, thanks to a TV rival with a grudge. Anna’s not proud of her affair, but she and Russ aren’t bad people. They’re certainly not the killing kind. Is the one you can’t remember . . . Anna already suspected that Courtney—a successful, charming author—might have a darker side. Is she truly missing? Perhaps the sudden disturbances in Anna’s life aren’t accidental after all. But no scenario that Anna imagines can compare to the twisted game unfolding around her, one chilling piece at a time . . .

"After killing a stalker who broke into her home, young widow Laurie Trotter takes her baby son and moves to Seattle, where she hopes to lay low and start over again. The dead man's brother--a charismatic sociopath with a 'family' of followers--is bent on revenge. Laurie's first job in Seattle is in a food truck catering a film production. The movie is based on the real-life 1970 murders of an actress, her husband, and their baby's nanny--and all the actual locales are being used. The 'cursed' film is plagued with on-the-set accidents and bizarre deaths. It's hardly the place for Laurie to 'lay low'"--Author's website.

The instant Wall Street Journal, USA Today, and international bestseller “While the history books are filled with tales of obsessive visionary geniuses who remade the world in their image with sheer, almost irrational force, I’ve found that history is also made by individuals who fought their egos at every turn, who eschewed the spotlight, and who put their higher goals above their desire for recognition.” —from the prologue Many of us insist the main impediment to a full, successful life is the outside world. In fact, the most common enemy lies within: our ego. Early in our careers, it impedes learning and the cultivation of talent. With success, it can blind us to our faults and sow future problems. In failure, it magnifies each blow and makes recovery more difficult. At every stage, ego holds us back. Ego Is the Enemy draws on a vast array of stories and examples, from literature to philosophy to his­tory. We meet fascinating figures such as George Marshall, Jackie Robinson, Katharine Graham, Bill Belichick, and Eleanor Roosevelt, who all reached the highest levels of power and success by con­quering their own egos. Their strategies and tactics can be ours as well. In an era that glorifies social media, reality TV, and other forms of shameless self-promotion, the battle against ego must be fought on many fronts. Armed with the lessons in this book, as Holiday writes, “you will be less invested in the story you tell about your own specialness, and as a result, you will be liberated to accomplish the world-changing work you’ve set out to achieve.”

Winner, Jane Addams Children's Book Award A young girl navigates family and middle school dramas amid the prejudices and paranoia of the Cold War era in this “excellent example of historical fiction for middle grade readers” (School Library Journal) World War II is over, but the threat of communism and the Cold War loom over the United States. In Detroit, Michigan, twelve-year-old Marjorie Campbell struggles with the ups and downs of family life, dealing with her veteran father’s unpredictable outbursts, keeping her mother’s stash of banned library books a secret, and getting along with her new older “brother”—the teenager her family took in after his veteran father’s death. When a new girl from Germany transfers to Marjorie’s class, Marjorie finds herself torn between befriending Inga and pleasing her best friend, Bernadette, by writing in a slam book that spreads rumors about Inga. Marjorie seems to be confronting enemies everywhere—at school, at the library, in her neighborhood, and even in the news. In all this turmoil, Marjorie tries to find her own voice and figure out what is right and who the real enemies actually are. Includes an author’s note and bibliography.