Fantastic fiction is traditionally understood as Western genre literature such as fantasy, science fiction, and horror. Expanding on this understanding, these essays explore how the fantastic has been used in Western societies since the Middle Ages as a tool for organizing and materializing abstractions in order to make sense of the present social order. Disciplines represented here include literature studies, gender studies, biology, ethnology, archeology, history, religion, game studies, cultural sociology, and film studies. Individual essays cover topics such as the fantastic creatures of medieval chronicle, mummy medicine in eighteenth-century Sweden, how fears of disease filtered through the universal and adaptable vampire, the gender aspects of goddess worship in the secular West, ecocentrism in fantasy fiction, how videogames are dealing with the remediation of heritage, and more.

New York Times and USA Today bestselling authors Mercedes Lackey and James Mallory teamed up to write The Obsidian Trilogy, set in a wondrous world filled with magical beings, competing magic systems, and a titanic struggle between good and evil. That world proved so popular with the creators and readers alike that Lackey and Mallory have returned to it with The Phoenix Unchained, Book One of The Enduring Flame, the opening volume of a new epic fantasy trilogy. After a thousand years of peace, much Magick has faded from the world. The Elves live far from humankind. There are no High Mages, and Wild Mages are seen only rarely. Bisochim, a powerful Wild Mage, is determined to reintroduce Darkness to the world, believing that it is out of Balance. Tiercel, a young Armethalian nobleman, is convinced that High Magic is not just philosophy. He attempts a spell—and draws the unwelcome attention of Bisochim. Tiercel survives Bisochim's attack and begins trying to turn himself into a High Mage. Next in line to be Harbormaster of Armethalieh, Harrier instead finds himself regularly saving Tyr's life and meeting magickal people and creatures. To Harrier's dismay, it seems that he must become a hero. In The Phoenix Unchained, Harrier and Tiercel begin a marvelous journey to uncover their destinies. Along the way, they meet a charming female centaur, several snooty Elves, and the most powerful dragon their world has ever known. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In the Enduring Flame trilogy, Mercedes Lackey and James Mallory have given readers a new view of the complex and fascinating world they originally created for the Obsidian Trilogy. Jumping one thousand years in time, Lackey and Mallory have told the compelling story of Harrier Gillain, the first Knight-Mage in a thousand years; Tiercel Rolfort, the first High Mage in hundreds of years; and Shaiara, the young leader of a desert tribe who takes both boys under her wing but has a special affection for Harrier. These three young people are their world's main defense against the evil called up by the rogue Wild Mage, Bisochim. Bisochim's conviction that he was restoring the balance was shattered the moment Ahairan took her first breath. Now, in The Phoenix Transformed, Bisochim joins forces with Harrier and Tiercel, and the three mages search desperately for a way to destroy Ahairan as she sends her magical forces against them and the desert nomads under their protection. With more than one twist in the telling, centering on a magic-plagued journey across a blistering desert, The Phoenix Transformed is the stunning conclusion to The Enduring Flame. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This 120-page artbook bestiary includes the anatomy, behavior, and origins of over 20 amazing fantasy creatures. Each interconnected through a series of recorded histories, myths, and first-hand encounters that stress the value of exploration and curiosity in the face of superstition.

Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".

Drawing on historical sources, myth and folklore, Fantastic Creatures in Mythology and Folklore explores the roles of fantastical beasts - particularly the unicorn, the mermaid, and the dragon - in a series of thematic chapters organised according to their legendary dwelling place, be this land, sea, or air. Through this original approach, Juliette Wood provides the first study of mythical beasts in history from the medieval period to the present day, providing new insights into the ways these creatures continue to define our constantly changing relationship to both real and imagined worlds. It places particular emphasis on the role of the internet, computer games, and the cyberspace community, and in doing so, demonstrates that the core medieval myth surrounding these creatures remains static within the ever-increasing arena of mass marketing and the internet. This is a vital resource for undergraduates studying fantastic creatures in history, literature and media studies.

The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy Collects Fantastic Four #1, 2, 3, 4, 5, 10, 11, 48, 49, 50, 51, and Fantastic Four Annual #6. It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few. Throughout the 1960s, the Fantastic Four doubled as the flagship title and the creative laboratory of the Marvel Universe. Stan Lee and Jack Kirby introduced dozens of new characters and concepts in its pages, while expanding the emotional bandwidth and visual vocabulary of the Super Hero genre with every issue. This collection gathers some key tales from Lee and Kirby’s lengthy tenure—from their first experiments in generic hybridity to the remarkable fusion of the cosmic and the quotidian that is the “The Galactus Trilogy.” A foreword by Jerry Craft and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of the Fantastic Four and classic Marvel comics.

Contemporary culture is packed with fantasy and science fiction storyworlds extending across multiple media platforms. This book explores the myriad ways in which imaginary worlds use media like films, novels, videogames, comic books, toys and increasingly user-generated content to captivate and energise contemporary audiences.

Contributions by Carl Abbott, Jacob Babb, Marleen S. Barr, Michael Fuchs, John Glover, Stephen Joyce, Sarah Lahm, James McAdams, Cynthia J. Miller, Fernando Gabriel Pagnoni Berns, Chris Pak, María Isabel Pérez Ramos, Stefan Rabitsch, J. Jesse Ramírez, A. Bowdoin Van Riper, Andrew Wasserman, Jeffrey Andrew Weinstock, and Robert Yeates Metropolis, Gotham City, Mega-City One, Panem’s Capitol, the Sprawl, Caprica City—American (and Americanized) urban environments have always been a part of the fantastic imagination. Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American city as a fantastic geography constrained neither by media nor rigid genre boundaries. Fantastic Cities builds on a mix of theoretical and methodological tools that are drawn from criticism of the fantastic, media studies, cultural studies, American studies, and urban studies. Contributors explore cultural media across many platforms such as Christopher Nolan’s Dark Knight Trilogy, the Arkham Asylum video games, the 1935 movie serial The Phantom Empire, Kim Stanley Robinson’s fiction, Colson Whitehead’s novel Zone One, the vampire films Only Lovers Left Alive and A Girl Walks Home Alone at Night, Paolo Bacigalupi’s novel The Water Knife, some of Kenny Scharf’s videos, and Samuel Delany’s classic Dhalgren. Together, the contributions in Fantastic Cities demonstrate that the fantastic is able to “real-ize” that which is normally confined to the abstract, metaphorical, and/or subjective. Consequently, both utopian aspirations for and dystopian anxieties about the American city become literalized in the fantastic city.