In the past fifty years, according to Christine So, the narratives of many popular Asian American books have been dominated by economic questions-what money can buy, how money is lost, how money is circulated, and what labor or objects are worth. Focusing on books that have achieved mainstream popularity, Economic Citizens unveils the logic of economic exchange that determined Asian Americans’ transnational migrations and national belonging. With penetrating insight, So examines literary works that have been successful in the U.S. marketplace but have been read previously by critics largely as narratives of alienation or assimilation, including Fifth Chinese Daughter, Flower Drum Song, Falling Leaves and Turning Japanese. In contrast to other studies that have focused on the marginalization of Asian Americans, Economic Citizens examines how Asian Americans have entered into the public sphere.

"A thoughtful and sophisticated account of a notoriously complicated and controversial period." —R. I. Moore, Times Literary Supplement History remembers Attila, the leader of the Huns, as the Romans perceived him: a savage barbarian brutally inflicting terror on whoever crossed his path. Following Attila and the Huns from the steppes of Kazakhstan to the court of Constantinople, Christopher Kelly portrays Attila in a compelling new light, uncovering an unlikely marriage proposal, a long-standing relationship with a treacherous Roman general, and a thwarted assassination plot. We see Attila as both a master warrior and an astute strategist whose rule was threatening but whose sudden loss of power was even more so. The End of Empire is an original exploration of the clash between empire and barbarity in the ancient world, full of contemporary resonance.

A Historical Survey of the Many Ways Empires have Succumbed to External and Internal Pressures There are no self-proclaimed empires today. After the twentieth century, with its worldwide wave of decolonizing and liberation movements, the very word "empire" conjures images of slavery, war, repression, and colonialism. None of this is to say that empires are confined to the past, however. By at least some reasonable definitions, empires do exist today. Many articles and books speak about the decline of the "American Empire," for example, or compare the history of the United States to that of Rome or the British Empire. Yet no public official would speak candidly of American "imperial" interests in the Middle East or use the word "empire" in discussions of the nation's future the same way British politicians did in the twentieth century. In addition, empires don't have to fit the classical Roman mold; there are many kinds of empire and varieties of international authority, such as cultural imperialism and economic imperialism. But it is clear empires do not last, even those that once harnessed great wealth, strong armies, and sophisticated legal systems. InThe Fall of Empires: A Brief History of Imperial Collapse, historian Chad Denton describes the end of seventeen empires throughout world history, from Athens to Qin China, from the Byzantium to the Mughals. He reveals--through stories of conquest, corruption, incompetence, assassination, bigotry, and environmental crisis--how even the most seemingly eternal of empires declined. For Athens and Britain it was military hubris; for Qin China and Russia it was alienating their subjects through oppression; Persia succumbed with the loss of its capital; the Khmer faced ecological catastrophe; while the Aztecs were destroyed by colonial exploitation. None of these events alone explains why the empires fell, but they do provide a glimpse into the often-unpredictable currents of history, which have so far spared no empire. A fascinating and instructive survey, The Fall of Empiresprovides compelling evidence about the fate of centralized regional or global power.

Despite their historical importance, empires have received scant attention from social scientists. Now, Alexander J. Motyl examines the structure, dynamics, and continuing relevance of empire—and asks, "Why do empires decline? Why do some empires collapse? And why do some collapsed empires revive?" Rejecting choice-centered theories of imperial decline, Motyl maintains that the very structure of empires promotes decay and that decay in turn facilitates the progressive loss of territory. Although most major empires have in fact declined in this manner, some, such as the Soviet Union, have collapsed suddenly and comprehensively. Motyl explains how and why collapse occurs, why such an outcome is hard to foresee, and why some collapsed empires revive. While broad-ranging historically and empirically, Imperial Ends focuses on five modern empires: the Soviet, Romanov, Ottoman, Habsburg, and Wilhelmine. Examining the possibility of a revival of the Soviet empire, Motyl points out that the expansion of NATO and the European Union, along with increasing globalization, will isolate Russia and its neighbors, promoting their dependence upon one another and perhaps facilitating the rise of the former core. With boldly stated conclusions and concise analytical interpretations, Imperial Ends cohesively illustrates to policymakers and social scientists alike the importance of possible imperial revivals and the rise of future empires.

Burbank and Cooper examine Rome and China from the third century BCE, empires that sustained state power for centuries.

Attila the Hun - godless barbarian and near-mythical warrior king - has become a byword for mindless ferocity. His brutal attacks smashed through the frontiers of the Roman empire in a savage wave of death and destruction. His reign of terror shattered an imperial world that had been securely unified by the conquests of Julius Caesar five centuries before. This book goes in search of the real Attila the Hun. For the first time it reveals the history of an astute politician and first-rate military commander who brilliantly exploited the strengths and weaknesses of the Roman empire. We ride with Attila and the Huns from the windswept steppes of Kazakhstan to the opulent city of Constantinople, from the Great Hungarian Plain to the fertile fields of Champagne in France. Challenging our own ideas about barbarians and Romans, imperialism and civilisation, terrorists and superpowers, this is the absorbing story of an extraordinary and complex individual who helped to bring down an empire and forced the map of Europe to be redrawn forever.

This text provides coverage of the theme of decolonization. It assesse s the economic, social and political changes between the European powers and the colonized peoples before 1939, and analyzes the acceleration of decolonization brought about by World War II. Particular detail is given to British and French decolonization, and to the varied approaches of smaller European powers. The title concludes with an examination of interpretations and consequences of decolonization.

Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.