The younger sister of a boy who died in his teens of a rare autoimmune disease describes the loving bond they shared and draws on interviews with more than two hundred sibling survivors to consider the complex emotional impact of losing a brother or sister. 35,000 first printing.

"In 1960s Karachi, a place of ever increasing violence and political and social uncertainty, a beautiful and talented artist, Tahira, tries to hold her life together as it shatters around her. Her marriage is quickly revealed to be a sham, a trap from which there is no escape. In a world of stifling conformity, Tahira must fight for her very identity: as a woman, and as a painter. Tragedy strikes when her family and friends are caught up in the brutally repressive regime. Faced with horror and loss, she embarks upon a series of paintings entitled 'The Empty Room', filling the blank canvases with vivid colour and light."--Publisher's description.

The younger sister of a boy who died in his teens of a rare autoimmune disease describes the loving bond they shared and draws on interviews with more than two hundred sibling survivors to consider the complex emotional impact of losing a brother or sister. Reprint. 20,000 first printing.

An Empty Room is a transformative journey through butoh, an avant-garde form of performance art that originated in Japan in the late 1950's and is now a global phenomenon. This is the first book about butoh authored by a scholar-practitioner who combines personal experience with ethnographic and historical accounts alongside over twenty photos. Author Michael Sakamoto traverses butoh dance history from its roots in post-World War II Japan to its diaspora in the West in the 1970s and 1980s. An Empty Room delves into the archive of butoh dance, gathering testimony from multiple generations of artists active in Japan, the US, and Europe. The book also creatively highlights seminal visual and written texts, especially Hosoe Eikoh's photo essay, "Kamaitachi," and Hijikata Tatsumi's early essays. Sakamoto ultimately fashions an original view of what butoh has been, is and, more importantly, can be through the lens of literary criticism, photo studies, folklore, political theory, and his experience performing, photographing, teaching, and lecturing in 15 countries worldwide.

Part aphorism and part manifesto, this book by Canadian architect Reza Aliabadi (RZLBD) references his ideas and thoughts about space. He suggests ‘the empty room’ as the very essence of architecture, and ‘the spatial experience’ as its highest mandate. Reza revisits architecture – not as the walls that enclose the space – rather the space in-between the walls. What he calls an “anti-architecture” of invisible voids. Today architecture has fallen short as a discipline and has instead converted into an industry, part of commercial establishment. Accordingly it has given up its capacity to offer contributions and has been reduced to being a service. It has become all about a form-making exercise and dressing it up with a fashionable skin. Now, it is necessary or rather urgent to pause, take a moment, go inward, search for the essentials, and hope to rediscover a principle which is at once basic and timeless.

A dazzling cycle of short stories by one of China’s most revered contemporary writers and one of the world’s leading artist-intellectuals. An Empty Room is the first book by the celebrated Chinese writer Mu Xin to appear in English. A cycle of thirteen tenderly evocative stories written while Mu Xin was living in exile, this collection is reminiscent of the structural beauty of Hemingway’s In Our Time and the imagistic power of Kawabata’s palm-of-the-hand stories. From the ordinary (a bus accident) to the unusual (Buddhist halos) to the wise (Goethe, Lao Zi), Mu Xin’s wandering “I” interweaves plots with philosophical grace and spiritual profundity. A small blue bowl becomes a symbol of vanishing childhood; a painter in a race against fading memory scribbles notes in an underground prison during the Cultural Revolution; an abandoned temple room holds a dark mystery. An Empty Room is a soul-stirring page turner, a Sebaldian reverie of passing time, loss, and humanity regained.

A raw and groundbreaking journey to the depths of addiction, from the author of Our Daily Bread, longlisted for the Giller Prize. Colleen Kerrigan wakes up sick and bruised, with no clear memory of the night before. It's Monday morning, and she is late for work again. She's shocked to see the near-empty vodka bottle on her kitchen counter. It was full at noon yesterday; surely she didn't drink that much last night? As she struggles out the door, she fights the urge to have a sip, just to take the edge off. But no, she's not going to drink today. But this is the day Colleen's demons come for her. A very bad day spirals into night as a series of flashbacks take the reader through Colleen's past--moments of friendship and loss, fragments of peace and possibility. The single constant is the bottle, always close by, Colleen's worst enemy and her only friend. In this unforgettable work, acclaimed novelist Lauren B. Davis has created as searing, raw and powerful a portrayal of the chaos and pain of alcoholism as we have encountered in fiction. Told with compassion, insight and an irresistible gallows humor, The Empty Room takes us to the depths of addiction, only to find a revelation at its heart: the importance and grace of one person reaching out to another.

What do you do when your child disappears? 'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly 'The tension and heartbreak kept me turning the pages' Patricia Gibney 'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris Whitaker Pandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party. The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby. So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands. Praise for The Empty Room 'Superb' Natasha Cooper, Literary Review 'A finely calibrated account of loss, grief and simmering rage' Irish Times 'A powerful portrayal of one mother's desperate ordeal... perceptive' Sunday Independent 'The Empty Room has all the elements of great drama - murder, revenge, sacrifice - along with complex moral questions that will keep you engaged long after the final thrilling page' Martina Murphy 'A compulsive, addictive, heart rending read, The Empty Room is a tale of grief and loss, and ultimately redemption, that puts Brian McGilloway at the very top of the game. I could not put it down' Sam Blake 'Masterful, humane, compelling, beautifully written, utterly convincing - and without a wasted word' Catherine Kirwan 'The Empty Room is a tense, and at times claustrophic, slow-burner which builds to a devastating conclusion' Claire Allan 'A tense thriller' Irish Daily Mail 'The Empty Room surely secures Brian's place as one of the best writers out there. . . a thoughtful exploration of a mother struggling with a changed world. . . exceptional' Chris MacDonald 'High tension and high emotion make this story a page turner' Roisin Meaney 'An utterly gripping and propulsive read, as one would expect from one of Ireland's finest thriller writers' Irish Independent

From director and cofounder of the Royal Shakespeare Company Peter Brook, The Empty Space is a timeless analysis of theatre from the most influential stage director of the twentieth century. As relevant as when it was first published in 1968, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance--of any scale. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, this book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.

In her poetry, Ann Hostetler seeks to articulate moments of illumination in everyday life. Here you will find a rich and varied palette of images--from the severe palette of images--from the severe beauty of her Amish aunt's flower garden to the psychedelic swirls on her own painted toes.