This collection of short fiction has been written over a period of two decades. The stories do not belong to any particular genre . They could vary from addressing issues of national import to dealing with the trivia of everyday life. As with much of short fiction each story is a snapshot. Yet the attempt is to make each as complete as possible. In a sense the stories are a commentary on the India of today - it's strengths, it's weaknesses, it's frailties, it's eccentricities, it's idiosyncrasies.

The four stories collected in this book were written by two sons and a daughter-in-law of Tarzan creator, Edgar Rice Burroughs. John Coleman Burroughs and Jane Ralston Burroughs wrote "Hybrid of Horror." John Coleman and his brother Hulbert wrote "The Man Without a World," "The Lightning Men," and "The Bottom of the World." Fully illustrated with the original artwork from the pulp magazines Thrilling Mystery, Thrilling Wonder Stories, and Startling Stories.

This is a collection of short stories which is truly pan-Indian. It deals with many sub cultures that exist in India. The various stories have been written between 1986 and now. The book is, in a sense, a peep into middle India through this time period with its strengths, weaknesses, frailties, idiosyncrasies and eccentricities. All of it is true to life and readers can relate to the stories easily.

Prior to the first American publication of Brian Lumley's ground-breaking, dead-waking, best-selling Necroscope in 1988—the first novel in a long-lived, much-loved series—this British author had for twenty years been earning himself something of a reputation writing short stories, novellas, and a series of novels set against H. P. Lovecraft's cosmic Cthulhu Mythos backdrop. A soldier in 1967, serving in Berlin with the Royal Military Police, Lumley jumpstarted his literary career by writing to August Derleth, the then-dean of macabre publishers at his home in Sauk City, Wisconsin, telling of his fascination with the Mythos, and purchasing books by the "Old Gentleman of Providence, RI." In addition, he sent a page or two of written work allegedly culled from the various forbidden or "black books" of the Mythos. Suitably impressed, the master of Arkham House invited Lumley to write something solid in the Mythos as a possible contribution to a new volume he was currently contemplating, to be titled—what else but?—Tales of the Cthulhu Mythos. And as might well be imagined, that set everything in motion. Years have passed since then and a good many words of Mythos fiction written, including critically acclaimed and award-nominated work, stories that have appeared in prestigious magazines such as Fantasy & Science Fiction, and hardcover volumes from publishers all over the world from the USA to China and the United Kingdom to Russia. Stories included in this collection: THE CALLER OF THE BLACK HAGGOPIAN CEMENT SURROUNDINGS THE HOUSE OF CTHULHU THE NIGHT SEA-MAID WENT DOWN NAME AND NUMBER RECOGNITION CURSE OF THE GOLDEN GUARDIANS AUNT HESTER THE KISS OF BUGG-SHASH DE MARIGNY’S CLOCK MYLAKHRION THE IMMORTAL THE SISTER CITY WHAT DARK GOD? THE STATEMENT OF HENRY WORTHY DAGON’S BELL THE THING FROM THE BLASTED HEATH DYLATH-LEEN THE MIRROR OF NITOCRIS THE SECOND WISH THE HYMN SYNCHRONICITY OR SOMETHING THE BLACK RECALLED THE SORCERER’S DREAM

About the Book: The short works of literature in Acorns and Other Stories will inspire readers with timeless themes while attending to the common sensibilities of everyday life. Yes, these are fun stories, yet within each there permeates a core conflict not easily resolved. "The Bully," for example, examines bullying in and out of the school environment. "Eight Ball" explores the relationship of a father and his adolescent son. Jazzy" asks all of us to regard poverty, and "The Incident at Cupsogue" and "The Snow Book" consider autism in our communities. The Bedroom Window" brings the reader close to one teenagers tragedy. Dr. Kennedy has included his modern interpretation of Chaucer's "The Pardoner's Tale," and he has portrayed a delightful retrospective of the Beatles' impact upon a generation. Further, Dr. Kennedys stories "With Extraordinary Dexterity" and "The Girl with the Scars" are sobering accounts of individuals in pursuit of a vocation (physician and teacher respectively) that undermine superficial stereotypes. He includes an engaging true-account of the trials facing child-actors who gained celebrity in the movie Baby Boom. In short, all of his work ignites interest quickly and his originality surprises and rewards his reader at every turn.

This anthology presents a selection of texts by Peter K. Wehrli, representing over forty years of writing and traveling. It covers diverse experiences, from the author's early relationships with the avant-garde Swiss Dadaists in Zurich to a conversation in Brazil that is surprisingly revealing of Wehrli's homeland. While meandering through the vignettes that follow, readers will savor the author's new perspective, one that reawakens the child inside us and encourages us to view the world as if it were for the very first time.

In Connectivity a retired bureaucrat's telephone line is accidentally connected to that of a grieving man s, while a heart surgeon helps his patient across the great abyss in Song without End . The skilful grooming of a poet is described in A Lane in Lucknow, and a senile old nawab finds himself a stranger to an altered world in The Taste of Almonds . In Through the Looking Glass a man losing his sight finds he can get to the heart of all the books in his library by an inexplicable miracle, and in Play the roles an actor enacts are a source of important life lessons.

Contributions by Danielle Christmas, Joanna Davis-McElligatt, Garrett Bridger Gilmore, Spencer R. Herrera, Cassandra Jackson, Stacie McCormick, Maria Seger, Randi Lynn Tanglen, Brook Thomas, Michael C. Weisenburg, and Lisa Woolfork Reading Confederate Monuments addresses the urgent and vital need for scholars, educators, and the general public to be able to read and interpret the literal and cultural Confederate monuments pervading life in the contemporary United States. The literary and cultural studies scholars featured in this collection engage many different archives and methods, demonstrating how to read literal Confederate monuments as texts and in the context of the assortment of literatures that produced and celebrated them. They further explore how to read the literary texts advancing and contesting Confederate ideology in the US cultural imaginary—then and now—as monuments in and of themselves. On top of that, the essays published here lay bare the cultural and pedagogical work of Confederate monuments and counter-monuments—divulging how and what they teach their readers as communal and yet contested narratives—thereby showing why the persistence of Confederate monuments matters greatly to local and national notions of racial justice and belonging. In doing so, this collection illustrates what critics of US literature and culture can offer to ongoing scholarly and public discussions about Confederate monuments and memory. Even as we remove, relocate, and recontextualize the physical symbols of the Confederacy dotting the US landscape, the complicated histories, cultural products, and pedagogies of Confederate ideology remain embedded in the national consciousness. To disrupt and potentially dismantle these enduring narratives alongside the statues themselves, we must be able to recognize, analyze, and resist them in US life. The pieces in this collection position us to think deeply about how and why we should continue that work.