“Set in Vienna in 1898, Jones’s absorbing whodunit succeeds both as a mystery and as a fascinating portrait of a traditional society in ferment.” —Publishers Weekly (starred review) The summer of 1898 finds Austria terrorized by a killer who the press calls “Vienna’s Jack the Ripper.” Four bodies have already been found, but when the painter Gustav Klimt’s female model becomes the fifth victim, the police finger the artist as the culprit. He’s already scandalized Viennese society with his erotically charged modern paintings—who better to take the blame for the crimes that have plagued the city? This is, however, far from an open-and-shut case. Klimt’s lawyer, Karl Werthen, has an ace up his sleeve. Dr. Hanns Gross, the renowned father of criminology, has agreed to assist him in investigating the murders. Together, Gross and Werthen must not only clear Klimt’s name but also follow a killer’s trail that will lead them in the most surprising of directions. But by uncovering the cause of the crimes, the two men may risk damaging Vienna more than the murders did themselves . . . Written by an acclaimed expert on Vienna and its history and featuring a variety of real historical figures, The Empty Mirror introduces a new series of stunning mysteries that reveals the culture and curiosities of this fascinating fin de siècle metropolis. “A colorful story that neatly combines fact and fiction.” —The Washington Post “A novel that will appeal to mystery aficionados as well as history buffs.” —Richmond Times-Dispatch “What Sir Arthur Conan Doyle did for Victorian London and Caleb Carr did for old New York, Sydney Jones does for historic Vienna.” —Karen Harper, New York Times–bestselling author of the Queen Elizabeth I mystery series

Thirteen-year-old Nick, whose parents died in the 1918 flu epidemic, must find out why his mirror-image is causing mischief around their New England town and making sure Nick gets the blame.

Seen by many as a contemporary classic, Janwillem van de Wetering's small and admirable memoir records the experiences of a young Dutch student—later a widely celebrated mystery writer—who spent a year and a half as a novice monk in a Japanese Zen Buddhist monastery. As Chogyam Trungpa Rinpoche, author of Cutting Through Spiritual Materialism, has written, The Empty Mirror "should be very encouraging for other Western seekers." It is the first book in a trilogy that continues with A Glimpse of Nothingness and Afterzen.

The problem with Zen is that it wants you to be utterly simple, not special. It goes against the very desire of the mind, which is not a small phenomenon – it is a four-million-years-old desire, which everybody is carrying in different lives. Mind cannot understand why you should be simple when you could be special, why you should be humble when you could be powerful. And mind is heavy, it has the great weight of the past. The moment the mind sees anyone humble, simple, natural, a buddha, it immediately condemns him, because such a man goes against the whole makeup of the human mind.

Nick Hodges had always been a troublesome boy. Growing up an orphan in his Uncle Jack's care in a small New England town wasn't easy. Everyone was a little wary, a little watchful—a little too watchful. One day, while Nick is walking in the woods, a neighbor thinks she sees him miles from where he actually is. Soon a series of events reinforcing Nick's hotheaded reputation unfold. The incidents become increasingly serious until, finally, Nick is the scapegoat for a much more sinister crime, one that he wouldn't even think of committing. As he uncovers history of the town's influenza epidemic, and as he observes a strange occurrence in the graveyard, Nick begins to suspect something out of the ordinary is happening. And when he sees a figure running in the woods wearing the mirror image of his own shirt, Nick starts to piece together some of the answers—answers no one could have imagined. James Lincoln Collier has written a haunting story of a boy and his reflection—and what happens when two souls want to inhabit the same living body.

At the Beach Café, Poems 1991-2009 is a collection of over 40 poems, written and performed at beach cafés in California, on the French Riviera and on the French island chains. It is an eclectic and penetrating situational study of island lifestyles. Motifs of love, integrity, art and war are interwoven in the text. This edition is a 6"x9" book.

Satoyama is a book about meditation and consciousness, it goes through the high topics of mysticism, and reveal very sophisticate methodology of meditation, is a self help guide , not fiction, how to leave in harmony whit nature,and consciousness,Satoyama means leaving in harmony whit nature, and consciousness, and here follow .....

Compelling exploration of how journeys to a Buddhist culture changed 30 Western writers as they explored the meaning of 'no-self'.

The image of the shadow in mid-twentieth-century America appeared across a variety of genres and media including poetry, pulp fiction, photography, and film. Drawing on an extensive framework that ranges from Cold War cultural histories to theorizations of psychoanalysis and the Gothic, Erik Mortenson argues that shadow imagery in 1950s and 1960s American culture not only reflected the anxiety and ambiguity of the times but also offered an imaginative space for artists to challenge the binary rhetoric associated with the Cold War. After contextualizing the postwar use of shadow imagery in the wake of the atomic bomb, Ambiguous Borderlands looks at shadows in print works, detailing the reemergence of the pulp fiction crime fighter the Shadow in the late-1950s writings of Sylvia Plath, Amiri Baraka, and Jack Kerouac. Using Freudian and Jungian conceptions of the unconscious, Mortenson then discusses Kerouac’s and Allen Ginsberg’s shared dream of a “shrouded stranger” and how it shaped their Beat aesthetic. Turning to the visual, Mortenson examines the dehumanizing effect of shadow imagery in the Cold War photography of Robert Frank, William Klein, and Ralph Eugene Meatyard. Mortenson concludes with an investigation of the use of chiaroscuro in 1950s film noir and the popular television series The Twilight Zone, further detailing how the complexities of Cold War society were mirrored across these media in the ubiquitous imagery of light and dark. From comics to movies, Beats to bombs, Ambiguous Borderlands provides a novel understanding of the Cold War cultural context through its analysis of the image of the shadow in midcentury media. Its interdisciplinary approach, ambitious subject matter, and diverse theoretical framing make it essential reading for anyone interested in American literary and popular culture during the fifties and sixties.

Lacan and Chan Buddhist Thought provides a close reading of how Lacan mobilizes concepts from Chan Buddhist philosophy, culture, and practice in his later teachings. The book emerged from the three co-authors’ engagement with Lacan’s 1962–1963 Seminar on Anxiety, and the significance of Lacan’s original interpretation of the Buddhist principle that desire is the cause of suffering. The book reads key Lacanian concepts – such as the objet a, jouissance, the real, Nirvana, and the mirror – through ancient Buddhist teachings and koans. With this focused exploration of psychoanalysis and Chan Buddhism, the authors offer a philosophically grounded cross-cultural approach to the theory and practice of psychoanalysis in Asian countries. Lacan and Chan Buddhist Thought will be a rich resource for psychoanalysts, academics, and students interested in Lacan and religion, the intellectual and cultural relationship between Asian and Western thought, and Mahayana Buddhism more generally.