Taking a radical position counter to many previous histories and theories of the interior, domesticity and the home, The Emergence of the Interior considers how the concept and experience of the domestic interior have been formed from the beginning of the nineteenth century. It considers the interior's emergence in relation to the thinking of Walter Benjamin and Sigmund Freud, and, through case studies, in architecture's trajectories toward modernism. The book argues that the interior emerged with a sense of 'doubleness', being understood and experienced as both a spatial and an image-based condition. Incorporating perspectives from architecture, critical history and theory, and psychoanalysis, The Emergence of the Interior will be of interest to academics and students of the history and theory of architecture and design, social history, and cultural studies.

For the design student.

Democratic in intention and approach, the book will argue that the home interior, as independently created by the ‘amateur’ householder, offers a continuous informal critique of shifting architectural styles (most notably with the advent of Modernism) and the design mainstream. Indeed, it will suggest that the popular increasingly exerts an influence on the professional. Underpinned by academic rigour, but not in thrall to it, above all this book is an engaging attempt to identify the cultural drivers of aesthetic change in the home, extrapolating the wider influence of ‘taste’ to a broad audience – both professional and ‘trade’. In so doing, it will explore enthralling territory – money, class, power and influence. Illustrated with contemporary drawings and cartoons as well as photos, the book will not only be an absorbing read, but an enticing and attractive object in itself.

Providing valuable insight into the art of interior architecture--the link between art, architecture, and interior design--this book covers the process of moving from ideas to reality, 3-D development, respect for the enclosing architecture, sensitivity to human experience, primacy of light and color, and furnishing as an extension of architecture. 350 halftones, 44 line drawings, 57 color photos.

Combined and edited version of 2 separately published works: Architecture and interior design through the 18th century, and Architecture and interior design from the 19th century.

Revised and expanded, this survey of 20th-century interior design includes discussions on Art Nouveau, Bauhaus, Art Deco, the Modern Movement, Hi-Tech & Green. All types of interiors are explored & set within their economic & cultural contexts.

Bringing together 12 original essays, Shaping the American Interior maps out, for the first time, the development and definition of the field of interiors in the United States in the period from 1870 until 1960. Its interdisciplinary approach encompasses a broad range of people, contexts, and practices, revealing the design of the interior as a collaborative modern enterprise comprising art, design, manufacture, commerce, and identity construction. Rooted in the expansion of mass production and consumption in the last years of the nineteenth century, new and diverse structures came to define the field and provide formal and informal contexts for design work. Intertwined with, but distinct from, architecture and merchandising, interiors encompassed a diffuse range of individuals, institutions, and organizations engaged in the definition of identity, the development of expertise, and the promotion of consumption. This volume investigates the fluid pre-history of the American profession of interior design, charting attempts to commoditize taste, shape modern conceptions of gender and professionalism, define expertise and authority through principles and standards, marry art with industry and commerce, and shape mass culture in the United States.

An abundantly illustrated overview of modern design across continents and cultures, highlighting key movements and design traditions. A unique cross-disciplinary survey of design history, A History of Design from the Victorian Era to the Present offers a concise overview of the modern milestones of architecture, interior design, graphic design, product design, and photography from the Crystal Palace of 1851 to the iPhone at the turn of the twenty-first century. This abundantly illustrated volume traces modern design across continents and cultures, highlighting the key movements and design traditions that have shaped the world around us.

On the unstable boundaries between "interior" and "exterior," "private" and "public," and always in some way relating to a "beyond," the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature -- from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth -- reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous realities, on interchangeable existential, socio-political, and epistemological levels. This volume addresses the imagery of interior spaces in a number of iconic and also lesser known yet significant authors of European, North American, and Latin American literature of the nineteenth, twentieth, and twenty-first centuries: Djuna Barnes, Edmond de Goncourt, William Faulkner, Gabriel García Márquez, Benito Pérez Galdós, Elsa Morante, Robert Musil, Jules Romains, Peter Waterhouse, and Émile Zola.

Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home. The shift from Victorian to modern style, The Modern Interior reveals, was not as simple and smooth as it is often perceived and the book probes the complicated history behind that transition. Sparke examines the work of such designers as Marcel Breuer, Frank Lloyd Wright, Charles and Ray Eames, and Mies van der Rohe, and draws upon design examples from the United States and Europe to reveal that, unlike the designed exteriors of buildings and institutions, the idea of the “interior” has been a largely abstract conception promoted through exhibitions, retail stores, and mass media. A comprehensive and in-depth investigation of the design environments we live and play in, The Modern Interior will be essential reading for all scholars and interested observers of architecture and modern design culture.