Considered one of Morocco’s most important contemporary writers, Muhammad Zafzaf created stories of alterity, compassionate tales inhabited by prostitutes, thieves, and addicts living in the margins of society. In The Elusive Fox, Zafzaf’s first novel to be translated into English, a young teacher visits the coastal city of Essaouira in the 1960s. There he meets a group of European bohemians and local Moroccans and is exposed to the grittier side of society. More than a novel, The Elusive Fox is a portrait of a city during a time of fluid cultural and political mores in Morocco.

An evocative novel that links the lives of a ninth-century poet/nun and a contemporary Asian-American woman.

Thomas More's Utopia remains indisputably the most potent work in the genre of writing that it initiated and in fact named. Since it was published in 1516 - in a Tudor-ruled England responding to the wave of humanist thought sweeping across Europe - this fantasy voyage has inspired centuries of social reformers, who have embraced More's fiction as a realistic blueprint for a new, ideal society. On the literary side, writers from Jonathan Swift to George Orwell have plied the genre More invented, and yet none has arrived at a conclusion more prophetic than the original: that the dogged quest for an imagined ideal generates doubt that this ideal would be as attractive in practice as in theory, and that, given what we know of human nature, such an ideal could ever be implemented. In Utopia: An Elusive Vision Alistair Fox places More's masterwork in the context of the reform aspirations of early-sixteenth-century European humanists, tracing the stages of its composition to show how and why the book came to be inherently paradoxical and showing us why the book in many ways presaged the rise of Martin Luther and the watershed Protestant Reformation. Fox lucidly explores the complex, equivocal nature of More's vision, which, he contends, was conditioned not only by More's recognition that people's desire for ideal social order conflicts with many of their most basic impulses but also by his propensity for seeing most issues simultaneously from contradictory perspectives. This paradox and tension led More to create a fiction that, according to Fox, allows human imperfection to interrogate the validity of the "ideal" society the fiction presents, without confirming or subverting it. With UtopiaMore encourages readers to explore what he reveals to be a perpetual dilemma in utopianism itself. Fox concludes that, by thus encompassing and provoking the full range of reactions that subsequent utopias and "dystopias" would likely elicit, More's Utopia is both the prototype and epitome of the utopian genre itself. Fox's engaging study is the most extensive treatment of Utopia to date, examining the work as one which evolved in response to More's changing emotional perceptions and treating More's text as a vehicle for intellectual exploration rather than a definitive proclamation. Utopia: An Elusive Vision, replete with historical detail and an overview of criticism of More's text through four centuries, allows readers to discern for themselves the features that contribute to Utopia's intellectual and rhetorical complexity.

Search for the elusive moose in the snowy north, and meet lots of other northland animals on the journey. Hardcover and Paperback editions include endnotes about all the creatures, a guessing game of animal footprints, and a page of informative facts about the moose.

In this engaging introduction to the red fox (Vulpes vulpes), J. David Henry recounts his years of field research on this flame-colored predator. With its catlike whiskers, teeth, and paws, as well as vertical-slit pupils, the North American red fox not only resembles but often behaves like a feline, especially when hunting. Probing the reasons for these similarities, Henry reveals the behavior and ecology of a species that thrives from the edge of suburbia to the cold northern tundra.

"Equipped with a camera and determination, an adventurous little girl tries to track down an elusive red fox, which proves more difficult than she thought"--

Several fables from Aesop are adapted and woven into a story about the adventures of a fox.

The deity Inari has been worshipped in Japan since at least the early eighth century and today is a revered presence in such varied venues as Shinto shrines, Buddhist temples, factories, theaters, private households, restaurants, beauty shops, and rice fields. Although at first glance and to its many devotees Inari worship may seem to be a unified phenomenon, it is in fact exceedingly multiple, noncodified, and noncentralized. No single regulating institution, dogma, scripture, or myth centers the practice. In this exceptionally insightful study, the author explores the worship of Inari in the context of homogeneity and diversity in Japan. The shape-shifting fox and the wish-fulfilling jewel, the main symbols of Inari, serve as interpretive metaphors to describe the simultaneously shared yet infinitely diverse meanings that cluster around the deity. That such diversity exists without the apparent knowledge of Inari worshippers is explained by the use of several communicative strategies that minimize the exchange of substantive information. Shared generalized meanings (tatemae) are articulated while private meanings and complexities (honne) are left unspoken. The appearance of unity is reinforced by a set of symbols representing fertility, change, and growth in ways that can be interpreted and understood by many individuals of various ages and occupations. The Fox and the Jewel describes the rich complexity of Inari worship in contemporary Japan. It explores questions of institutional and popular power in religion, demonstrates the ways people make religious figures personally meaningful, and documents the kinds of communicative styles that preserve the appearance of homogeneity in the face of astonishing factionalism.