Rebecca, Noah, Max and Theo discover a passageway into another world in the abandoned house of Grandpa Gabe, Rebecca's grandfather. When Rebecca and Max are trapped on the other side of the passageway, Noah and Theo rush to their aid. In ElseWhere they meet monsters, wicked spies called Shadows, and strangers who become friends. They use their wits, brawn, and light to fight off the Shadows?and to protect our own world.

To stay alive and return home, Rebecca and her friends must strike the Master of Shadows at the source of his powers, a crumbling castle fiercely guarded by the Shadow Spies.

Trapped in the dangerous world of ElseWhere, Rebecca, Noah, and Theo are possessed by the evils unleashed by the Master of Shadows. Max and Grandpa Gabe may be their only hope of breaking free. But it's a race against time. The Master's plan to destroy both ElseWhere and our own world is in Motion...and The hunt to find a new passageway home may come at a terrible cost.

Rebecca, Max, Theo, and Noah continue their journey through the other world in search of a way home, pursued by the Shadow Spies and the mysterious Master of Shadows.

Four friends discover a movie projector that opens a passageway into a world threatened by creatures of shadow, where their only weapon is light.

The fourth adventure in the Bronte Mettlestone series, where Oscar, an ordinary boy from our world, finds himself on a magical quest along with Bronte, Esther, Imogen, Alejandro - with nine keys to find they encounter breathtaking adventure, cryptic challenges and a battle to the very end...

Rebecca, convinced that she will die if she does not return to the other world, enlists the help of Theo and Noah to open a new passageway, but once on the other side they fall into danger and Max, unaware of the peril, follows.

For fans of Small Spaces, Coraline, A Series of Unfortunate Events, and James Howe's Bunnicula classics comes the first book in the award-winning, New York Times bestselling Books of Elsewhere series. This house is keeping secrets . . . When eleven-year-old Olive and her parents move into the crumbling mansion on Linden Street and find it filled with mysterious paintings, Olive knows the place is creepy—but it isn’t until she encounters its three talking cats that she realizes there’s something darkly magical afoot. Then Olive finds a pair of antique spectacles in a dusty drawer and discovers the most peculiar thing yet: She can travel inside the house’s spooky paintings to a world that’s strangely quiet . . . and eerily sinister. But in entering Elsewhere, Olive has been ensnared in a mystery darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. With only the cats and an unusual boy she meets in Elsewhere on her side, it’s up to Olive to save the house from the shadows, before the lights go out for good.

From 18th-century Grand Tours to today's planet-wide Internet journeys, this book is a fascinating exploration of man's desire for knowledge and the inevitable quest for an elsewhere that results.

In this unique "history from below," Destination Elsewhere chronicles encounters between displaced persons in Europe and the Allied agencies who were tasked with caring for them after the Second World War. The struggle to define who was a displaced person and who was not was a subject of intense debate and deliberation among humanitarians, international law experts, immigration planners, and governments. What has not adequately been recognized is that displaced persons also actively participated in this emerging refugee conversation. Displaced persons endured war, displacement, and resettlement, but these experiences were not defined by passivity and speechlessness. Instead, they spoke back, creating a dialogue that in turn helped shape the modern idea of the refugee. As Ruth Balint shows, what made a good or convincing story at the time tells us much about the circulation of ideas about the war, the Holocaust, and the Jews. Those stories depict the emerging moral and legal distinction between economic migrants and political refugees. They tell us about the experiences of women and children in the face of new psychological and political interventions into the family. Stories from displaced persons also tell us something about the enduring myth of the new world for people who longed to leave the old. Balint focuses on those persons whose storytelling skills became a major strategy for survival and escape out of the displaced persons' camps and out of the Europe. Their stories are brought to life in Destination Elsewhere, alongside a new history of immigration, statelessness, and the institution of the postwar family.