Marx's account of the rise of Louis-Napoleon Bonaparte is one of his most important texts. Written after the defeat of the 1848 revolution in France and Bonaparte’s subsequent coup, it is a concrete analysis that raises enduring theoretical questions about the state, class conflict and ideology. Unlike his earlier analyses, Marx develops a nuanced argument concerning the independence of the state from class interests, the different types of classes, and the determining power of ideas and imagery in politics. In the Eighteenth Brumaire he applies his ‘materialist conception of history’ to an actual historical event with extraordinary subtlety and an impressive, powerful command of language.This volume contains the most recent and widely acclaimed translation of the Eighteenth Brumaire by Terrell Carver, together with a series of specially commissioned essays on the importance of the Brumaire in Marx’s canon. Contributors discuss its continuing significance and interest, the historical background and its present-day relevance for political philosophy and history.

Marx's study of the events leading to the coup d'etat of "Napolean the Little" on December 2, 1851, written within a few weeks of the coup, is one of the first works by Marx in which he states his theory of history. [Facsimile reprint edition.]

This comprehensive collection of classical sociological theory is a definitive guide to the roots of sociology from its undisciplined beginnings to its current influence on contemporary sociological debate. Explores influential works of Marx, Durkheim, Weber, Mead, Simmel, Freud, Du Bois, Adorno, Marcuse, Parsons, and Merton Editorial introductions lend historical and intellectual perspective to the substantial readings Includes a new section with new readings on the immediate "pre-history" of sociological theory, including the Enlightenment and de Tocqueville Individual reading selections are updated throughout

A collection of Marx's important later writings translated and introduced by a leading Marx scholar.

DigiCat Publishing presents to you this special edition of "The Eighteenth Brumaire of Louis Bonaparte" by Karl Marx. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Edited by Samuel H. Beer, with key selections from Capital and The Eighteenth Brumaire of Louis Bonaparte, this volume features an especially helpful introduction that serves as a guide to Marxist political and economic theory and to placing the specific writings in their contemporary setting. Included are a bibliography and list of important dates in the life of Karl Marx.

Kojin Karatani wrote the essays in History and Repetition during a time of radical historical change, triggered by the collapse of the Cold War and the death of the Showa emperor in 1989. Reading Karl Marx in an original way, Karatani developed a theory of history based on the repetitive cycle of crises attending the expansion and transformation of capital. His work led to a rigorous analysis of political, economic, and literary forms of representation that recast historical events as a series of repeated forms forged in the transitional moments of global capitalism. History and Repetition cemented Karatani's reputation as one of Japan's premier thinkers, capable of traversing the fields of philosophy, political economy, history, and literature in his work. The first complete translation of History and Repetition into English, undertaken with the cooperation of Karatani himself, this volume opens with his innovative reading of The Eighteenth Brumaire of Louis Bonaparte, tracing Marx's early theoretical formulation of the state. Karatani follows with a study of violent crises as they recur after major transitions of power, developing his theory of historical repetition and introducing a groundbreaking interpretation of fascism (in both Europe and Japan) as the spectral return of the absolutist monarch in the midst of a crisis of representative democracy. For Karatani, fascism represents the most violent materialization of the repetitive mechanism of history. Yet he also seeks out singularities that operate outside the brutal inevitability of historical repetition, whether represented in literature or, more precisely, in the process of literature's demise. Closely reading the works of Oe Kenzaburo, Mishima Yukio, Nakagami Kenji, and Murakami Haruki, Karatani compares the recurrent and universal with the singular and unrepeatable, while advancing a compelling theory of the decline of modern literature. Merging theoretical arguments with a concrete analysis of cultural and intellectual history, Karatani's essays encapsulate a brilliant, multidisciplinary perspective on world history.