Hattie Peck adores eggs of all kinds. However, she cannot make any of her own. No worries—Hattie has collected eggs from all over the world, hatched them, and raised her blended family of cockatoos, storks, owls, anything from an egg—even reptiles. But now it’s time. They all need to leave her big loving nest. So off the flock goes, on their biggest—and saddest—adventure. Even though, in her heart, Hattie knows it’s best. A poignant story about family and differences, making hard decisions, letting go and inclusion. It’s not all sad, though, due to a nice twist ending as in the first book. Bright colorful and lively illustrations and lots of information about egg-bearing animals round out the story.

A heartwarming story about family, love, and triumph in the face of adversity. Little Hattie Peck loved eggs! Big ones, small ones, speckled ones. All she wanted was an egg of her own. One day, Hattie left her cozy coop on an adventure to find all the abandoned eggs of the world. And find them she did! But what will happen when they hatch? Hattie Peck can be used to help children and adults talk about the importance of family, including adoption and fostering.

Annals of Athens, Georgia, 1801-1901 by Henry Hull, first published in 1906, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.