Biography, Royal Family, Queen Elizabeth and The Queen Mother.

"Sara Midda's richly illustrated In and Out of the Garden has delighted readers and critics alike: "This is the most gentle of books, a peaceful pastime. The delicacy of Sara Midda's art is enchanting. Anyone who is a gardener, or who has worked with plants in nature, will respond to what she has put forth so exquisitely," wrote Joan Lee Faust, Garden Editor of The New York Times. Diana Vreeland praised it as "delightful and delicious," Time magazine as "Cause for revel," and Laura Ashley called it "pure inspiration." In scores and scores of delicate illustrations and tender reflections, the author recalls the English gardens her childhood and the gardens she tends now, to reveal surprises both dainty and daring. The colorings and imaginings make the fancy soar with pleasure, as she creates the most elegant and subtle of books to give and to have, a book to cherish as dearly as a volume of treasured poetry. Sara Midda's garden is sown with glorious images. Ruby-red radishes are the jewels of the underworld. Myriad colors fall upon warm green moss. Brown leaves drift with sweet scent. And "in the beeman's garden, a host of hives and a swarm of bees bring sticky honey for your teas." Vegetable gardens, herb gardens, flower gardens are illustrated. The pleasures of the orchard are celebrated. Recipes are shared for lotions and potions to cheer the heart and delight the senses." -- Publisher.

In the second novel in Elena Forbes’ bestselling mystery series, DI Mark Tartaglia’s investigation into a murder becomes a hunt for a possible serial killer. Hurting is her special skill. On a snowy February morning, London art dealer Rachel Tenison goes for a jog through Holland Park. Still giddy from the previous evening, her legs wobbly from too much drink and too little sleep, she falls at the bottom of an icy hill. Lying on her back, she savours the sensation of snowflakes melting on her skin and the unexpected stillness of the moment. But then there’s the sharp crack of a tree branch behind her, and a voice softly calling her name. Two days later, detectives Mark Tartaglia and Sam Donovan are assigned to the case when Rachel’s naked, frozen body is discovered in the park, bound and arranged in a strangely symbolic manner. Still haunted by “The Bridegroom,” a chillingly seductive serial killer with a penchant for lonely girls and deadly heights, they’re forced to put the past behind them as they try to catch Rachel’s murderer. But when a tip from a journalist draws their attention to grisly similarities between this and another unsolved crime, the web becomes more tangled than ever.

Margaret Erskine Wilson, late President of Kendal Natural History Society, was a keen amateur botanist and water-colourist. In 1999, she donated to the Society 150 sheets of water-colour paintings representing a thousand British and Irish plants in flower and in fruit, painted in situ over many years and in various places. At the time she donated the paintings to Kendal Natural History Society, she wrote: Begun in 1943/4 for a friend who said, 'I might learn the names of flowers if you drew them for me, in the months they're in flower'! The result is this beautiful, previously unpublished book of all her accurate and informative illustrations, painted over a period of 45 years. Over a thousand British and Irish flowers are represented in this book and it still today serves Margaret Erskine Wilson's original purpose -- it is an easy way to learn the names of our delicate and beautiful wild flowers.

Over 80 years ago, Heather Firbank packed away her extensive collection of fine clothes, bought from London's very best dressmakers and tailors. These treasures lay undiscovered for the next 30 years, until after her death, they were given to the V&A, laying the foundations for the Museum's world-famous collection. Firbank was an enthusiastic shopper and bought her clothes from the world's leading couture houses, including Lucile, Redfern and Mascotte, as well as private dressmakers and department stores. Her collection forms an invaluable record of fashionable Edwardian taste over a period of some 15 years. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and glamorous hats, the book also features contemporary photographs and pages from Heather's own albums of fashion cuttings. It vividly maps out the London couture scene of Edwardian Britain, and charts changes in fashion through the tumultuous first decades of the twentieth century. Through the story of Heather's own life, both joyous and troubled, this book celebrates the central role of clothing in creating a single woman's identity.

"If ever a book made you want to go for a walk in the woods, this is it....covers a year in the life of an English schoolteacher, who wrote the diary during the course of 1906...to encourage her pupils to learn about nature. . . . what really captures the eye and the imagination are her exquisite renderings of flora and fauna. Color illustrations detailing, birds, insects, flowers and more . . . stimulating all the senses and inspiring readers."--"Century Home."