James Hollis examines society's fixed views and fantasies in regards to relationships. This text is not a practical guide on how to fix a relationship, but rather a challenge to greater personal responsibility, a call for individual growth as opposed to seeking rescue through others.

The world had fallen. The mostly vacant cities were silent now. For those who had not been turned or consumed, remote locations proved the best chance to live a while longer before the inevitable end landed its teeth marks on their flesh or its disease in their blood. To eat or be eaten was the last imperative of the once noble species. All the accoutrements of being the most civilized of creatures had faded away and the human beast had been returned to the savagery of the primordial forest. This was the truth everywhere in the world, except one place—a small island, forgotten before and after the fall, a place where the sun yet shined down onto hopeful souls, 117 souls, the children of the Eden Project, who lived all their days until now in a great, glass dome. They were the children of light, pure blooded, uninfected, but they all knew (down to the smallest among them) that these hours of eternal incandescence were numbered. They all knew, every moment they breathed, that their destinies awaited them outside the glass, where darkness forever reigned. NIGHT WITHOUT END (Book Two of The Eden Project) now available

The interest in botanical art is still growing and the authors of the bestselling 'Botanical Illustration Course with the Eden Project' bring fresh ideas to the genre. "Contemporary Botanical Illustration" covers some of the unusual colours that can be included in botanical art, from black flowers and plants – including seaweed – to green, blue and puce pink. The tricky subject of texture in both pencil and paint is covered in detail. And to ensure you are at the cutting edge of botanical art, the book covers the latest ideas for presentation of botanical art, including new ideas, some from the Far East, for arranging flowers before painting. Fantastically illustrated with drawings, stunning finished paintings and many step-by-step demonstrations, the book covers : An overview of contemporary botanical illustration • Your workplace and materials • Pencil drawing • Sketchbook practice • Composition • Basic colour theory • Colour and subjective colour exercises • Primary colours and their uses • Painting techniques • Paint it black • Challenging texture, pattern and colours • Food plants.

Botanical Illustration Course - published with the Eden Project - is your personal guide to the study of botanical drawing and watercolour painting. Devised by an award-winning botanical artist who teaches at the Eden Project, this course takes you from basic drawing techniques to advanced skills required for the analysis of complex forms in watercolour. Following the syllabus of the botanical illustration course at the acclaimed Eden Project in Cornwall, this book offers you the opportunity to perfect the many techniques used to produce beautiful and informative plant portraits. Full of practical information, and with easy-to-follow exercises, the book includes: Pencil Drawing; Shapes in Nature; Plant dissection and bisection; Perspective; Use of tonal contrast; Line drawing and pencil shading; Colour and pigment mixing; Application of watercolour; Highlights and shiny surfaces; Composition and arrangement.

"An audacious and concrete proposal…Half-Earth completes the 86-year-old Wilson’s valedictory trilogy on the human animal and our place on the planet." —Jedediah Purdy, New Republic In his most urgent book to date, Pulitzer Prize–winning author and world-renowned biologist Edward O. Wilson states that in order to stave off the mass extinction of species, including our own, we must move swiftly to preserve the biodiversity of our planet. In this "visionary blueprint for saving the planet" (Stephen Greenblatt), Half-Earth argues that the situation facing us is too large to be solved piecemeal and proposes a solution commensurate with the magnitude of the problem: dedicate fully half the surface of the Earth to nature. Identifying actual regions of the planet that can still be reclaimed—such as the California redwood forest, the Amazon River basin, and grasslands of the Serengeti, among others—Wilson puts aside the prevailing pessimism of our times and "speaks with a humane eloquence which calls to us all" (Oliver Sacks).

In a new approach to environmental photography, Dana Fritz explores the world’s largest enclosed landscapes: Arizona’s Biosphere 2, Cornwall’s Eden Project, and Nebraska’s Lied Jungle and Desert Dome at the Henry Doorly Zoo. In these vivaria, plants are grown amid carefully constructed representations of the natural world to entertain and educate tourists while also supporting scientific research. Together, these architectural and engineering marvels stand as working symbols of our complex relationship with the environment. Giant terraria require human control of temperature, humidity, irrigation, insects, weeds, and other conditions to create otherwise impossible ecosystems. While technical demands inform the design of these spaces, the juxtapositions of natural and artificial elements generate striking visual paradoxes that can go unnoticed. Here Fritz turns away from visitors’ prepared sight lines, revealing alternate views that dispel the illusion of natural conditions. Inviting questions about what it means to create and contain landscapes, Terraria Gigantica inspires contemplation of our ecological future.

She thought he'd be happy to see her... ...but all she found was anger. Why did Eden hate her? The memory of that day haunted her. Eden told her to stay at the safe house while his team went on their mission. Then she found out he was being setup. Shylah didn't have a choice, she had to do something. It was a risk. And she paid dearly. Eden and his team had aborted just in time. They lived to fight another day. Fourteen months later and Eden was surviving. There was only one question on his mind, who had betrayed them? Could it have been Shylah? In the complex world of international espionage and war, love is often a causality. What will it take for her to conquer the mistrust and win him back? You'll adore this military romance, because the truth can be hard to be believed when all you've known are lies. Get it now.

An exciting approach to botanical illustration featuring exotic and extraordinary plant specimens. Striking plants, flowers, fruits and vegetables provide new challenges in colour, texture and form. Stunning finished paintings accompany simple instructions and step-by-step projects for a beautiful book that both guides and inspires. Strange and unusual specimens have never been more accessible – as more and more exotic fruit and vegetables appear regularly in our shopping baskets and our florists fill with flowers from every corner of the globe, this practical and beautiful guide to capturing strange and striking plants on paper has never been more timely. There is something for beginners and more experienced botanical illustrators alike, whether you wish to paint more familiar bananas, pineapples and other exotic fruits that are now widely available, or more complex orchids and even carnivorous plants. Acclaimed artists Rosie Martin and Meriel Thurstan (authors of the bestselling Contemporary Botanical Illustration and Botanical Illustration Course) run the popular botanical painting course at the Eden Project and are thus uniquely placed for this exciting take on the genre. The unusual colours and complex textures of exotic plants present a new challenge to the botanical artist, but this book guides you through each stage of the painting process with plenty of exercises and step-by-step projects. Fantastically illustrated with worksheets, colour swatches, sketches and stunning finished paintings this practical and inspirational guide is a must-have for botanical artists of all levels.

How you can help achieve dramatic improvement in the effectiveness and impact of schools on students and their whole communities-a common-sense approach for local educational reform by one of the nation's leading experts in learning and performance.

Jonathan Ball was born in Bude, Cornwall, in June 1947. After qualifying at the Architectural Association, London, he set up practice in his home town in 1974. In 1992 he was appointed MBE for Services to Architecture. In 1994 he was approached by Tim Smit with an idea to create the largest greenhouses on planet Earth to tell the story of the great plant hunters. Smit and Ball took huge personal risks as co-founders of the innovative architectural and environmental vision that became the internationally acclaimed Eden Project. Ball was removed from Eden against his will. Without due recompense he lost his architectural practice. Three high profile appearances in the Royal Courts of Justice over four years followed to save his name, his family home and his professional reputation. This is the story of one man's unflinching resolve and success in righting a public wrong, of a Cornishman looking to the glory of his nation and finding that enthusiasm, brilliant ideas and promises are not always enough.