The cynical Attwater, the desparate shipper, the villainous little Cockney and the man of education gone to the dogs but clinging to his sense of honour, form the quartette.

This early works is a fascinating novel of the period and still an interesting read today. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

"The Ebb-Tide. A Trio and a Quartette" is a short novel by Robert Louis Stevenson and his stepson Lloyd Osbourne. The story tells about the adventures of three Tahiti beggars who managed to steal a boat full of precious cargo – champagne. With the ambition to sell the load and grow rich, the three men, being slightly drunk, start their dangerous adventure. Yet, as they get sober, they learn that the cargo on the ship is, in fact, water, and their lack of experience makes them land on the first island on the way. Yet, this is just the start of their adventures.

Three men down on their luck in Tahiti agree to ship out on a vessel whose officers have died of smallpox. Their desperate venture inspires them to a further idea: they will steal the schooner and its cargo of champagne, sell them, and live a plentiful life. The thought is intoxicating... and so is the cargo, which they sample. Inattention nearly brings them to grief in a sudden storm. This sobering experience is followed by another - apparently the dead officers had a similar ambition! - and their dreams of riches vanish. Then, nearly out of provisions and deep in the heart of the Pacific where the chart shows no land - they happen on a small isle only hinted at in the records and never mapped. Saved! But what is this? The island hides a pearl fishery? In the ebb-tide of fortune, what new villainy will the three attempt? (Summary by Mark F. Smith)

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

As a geo-historical place, the beach integrates a variety of characteristics and functions so multiple that they tend to contradict each other. The beach is both a place of work and trade but also of leisure; it is both a place of therapy and health but also of migration, war, and death; it is a place of mass tourism and boredom but also the place of experiencing the Other; it is a public place but also an uncivilized and desolate place. This book studies the literary representation of the beach from ancient Greek literature up until today, drawing on English, French, Italian, American, and Spanish literatures from various periods and genres and presenting multiple ways of comparing and understanding literary beaches as a ubiquitous literary phenomenon. It demonstrates how the literary beach as a both geo-historical place and as an aesthetic literary commonplace has been a constant and privileged resource for the analysis of more general existential, sociological, and moral problems. This is the case when for instance the Tahitian beach becomes the place of the "already modern" in Stevenson's tales, or when the Italian beach becomes a question of modern feminism in Ferrante. In this sense, literature expands the local or national beach by articulating its transnational complexities.