This book is the first ever transnational theatre study of an African region. Covering nine nations in two volumes, the project covers a hundred years of theatre making across Burundi, Djibouti, Eritrea, Ethiopia, Kenya, Rwanda, Somalia, Tanzania, and Uganda. This volume focuses on the theatre of the Horn of Africa. The book shows how the theatres of Djibouti, Eritrea, Ethiopia, and Somalia, little known in the outside world, have been among the continent's most politically important, commercially successful, and widely popular; making work almost exclusively in local languages and utilizing hybrid forms that have privileged local cultural modes of production. A History of African Theatre is relevant to all who have interests in African cultures and their relationship to the history and politics of the East African region.

This second volume of A History of East African Theatre focuses on central East Africa; on Burundi, Kenya, Rwanda, Tanzania and Uganda. The first chapter is concerned with francophone theatres, comparatively studying work coming out of Burundi and Rwanda alongside a focus on French language theatre in Djibouti. The chapter is particularly concerned to explore how French and Belgian cultural policies impacted theatre during the colonial period and how the French ideas of Francafrique and promotion of elite, French language art have continued to resonate in the post-colonial present. Chapters Two and Three look comparatively at the rich theatre histories of Kenya, Tanzania and Uganda, and are divided between a study of British East African colonial impact and an analysis of the post-colonial period illustrating how divergent political thought and societal make-up led to exponential differentiation in national theatres. The final chapter, on Theatre for Development and related social action theatre, covers the whole East African region, offering the first ever historicised analysis of this mode of theatre making which, since the 1980s, has come to dominate funding and opportunity in performance arts.

A fascinating study of one of the often overlooked World War II campaigns as British/Commonwealth, Indigenous and Italian forces battled for control of the Horn of Africa. In mid-1940, Italy's East African colonies posed a significant threat to the British Empire, and in particular to the flow of supplies through the Red Sea to Egypt. British High Command feared moves from Italian East Africa and so sent reinforcements to its positions in Kenya and Sudan. Thus began a series of clashes across East Africa, with the British attempting to keep the Italians isolated and unable to threaten British supply lines. In March 1941, British theatre commander General Archibald Wavell opted for a lightning campaign to eliminate the Italian threat for good. Italian military historian Pier Paolo Battistelli provides a fresh account of this campaign, from the initial Italian attacks to the Allied counter-offensive into Eritrea, Ethiopia and Italian Somaliland. Among the actions covered are Addis Ababa, Amba Alagi, Gondar, Tug Argan, and Keren. This work presents an assessment of the forces involved of both sides, including Orde Wingate's Gideon force, pro-Selassié Ethiopian irregulars and Eritrean and Somalian troops, as well as Indian, South African, British and Italian regular forces. With colourful artwork, detailed maps and diagrams, this book highlights an overlooked World War II campaign and the bloody fight for the Horn of Africa.