This volume brings together a lively set of papers from the first session of the Deuterocanonical and Cognate Literature program unit of the Society of Biblical Literature Annual Meeting in 2016. Together with a few later contributions, these essays explore a number of thematic and textual issues as they trace the reception history of the Book of Isaiah in Deuterocanonical and cognate literature.

Of all the texts in the Hebrew and Christian scriptures, perhaps no book has a more colorful history of interpretation than Isaiah. A comprehensive history of this interpretation between the prophet Malachi and the first days of Christianity, Joseph Blenkinsopp's Opening the Sealed Book traces three different prophetic traditions in Isaiah -- the "man of God," the critic of social structures, and the apocalyptic seer. Blenkinsopp explores the place of Isaiah in Jewish sectarianism, at Qumran, and among early Christians, touching on a number of its themes, including exile, "the remnant of Israel," martyrdom, and "the servant of the Lord." Encompassing several disciplines -- hermeneutics, the Dead Sea Scrolls, Second Temple studies, Christian origins -- Opening the Sealed Book will appeal to Jewish and Christian scholars as well as readers fascinated by the intricate and influential prophetic visions of Isaiah.

The Book of Isaiah is considered one of the greatest prophetic works in the Hebrew Bible/Old Testament. The complex history of the book's composition, over several time periods, can often perplex and enthrall. The editors to this volume encourage readers to engage deeply with the text in order to get a grasp of the traces and signs within it that can be seen to point to the book's process of composition and ongoing reinterpretation over time. The contributions discuss suggested segments of composition and levels of interpretation, both within the book of Isaiah and its history of reception. The book is divided into two sections: in the first part certain motifs that have come to Isaiah from a distant past are traced through to their origins. Arguments for a suggested 'Josianic edition' are carefully evaluated, and the relationship between the second part of Isaiah and the Book of Psalms is discussed, as are the motifs of election and the themes of Zion theology and the temple. The second part of the book focuses on the history of reception and looks at Paul's use of the book of Isaiah, and how the book is used, and perhaps misused in a contemporary setting in the growing churches in Africa. With a range of international specialists, including Hugh Williamson, Tommy Wasserman, and Knut Holter, this is an excellent resource for scholars seeking to understand Isaiah in a greater depth.

Revision of the author's thesis (Ph. D.)--University of Glasgow, Scotland, 1999.

In this lucid study, Berges interprets the scroll of Isaiah as a 'literal cathedral', written by many hands and empowered by the experience of sorrow and disaster, liberation and joy. Methodologically, the book combines synchronic and diachronic perspectives and paves the way to a fruitful conversation between them. The vast reception history of the Book of Isaiah in the Septuagint, the New Testament, and in rabbinic and Christian traditions, as well as in painting and music, is also illustrated by some of the most illuminating examples.

The first systematic and comprehensive attempt to identify and analyze the role of Isaianic language and imagery in literature, art, and music Using reception history as its basis for study, Isaiah Through the Centuries is an unprecedented exploration of the afterlife of the Book of Isaiah, specifically in art, literature, and music. This is a commentary that guides the reader through the Book of Isaiah, examining the differing interpretations of each phrase or passage from a variety of cultural and religious perspectives, Jewish, Christian and Muslim. Clearly structured and accessible, and richly illustrated, the book functions as a complete and comprehensive educational reference work. Isaiah Through the Centuries encourages readers to learn with an open mind and to understand how different interpretations have helped in the teaching and comprehension of the Bible and Isaiah’s place in it. As part of the Wiley-Blackwell Bible Commentaries series, which is primarily concerned with reception history, the book emphasizes that how people interpret the prophet—and how they’ve been influenced by him—is often just as important as the sacred text’s original meaning. Uses reception history to study the renowned prophet Provides a historical context for every use or interpretation discussed Offers essential background information on authors, artists, musicians, etc. in its glossary and biographies Minimizes historical details in order to focus as much as possible on exegetical matters Presents the role of Isaiah and the Bible in the creative arts Will be useful to multiple disciplines including theology and religion, English literature, art history and the history of music, not just Biblical Studies Comprehensive in scope, Isaiah Through the Centuries is a much-needed resource for all those interested in the influence of the Bible on Western culture, and presents unique perspectives for anyone interested in the Bible to discuss and debate for many years to come.

The book of Isaiah is a product of history. The nature of that history and what it means that Isaiah is a product of it are hardly matters of consensus in the field. Nonetheless, Isaianic scholarship has put its collective finger on the crux of the methodological problem. At the heart of an historical understanding of this prophetic book lies a consideration of the word "history" in two distinct but related applications. First, what historical processes led to the book's final form? How did Isaiah become a book? And second, what kind of historical representation does the book offer to the reader? How does Isaiah present the past? For most scholars, answering either question involves asking the other. To understand better the history of Isaiah, this volume of essays devotes itself to these two lines of inquiry and their relationship.

Anyone who has attempted to teach or preach through the prophecy of Isaiah has felt a tension. In view of what the structure of the book of Isaiah aims to emphasize, this NSBT volume employs the concept of "kingdom" as an entry point for organizing the book's major themes, identifying the links to the broader biblical canon and ultimately to Jesus.

A key emphasis of Brevard Childs's distinguished career has been to show not only that the canon of Scripture comprises both Old and New Testaments but also that the concept of -canon- includes the way the Christian church continues to wrestle in every age with the meaning of its sacred texts. In this new volume Childs uses the book of Isaiah as a case study of the church's endeavor throughout history to understand its Scriptures. In each chapter Childs focuses on a different Christian age, using the work of key figures to illustrate the church's changing views of Isaiah. After looking at the Septuagint translation, Childs examines commentaries and tractates from the patristic, Reformation, and modern periods. His review shows that despite an enormous diversity in time, culture, nationality, and audience, these works nevertheless display a -family resemblance- in their theological understandings of this central Old Testament text. Childs also reveals how the church struggled to adapt to changing social and historical conditions, often by correcting or refining traditional methodologies, while at the same time maintaining a theological stance measured by faithfulness to Jesus Christ. In an important final chapter Childs draws out some implications of his work for modern debates over the role of Scripture in the life of the church. Of great value to scholars, ministers, and students, this book will also draw general readers into the exciting theological debate currently raging in the Christian church about the faithful interpretation of Scripture.