Charismatic heroes who are determined to remain single meet their captivating matches—with irresistible results—in USA Today bestselling author Ella Quinn’s delightfully romantic and thrillingly sexy Regency-set Marriage Game series. Will appeal to fans of historical romance and readers of Sabrina Jeffries, Eloisa James, and Tessa Dare. Ella Quinn’s charming, clever bachelors are happily single—and aspire to stay that way. But one by one, they discover that love, like the spirit of Christmas, is hard to resist . . . To mend his jilted heart, Lucian, Earl of Devon, has been on an extended tour of Europe. But now he’s returned to England—newly determined to remain unmarried. Devon accepts his friend Lord Exeter’s invitation to a holiday house party only after being assured the other guests are exclusively couples and children. Yet it seems Exeter forgot to mention Miss Althea Rutherford. She is eligible, exasperatingly likable, and worse, appears to be totally uninterested in Devon—with one exception . . . Notoriously difficult to please, Althea has been out for two years, met no one she can envision spending her life with, and is now sick of would-be suitors. In lieu of a third season, she is determined to tour the Continent—a subject Devon is enthused to discuss with her. Devon’s fascinating stories of Europe only strengthen Althea’s resolve to remain unattached—and weaken his own . . . Devon thought he was finished with traveling, but the idea of making the journey with the intriguing Althea won’t leave his mind. The challenge is to convince her that he’d be a much more enjoyable companion than a chaperone—perhaps for many Christmases to come . . . Praise for The Most Eligible Viscount in London “The deliciously complicated courtship between Gavin and Georgie is only enhanced by their meddling friends’ well-meant efforts to propel them toward the altar. Regency fans will be delighted.” —Publishers Weekly

A spicy second-chance romance to warm up your winter nights! Pretend proposal under the mistletoe… Real wedding by Christmas? Newly minted viscount Julien has his desire for a peaceful Christmas thwarted by some unwelcome houseguests… Years ago, Lady Aurelia refused Julien’s marriage offer. Now she’s on his doorstep, and this time her recently impoverished father is encouraging a betrothal! But proud Julien won’t risk his heart again… Being forced to reject Julien left Aurelia stricken, and now she guards her feelings closely. Tired of being a pawn, she proposes a pretend courtship to prevent further meddling from her father. But will the terms of their festive union change when they’re reminded of their passionate connection? From Harlequin Historical: Your romantic escape to the past.

Lady Phoebe Woodson dreams of being a writer, and practices daily in her secret diary. The hero in all of her tales is one Nathan Carruthers, Earl of Basingstoke. The rumors surrounding his wicked assignations are beyond anything she could dream of, and once enhanced by her wild imaginings, she’s created a lover no man could live up to. Basingstoke has ignored the rumors about his romantic scandals for the most part, accepting them as part of being a single gentleman with a title. In one way, it’s kept the marriage-minded mothers from thrusting their daughters into his reach. Although a staunch member of the Wicked Earls’ Club and enjoying his carefree ways, he admits he’s reached an age when he would like to marry. Luckily, those supposed scandals aren’t keeping away the woman he’s grown to love--Lady Phoebe. When Basingstoke discovers Lady Phoebe’s diary, he blames her for creating the rumors. Hurt to the bone, he wants nothing more to do with her. Heartbroken, she goes in search of the real rumormonger. Can she prove her innocence and regain Basingstoke’s love?

In the well-entrenched critical view of the Jacobean period, James I is credited with the flowering of culture in the early years of the seventeenth century. His queen, Anna of Denmark, is seen as a shadowy figure at best, a capricious and shallow one at worst. But Leeds Barroll makes a well-documented case that it was Anna who, for her own purposes, developed an alternative court and sponsored many of the other artistic ventures in one of the most productive and innovative periods of English cultural history. Married at seventeen, Anna soon became a shrewd and powerful player in the court politics of Scotland and, later, England. Her influence can be seen in James's choices for advisors and beneficiaries of royal attention. In fact, James's and Anna's longstanding dispute over the raising of the heir, Henry, caused a major scandal of the time and was suspected as a plot against the king's safety. In order to assert her own power, Anna actually forced a miscarriage upon herself, an extraordinary event that is referred to in much unnoticed contemporary diplomatic correspondence. An important feature of court entertainment and literary production at this time was the development of the extravagant drama known as the masque, which reached its literary peak in the works of Ben Jonson and Inigo Jones. Barroll argues that it was in fact Anna and not James who encouraged and staged the masques, as a way of defining both a social and political identity for the royal consort, a role that had been nonexistent under Elizabeth. Barroll's work on Anna's patronage also sets Shakespeare's company in a broader context. By writing the cultural biography of Anna of Denmark, queen of England, Leeds Barroll reestablishes the influential and distinctive role of the queen consort in early modern Europe.

Profusely illustrated with rare and unpublished imagesAn extraordinary insight into the Capell familyA tale of plots, intrigue, battles, court cases and family quarrelsA thoroughly researched and very readable account of this astounding family This is the dramatic, often erratic, and at times unbelievable story of the fortunes and misfortunes over 900 years to the present day of one of England’s premier aristocratic families, who in 1661 were given the Earldom of Essex by Charles II. This previously untold story begins just after the Norman Conquest and ends at the present day. Over a period of 400 years, the Capell family built a fortune, and over the next 500 years, lost it due to an incredible number of mistakes, bad judgement calls, and misfortunes. The Earls of Essex examines the rise and fall of this family, providing in-depth analysis and judgement on the reasons behind their decline.

An Earl gets his Christmas spirits lifted in this original Signet Regency Romance from Elisabeth Fairchild. For Christmas, Kirkland Fleming, Earl of Copeland, promises his guests a fortnight of eating, drinking, and hunting ghosts at Broomhill Hall. Though he fears his ill health may soon turn him into a ghost himself, he hopes to find a pleasurable diversion in holiday cheer. But icy roads prevent his guests from arriving—all but the one he did not invite... Though the beautiful Miss Belinda Walcott has arrived for her own mysterious purpose, the magic of the season soon casts a spell on them both…one that may even be strong enough to revive Kirkland’s flagging Christmas spirit.

For anyone who loved St Trinian’s – old or new – or loves a cozy mystery on a grand estate filled with rather ‘interesting’ characters. When an American stranger turns up claiming to be the rightful owner of the school’s magnificent country estate it could spell trouble for everyone at St Bride’s . . . No one can believe it when the headmistress, Hairnet, instantly accepts the stranger’s claim, not: the put-upon Bursar, ousted from his cosy estate cottage by the stranger the enigmatic Max Security, raring to engage in a spot of espionage the sensible Judith Gosling, who knows more about Lord Bunting than she’s letting on the irrepressible Gemma Lamb, determined to keep the school open Only fickle maths teacher Oriana Bliss isn’t suspicious of the stranger, after all she can just marry him and secure St Bride’s future forever. That's if inventive pranks by the girls - and the school cat - don't drive him away first. Who will nab the stranger first? Oriana with the parson’s noose? Gemma with sinister secrets? Or could this be the end of St Bride’s? Previously published by Debbie Young as Stranger at St Bride's.