Vegetius' late Roman text became a well-known and highly respected 'classic' in the Middle Ages, transformed by its readers into the authority on the waging of war. Christopher Allmand analyses the medieval afterlife of the De Re Militari, tracing the growing interest in the text from the Carolingian world to the late Middle Ages, suggesting how the written word may have influenced the development of military practice in that period. While emphasising that success depended on a commander's ability to outwit the enemy with a carefully selected, well-trained and disciplined army, the De Re Militari inspired other unexpected developments, such as that of the 'national' army, and helped create a context in which the role of the soldier assumed greater social and political importance. Allmand explores the significance of the text and the changes it brought for those who accepted the implications of its central messages.

Essays consider the variety of responses to warfare and combat in medieval literature.

De Re Militari by Vegetius is the famous strategy book written in times of the Roman Empire. It explains how they organized their armies, battles, sieges, and war strategies. This is the complete official edition and it contains the 4th part (how to perform sieges, city defenses, and naval warfare) which is not included in commonly available basic editions. De Re Militari is essential to understand European strategy and war due to the fact that, besides describing the military might of Rome in practical terms, it was also used by generals and rulers in the next centuries and the Middle Ages to organize European armies, conduct sieges, reinforce castles, train soldiers, and conquer enemy nations. So much so that generals would be judged and measured in warfare skills by their knowledge and understanding of Vegetius.

The final installment of the most important modern reference work for Middle English studies

For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the "performed" life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.

'[The book offers] meticulous case studies of authorial technique with much relevant historical detail. Discussion of sound symbolism is laudably precise and informative. [...] Glossed illustrative passages are provided throughout to maintain contact with a large potential audience. [...] The overall quality of the book cannot be ignored. This is an outstanding work of literary analysis.' Geoffrey Russom, Brown University

Despite its importance for language and cognition, the theoretical concept of »pattern« has received little attention in linguistics so far. The articles in this volume demonstrate the multifariousness of linguistic patterns in lexicology, corpus linguistics, sociolinguistics, text linguistics, pragmatics, construction grammar, phonology and language acquisition and develop new perspectives on »pattern« as a linguistic concept.

Medieval castles have traditionally been examined as feats of military engineering & tools of feudal control. This book presents a different perspective, by exploring the castle as a cultural reflection of the society that produced it, seen through art & literature.