Reprint edition of this important look at the life and times of one of the true pioneers of Southwest archeology. Includes a new preface by Florence C. Lister. Historical photos. Includes index.

During the late 1920s and early 1930s, archaeologists Earl and Ann Axtell Morris discovered an abundance of sandals from the Basketmaker II and III through Pueblo III periods while excavating rockshelters in northeastern Arizona. These densely twined sandals made of yucca yarn were intricately crafted and elaborately decorated, and Earl Morris spent the next 25 years overseeing their analysis, description, and illustration. This is the first full published report on this unusual find, which remains one of the largest collections of sandals in Southwestern archaeology. This monograph offers an integrated archaeological and technical study of the footwear, providing for the first time a full-scale analysis of the complicated weave structures they represent. Following an account by anthropologist Elizabeth Ann Morris of her parents' research, textile authority Ann Cordy Deegan gives an overview of prehistoric Puebloan sandal types and of twined sandal construction techniques, revealing the subtleties distinguishing Basketmaker sandals of different time periods. Anthropologist Kelley Ann Hays-Gilpin then discusses the decoration of twined sandals and speculates on the purpose of such embellishment.

No.1: Basket maker 3 sites near Durango, Colorado -- no. 2: Eighteenth century Navajo fortresses of the Gobernador district.

This book is about Jock Campbell's role in the shaping of British Guiana (Guyana) towards the end of the empire. Campbell, the head of the Booker Company which owned most of the sugar plantations in colonial Guyana, was a reformer whose Fabian socialist beliefs drove him to secure major benefits for sugar workers, in the 1950s-60s. It explores the interplay between Campbell's programme of reforms and the doctrinaire Marxism of Guyana's charismatic politician Cheddi Jagan. "Sweetening bitter sugar" is part biography, part history and politics.

During the late 1920s and early 1930s, archaeologists Earl and Ann Axtell Morris discovered an abundance of sandals from the Basketmaker II and III through Pueblo III periods while excavating rockshelters in northeastern Arizona. These densely twined sandals made of yucca yarn were intricately crafted and elaborately decorated, and Earl Morris spent the next 25 years overseeing their analysis, description, and illustration. This is the first full published report on this unusual find, which remains one of the largest collections of sandals in Southwestern archaeology. This monograph offers an integrated archaeological and technical study of the footwear, providing for the first time a full-scale analysis of the complicated weave structures they represent. Following an account by anthropologist Elizabeth Ann Morris of her parents' research, textile authority Ann Cordy Deegan gives an overview of prehistoric Puebloan sandal types and of twined sandal construction techniques, revealing the subtleties distinguishing Basketmaker sandals of different time periods. Anthropologist Kelley Ann Hays-Gilpin then discusses the decoration of twined sandals and speculates on the purpose of such embellishment.

Sunset. Fire. Rainbow. Drawing on such common occurrences of light, Navajo artists have crafted an uncommon array of design in colored glass beads. Beadwork is an art form introduced to the Navajos through other Indian and Euro-American contacts, but it is one that they have truly made their own. More than simple crafts, Navajo beaded designs are architectures of light. Ellen Moore has written the first history of Navajo beadwork—belts and hatbands, baskets and necklaces—in a book that examines both the influence of Navajo beliefs in the creation of this art and the primacy of light and color in Navajo culture. Navajo Beadwork: Architectures of Light traces the evolution of the art as explained by traders, Navajo consultants, and Navajo beadworkers themselves. It also shares the visions, words, and art of 23 individual artists to reveal the influences on their creativity and show how they go about creating their designs. As Moore reveals, Navajo beadwork is based on an aggregate of beliefs, categories, and symbols that are individually interpreted and transposed into beaded designs. Most designs are generated from close observation of light in the natural world, then structured according to either Navajo tradition or the newer spirituality of the Native American Church. For many beadworkers, creating designs taps deeply embedded beliefs so that beaded objects reflect their thoughts and prayers, their aesthetic sensibilities, and their sense of being Navajo—but above all, their attention to light and its properties. No other book offers such an intimate view of this creative process, and its striking color plates attest to the wondrous results. Navajo Beadwork: Architectures of Light is a valuable record of ethnographic research and a rich source of artistic insight for lovers of beadwork and Native American art.