An extortion letter arrives at Crystal Waters, one of Chicago's wealthiest gated communities. It makes no specific threats, gives no instructions, demands only that $50,000 be gotten ready---chump change for an enclave where the cheapest house is worth three million. It's easy to see it as harmless---a note from a nut. Then a mansion explodes. The homeowners panic, and want it hushed up. If word gets out that a bomber is targeting Crystal Waters, their multimillion-dollar homes will become worthless, a last catastrophe for people strung out from living the good life too well. They hire Dek Elstrom to investigate. Dek Elstrom used to soar high, too, when he lived with his multimillionaire wife at Crystal Waters, but that was before the dominos of his life tipped over and his ex-wife threw him out. Now reduced to living in a crumbling stone turret, bankrupt of everything but attitude, he's not even his own ideal choice for the job. He's too broke, however, to question the motives of a gift-horse client. He needs the money---and the chance to reconnect with his ex-wife. Another bomb goes off, and Dek realizes the culprit must be someone who is angry, needs money, and used to live at Crystal Waters. Then he realizes something else. He himself is the prime suspect. A sly and clever caper among the richest of the rich, A Safe Place for Dying is for fans of Carl Hiaasen and Robert Crais.

A Purple Place for Dying is the third book in John MacDonald's Travis McGee series, and McGee comes upon his most troubling case yet. McGee is brought to the Midwest by a big, brassy, bossy Blonde who needs help. Mona Yeoman suspects that her husband has pilfered her trust fund, and she wants a divorce. McGee's job is to find out what happened to the money. McGee doesn't particularly like Yeoman, but is tempted to take the case because he needs the money. But before he even has a chance to say yes, Mona is murdered right in front of his eyes, and this changes everything. What makes things even more mysterious is that her body disappears when the police are called to the scene of the crime.

This book shows how dying is a management problem for hospitals, occupying space but few billable encounters and of little interest to medical practice or quality control. An anthropologist and bioethicist with two decades of professional nursing experience, Helen Chapple goes beyond current work on hospital care to present fine-grained accounts of the clinicians, patients, and families who navigate this uncharted, untidy, and unpredictable territory between the highly choreographed project of rescue and the clinical culmination of death.

A masterly locked-room mystery set in a near-future Orwellian state—for fans of Margaret Atwood’s The Handmaid’s Tale, Dave Eggers’ The Circle, and Suzanne Collins’ The Hunger Games Do you live to play? Or play to live? The year is 2037. The Soviet Union never fell, and much of Europe has been consolidated under the totalitarian Union of Friendship. On the tiny island of Isola, seven people have been selected to compete in a forty-eight-hour test for a top-secret intelligence position. One of them is Anna Francis, a workaholic bureaucrat with a nine-year-old daughter she rarely sees and a secret that haunts her. Her assignment: to stage her own death and then to observe, from her hiding place inside the walls of the house, how the six other candidates react to the news that a murderer is among them. Who will take control? Who will crack under pressure? But then a storm rolls in, the power goes out, and the real game begins. . . . Combining suspense, unexpected twists, psychological gamesmanship, and a sinister dystopian future, The Dying Game conjures a world in which one woman is forced to ask, “Can I save my life by staging my death?”

Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

In a tropical island empire where wealth defines worth, a troubled mercenary and a dying magnate's nightmares hold the keys to preventing a catastrophe.

Billy: dead. Felicia: missing. None of the words made sense together, but the doom I'd expected announced itself. I felt iron in my mouth, like I'd gargled with pennies, a taste like blood, a bitter taste that always followed bad news. The setting is Oakland, 1989; the crack epidemic is at its height and turf wars are brewing. Maceo Redfield, currently on hiatus from college, is walking a fine line between respectability and involvement in Oakland's drug underworld. As he waits in the neighborhood barbershop, one of his closest childhood friends, Holly Ford, brings him the news of the murder of Billy Crane, the third member of their childhood trio and a successful drug dealer. Felicia, Billy's girlfriend and Maceo's true love, is on the run and suspected of setting up the hit. As he searches for Felicia and the answer to the mystery of Billy's murder, Maceo is drawn deeper into a world in which dealers, players, and interlopers, obeying a code of honor all their own, engage in a deadly game to capture the heart of Oakland. When Maceo uncovers the truth about Billy, the story builds to a terrifying and painful climax.

***WINNER OF THE CRIME WRITERS' ASSOCIATION'S INTERNATIONAL DAGGER 2017*** ***WINNER OF THE DANISH ACADEMY OF CRIME WRITERS' PALLE ROSENKRANTZ PRIZE (Best Crime Novel 2012)*** ***WINNER OF THE FINNISH ACADEMY OF CRIME WRITERS' AWARD (Best Crime Novel 2012)*** ***WINNER OF THE GLASS KEY (Best Scandinavian Crime Novel 2011)*** ***WINNER OF THE SWEDISH ACADEMY OF CRIME WRITERS' AWARD (Best Crime Novel of the Year 2010)*** LARS MARTIN JOHANSSON is a living legend. Cunning and perceptive, always one step ahead, he was known in the National Criminal Police as “the man who could see around corners.” But now Johansson is retired, living in the country, his police days behind him. Or so he thinks. After suffering a stroke, Johansson finds himself in the hospital. Tests show heart problems as well. And the only thing that can save him from despair is his doctor’s mention of an unsolved murder case from years before. The victim: an innocent nine-year-old girl. Johansson is determined to solve the case, no matter his condition. With the help of his assistant, Matilda, an amateur detective, and Max, an orphan with a personal stake in the case, he launches an informal investigation from his hospital bed. Racing against time, he uncovers a web of connections that links sex tourism to a dead opera singer and a self-made millionaire. And as Johansson draws closer to solving the crime, he finds that he will have to confront not just a mystery but his own mortality as well.

The New York Times bestseller that inspired the Sundance Grand Jury Prize-winning film. The funniest book you’ll ever read about death. It is a universally acknowledged truth that high school sucks. But on the first day of his senior year, Greg Gaines thinks he’s figured it out. The answer to the basic existential question: How is it possible to exist in a place that sucks so bad? His strategy: remain at the periphery at all times. Keep an insanely low profile. Make mediocre films with the one person who is even sort of his friend, Earl. This plan works for exactly eight hours. Then Greg’s mom forces him to become friends with a girl who has cancer. This brings about the destruction of Greg’s entire life. “Mr. Andrews’ often hilarious teen dialogue is utterly convincing, and his characters are compelling. Greg’s random sense of humor, terrible self-esteem and general lack of self-awareness all ring true. Like many YA authors, Mr. Andrews blends humor and pathos with true skill, but he steers clear of tricky resolutions and overt life lessons, favoring incremental understanding and growth.” —Pittsburgh Post-Gazette “One need only look at the chapter titles (‘Let’s Just Get This Embarrassing Chapter Out of the Way’) to know that this is one funny book.” —Booklist (starred review) “Though this novel begs inevitable thematic comparisons to John Green’s The Fault in Our Stars, it stands on its own in inventiveness, humor and heart.” —Kirkus Reviews (starred review)