Vince Elgin is an orphan, having lost his mother and his father in a fire when he was young, but beyond that, his life hasn't been much of a fairy tale. With only a senile grandfather he barely knows to call family, Vince was interned in a group home, where he spun fantastical stories and dreamed that his father, whose body was never found, might one day return for him. But it's been a long time since the fire, a long time since Vince has told himself a story worth believing in. That's when a letter arrives, telling Vince his grandfather has passed away. Vince cannot explain it, but he's convinced that if his father is somehow still alive, he'll find him at the funeral. He strikes out for the small town of Dyerville carrying only one thing with him: his grandfather's journal. The journal tells a tale that could not possibly be true: the story of his grandfather's young life with witches, giants, magical books, and evil spirits. But as Vince reads on and gets closer to Dyerville, fact and fiction begin to intertwine, and Vince finds that his very real adventure may have more in common with his grandfather's than he ever could have known. M. P. Kozlowsky, author of Juniper Berry, has crafted a powerfully imaginative novel of the spaces in life where fantasy and reality intersect, and a touching story of the things we give up to recover the things we've lost.

Juniper Berry's parents are the most beloved actor and actress in the world—but Juniper can't help but feel they haven't been quite right lately. And she and her friend Giles are determined to find out why. On a cold and rainy night, Juniper follows her parents as they sneak out of the house and enter the woods. What she discovers is an underworld filled with contradictions: one that is terrifying and enticing, lorded over by a creature both sinister and seductive, who can sell you all the world's secrets bound in a balloon. For the first time, Juniper and Giles have a choice to make. And it will be up to them to confront their own fears in order to save the ones who couldn't. M.P. Kozlowsky's debut is a modern-day fairy tale of terror, temptation, and ways in which it is our choices that make us who we are.

Cinder meets The Walking Dead in a chilling futuristic fairy tale that will reboot everything you thought about family, love... and what it means to be human. Before he died, Frost's father uploaded his consciousness into their robot servant. But the technology malfunctioned, and now her father fades in and out. So when Frost learns that there might be medicine on the other side of the ravaged city, she embarks on a dangerous journey to save the only living creature she loves.With only a robot as a companion, Frost must face terrors of all sorts, from outrunning the vicious Eaters. . .to talking to the first boy she's ever set eyes on. But can a girl who's only seen the world through books and dusty windows survive on her own?

Rose Coffin can't win. She's teased for her secondhand clothes. She's teased for blushing all the time. And she's teased for slipping into song at inopportune moments, though that's the only thing that keeps her panic at bay. After a particularly mortifying incident, Rose escapes to the woods where she's captured by a group of otherworldly creatures. They take her to Eppersett-a magical, eerily beautiful place where cemeteries are full of dead dreams, moving castles roll along on tracks, and most shocking of all . . . people seem to love Rose at first sight. They tell her that she's "the one they've been waiting for. The one who's going to save them." An evil force called the Abomination is on the loose, and there's only one thing powerful enough to stop it-her voice.There's just one catch. Rose hasn't been brought to Eppersett to fight the Abomination.She's going to be sacrificed to it. She's the chosen one all right . . . the one who's been chosen to die.In this startlingly original fantasy, M.P. Kozlowsky takes readers on a journey like no other-an adventure that'll transform everything you thought you knew about friendship, love, and the true power of finding your voice.

Never trust other people's memories, and watch out for your own Sean Whittlesea was there when his wife was murdered. He saw the light leave her eyes. He held her dead body in his arms. He knows he wept, but he cannot recollect a single other detail. Tormented by the tragedy, Sean relives the horror over and over again. As he struggles to recall what really happened, his imagination serves up an endless chain of scenarios. The truth, however, remains hidden in the vault of his memory, and the key is nowhere to be found. Nearly two decades later, Sean, now remarried and a father of two, wins a bizarre contest hosted by his eccentric boss. The prize is the Memory Palace, a state-of-the-art black box that purportedly allows its possessor to relive every moment he has ever experienced, playing out all the memories on a screen. While the small machine at first appears to be the answer to the mystery surrounding the death of his wife, it instead upends Sean’s life. He pushes his family further and further away as the Memory Palace forces him to confront harsh realities and difficult questions that he lacks the strength to face or answer. Spiraling downward, Sean encounters increasingly harrowing challenges that force him to realize that his memory is not the only thing at stake. To recover the truth about his past, Sean must fight for his very life.

“This book is a treasure—a touching story of friendship, loss, and finding beauty in the everyday, with characters who stay with you long after you’ve turned the final page. I absolutely loved it.”—R. J. Palacio, New York Times bestselling author of Wonder Laurel Snyder, author of Orphan Island, returns with another unforgettable story of the moments in which we find out who we are, and the life-altering friendships that show us what we can be. The school year is over, and it is summer in Atlanta. The sky is blue, the sun is blazing, and the days brim with possibility. But Leah feels. . . lost. She has been this way since one terrible afternoon a year ago, when everything changed. Since that day, her parents have become distant, her friends have fallen away, and Leah’s been adrift and alone. Then she meets Jasper, a girl unlike anyone she has ever known. There’s something mysterious about Jasper, almost magical. And Jasper, Leah discovers, is also lost. Together, the two girls carve out a place for themselves, a hideaway in the overgrown spaces of Atlanta, away from their parents and their hardships, somewhere only they can find. But as the days of this magical June start to draw to a close, and the darker realities of their lives intrude once more, Leah and Jasper have to decide how real their friendship is, and whether it can be enough to save them both.

Several years after Jack London’s death, his wife Charmian released a 2-volume biography of his life. Volume I starts with the origins of his parents, John and Flora, and covers Jack’s childhood and early life growing up in the San Francisco Bay Area. It also covers his oyster pirating, Klondike trips, and time spent riding the railroads. The book is full of his letters to Cloudesley Johns, Anna Strunsky, and others. The first volume ends with his voyage to Asia to cover the Japanese-Russian War. Volume II starts with his return from Korea after war-reporting and his divorce from his first wife. It covers their trip on the Snark and trips to New York and around Cape Horn. The 'bad year' when his house burns is described in detail, as is a return to Hawaii and the start of World War I. The volume ends with Jack's death in 1916.

Four Horses and a Sailor is a short story by Jack London. John Griffith "Jack" London (born John Griffith Chaney, January 12, 1876 - November 22, 1916) was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. He is best remembered as the author of The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire," "An Odyssey of the North," and "Love of Life." He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen," and of the San Francisco Bay area in The Sea Wolf. London was a passionate advocate of unionization, socialism, and the rights of workers and wrote several powerful works dealing with these topics such as his dystopian novel The Iron Heel, his non-fiction expose The People of the Abyss, and The War of the Classes. On July 12, 1897, London (age 21) and his sister's husband Captain Shepard sailed to join the Klondike Gold Rush. This was the setting for some of his first successful stories. London's time in the Klondike, however, was detrimental to his health. Like so many other men who were malnourished in the goldfields, London developed scurvy. His gums became swollen, leading to the loss of his four front teeth. A constant gnawing pain affected his hip and leg muscles, and his face was stricken with marks that always reminded him of the struggles he faced in the Klondike. Father William Judge, "The Saint of Dawson," had a facility in Dawson that provided shelter, food and any available medicine to London and others. His struggles there inspired London's short story, "To Build a Fire" (1902, revised in 1908), which many critics assess as his best. His landlords in Dawson were mining engineers Marshall Latham Bond and Louis Whitford Bond, educated at Yale and Stanford. The brothers' father, Judge Hiram Bond, was a wealthy mining investor. The Bonds, especially Hiram, were active Republicans. Marshall Bond's diary mentions friendly sparring with London on political issues as a camp pastime. London left Oakland with a social conscience and socialist leanings; he returned to become an activist for socialism. He concluded that his only hope of escaping the work "trap" was to get an education and "sell his brains." He saw his writing as a business, his ticket out of poverty, and, he hoped, a means of beating the wealthy at their own game. On returning to California in 1898, London began working deliberately to get published, a struggle described in his novel, Martin Eden (serialized in 1908, published in 1909). His first published story since high school was "To the Man On Trail," which has frequently been collected in anthologies. When The Overland Monthly offered him only five dollars for it-and was slow paying-London came close to abandoning his writing career. In his words, "literally and literarily I was saved" when The Black Cat accepted his story "A Thousand Deaths," and paid him $40-the "first money I ever received for a story." London began his writing career just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public and a strong market for short fiction. In 1900, he made $2,500 in writing, about $71,000 in today's currency. Among the works he sold to magazines was a short story known as either "Diable" (1902) or "Batard" (1904), in two editions of the same basic story; London received $141.25 for this story on May 27, 1902. In the text, a cruel French Canadian brutalizes his dog, and the dog retaliates and kills the man. London told some of his critics that man's actions are the main cause of the behavior of their animals, and he would show this in another story, The Call of the Wild.

"Victor Golla has been the leading scholar of California Indian languages for most of his professional life, and this book shows why. His ability to synthesize centuries of fieldwork and writings while bringing forward new ideas and fresh ways of looking at California’s famous linguistic diversity will make this the primary text for anyone interested in California languages."--Leanne Hinton, Professor Emerita of Linguistics, University of California, Berkeley and author of How to Keep Your Language Alive “This book is a wonderful contribution that only Golla could have written. It is a perfect confluence of author and subject matter.”--Ives Goddard, Senior Linguist, Emeritus, Smithsonian Institution "Golla is a gifted polymath and California Indian Languages is certainly his landmark achievement, required reading for any linguist, archaeologist, ethnographer, or historian interested in aboriginal California."--Robert L. Bettinger, Professor of Anthropology, University of California Davis and author of Hunter-Gatherer Foraging "The preeminent figure in his field, Victor Golla has written a masterpiece filled with treasures for every audience: Indian communities working toward cultural and linguistic revival; general readers interested in the many cultures of Native California; and scholars in the fields of language, archaeology, and prehistory. The information here is so detailed that it supersedes all previous reference works."--Andrew Garrett, Professor of Linguistics, University of California Berkeley and Director, Survey of California and Other Indian Languages “This is a truly magnificent work, at once authoritative, comprehensive, accessible to a wide readership, and fascinating. Masterfully integrating linguistic, archaeological, historical, and cultural information, the author describes not just the languages, but also the major figures in the story: speakers, explorers, missionaries, and scholars. It is beautifully written, a great pleasure to read, and difficult to put down."--Marianne Mithun, author of The Languages of Native North America