A year after Richard III's death, a boy claiming to be a Yorkist prince appeared as if from nowhere, claiming to be Richard III's heir and the rightful King of England. In 1487, in a unique ceremony, this boy was crowned in Dublin Cathedral, despite the Tudor government insisting that his real name was Lambert Simnel and that he was a mere pretender to the throne. Now, in The Dublin King, author and historian John Ashdown-Hill questions that official view. Using new discoveries, little-known evidence and insight, he seeks the truth behind the 500-year-old story of the boy-king crowned in Dublin. He also presents a link between Lambert Simnel's story and that of George, Duke of Clarence, the brother of Richard III. On the way, the book sheds new light on the fate of the 'Princes in the Tower', before raising the possibility of using DNA to clarify the identity of key characters in the story and their relationships.

A year after Richard III’s death, a boy claiming to be a Yorkist prince appeared as if from nowhere, claiming to be Richard III’sheir and the rightful King of England. In 1487, in a unique ceremony, this boy was crowned in Dublin Cathedral, despite the Tudor government insisting that his real name was Lambert Simnel and that he was a mere pretender to the throne. Now, in The Dublin King, author and historian John Ashdown-Hill questions that official view. Using new discoveries, little-known evidence and insight, he seeks the truth behind the 500-year-old story of the boy-king crowned in Dublin. He also presents a link between Lambert Simnel’s story and that of George, Duke of Clarence, the brother of Richard III. On the way, the book sheds new light on the fate of the ‘Princes in the Tower’, before raising the possibility of using DNA to clarify the identity of key characters in the story and their relationships.

Twenty years after a deadly pandemic ravaged the world, Darragh Fearghal Anluan and the people of his village have carved out a hard but simple life in the Irish countryside. But with winter comes sickness, and Darragh must travel to Dublin in search of medicine. What he finds there is a ruined city ruled by a madman, where scavenging is punishable by death . . . or conscription. Ciaran Daly came to Ireland with aid and optimism, but instead was enslaved by the so-called King of Dublin. After months of abuse from the king and his men, he has no reason to believe this newcomer will be any different. Except Ciaran finds himself increasingly drawn to Darragh, whose brutish looks mask how sweet and gentle he really is. The tenderness Darragh feels for the king's treasured pet is treason, but it's hardly the only betrayal brewing in this rotten kingdom. Rebellions and rival gangs threaten the king's power, but not nearly as much as Darragh and Ciaran-whose only hope for freedom is the fall of the king.

Here is an extraordinary novel about real-life Irish chieftain Grace O Malley. From Morgan Llywelyn, bestselling author of Lion of Ireland and the Irish Century novels, comes the story of a magnificent, sixteenth-century heroine whose spirit and passion are the spirit and passion of Ireland itself. Grania (Gaelic for Grace) is no ordinary female. And she lives in extraordinary times. For even as Grania rises as her clan's unofficial head and breadwinner and learns to love a man, she enters a lifelong struggle against the English forces of Queen Elizabeth -- her nemesis and alter ego. Elizabeth intends to destroy Grania's piracy and shipping empire--and so subjugate Ireland once and for all. But Grania, aided by Tigernan, her faithful (and secretly adoring) lieutenant, has no choice but to fight back. The story of her life is the story of Ireland's fight for solidarity and survival--but it's also the story of Grania's growing ability to love and be strong at the same time. Morgan Llywelyn has written a rich, historically accurate, and passionate novel of divided Ireland -- and of one brave woman who is Ireland herself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From the internationally bestselling author of London and Sarum -- a magnificent epic about love and war, family life and political intrigue in Ireland over the course of seventeen centuries. Like the novels of James Michener, The Princes of Ireland brilliantly interweaves engrossing fiction and well-researched fact to capture the essence of a place. Edward Rutherfurd has introduced millions of readers to the human dramas that are the lifeblood of history. From his first bestseller, Sarum, to the #1 bestseller London, he has captivated audiences with gripping narratives that follow the fortunes of several fictional families down through the ages. The Princes of Ireland, a sweeping panorama steeped in the tragedy and glory that is Ireland, epitomizes the power and richness of Rutherfurd’s storytelling magic. The saga begins in pre-Christian Ireland with a clever refashioning of the legend of Cuchulainn, and culminates in the dramatic founding of the Free Irish State in 1922. Through the interlocking stories of a wonderfully imagined cast of characters -- monks and noblemen, soldiers and rebels, craftswomen and writers -- Rutherfurd vividly conveys the personal passions and shared dreams that shaped the character of the country. He takes readers inside all the major events in Irish history: the reign of the fierce and mighty kings of Tara; the mission of Saint Patrick; the Viking invasion and the founding of Dublin; the trickery of Henry II, which gave England its foothold on the island in 1167; the plantations of the Tudors and the savagery of Cromwell; the flight of the “Wild Geese”; the failed rebellion of 1798; the Great Famine and the Easter Rebellion. With Rutherfurd’s well-crafted storytelling, readers witness the rise of the Fenians in the late nineteenth century, the splendours of the Irish cultural renaissance, and the bloody battles for Irish independence, as though experiencing their momentous impact firsthand. Tens of millions of North Americans claim Irish descent. Generations of people have been enchanted by Irish literature, and visitors flock to Dublin and its environs year after year. The Princes of Ireland will appeal to all of them -- and to anyone who relishes epic entertainment spun by a master.

Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.

The late medieval kings of England showed little interest in their Lordship of Ireland. They showed even less interest in the Gaelic Irish population of the island. Richard II, however, was different. This English monarch led two expeditions to Ireland in 1394-5 and the summer of 1399. Once across the Irish Sea, it was Richard's fate to encounter a group of able Gaelic Irish kings, who were probably the most capable and talented of the entire late medieval period. Of these chieftains the most prominent were Art MacMurchadha Caomhanach, king of the Leinster Mountains, and Niall Mor and Niall Og O Neill, kings of Tyrone and high-kings of Ulster. Richard II ended up largely out-negotiated after his first expedition to the island, and unexpectedly outfought during his second. When he returned to his English kingdom Richard was immediately deposed and later murdered by his cousin, Henry, duke of Hereford, who then became King Henry IV. This book is the story of these remarkable encounters between a late medieval English monarch and his reluctant Gaelic Irish vassals at the close of the 14th century. *** "Among the most valuable aspects of the book is its meticulous account of the contemporary sources. Recommended [for] library collections on Richard II, the English monarchy, and medieval Ireland." --Choice, Vol. 54, No. 9, May 2017 [Subject: Medieval History, Early Modern History, Invasions & Conquests, Monarchy, Ireland & the UK]

In the eighteenth century, the Catholics of England lacked many basic freedoms under the law: they could not serve in political office, buy or inherit land, or be married by the rites of their own religion. So virulent was the sentiment against Catholics that, in 1780, violent riots erupted in London—incited by the anti-Papist Lord George Gordon—in response to the Act for Relief that had been passed to loosen some of these restrictions. The Gordon Riots marked a crucial turning point in the fight for Catholic emancipation. Over the next fifty years, factions battled to reform the laws of the land. Kings George III and George IV refused to address the “Catholic Question,” even when pressed by their prime ministers. But in 1829, through the dogged work of charismatic Irish lawyer Daniel O’Connell and the support of the great Duke of Wellington, the watershed Roman Catholic Relief Act finally passed, opening the door to the radical transformation of the Victorian age. Gripping, spirited, and incisive, The King and the Catholics is character-driven narrative history at its best, reflecting the dire consequences of state-sanctioned oppression—and showing how sustained political action can triumph over injustice.