Deep in the heart of Australia’s high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly’s children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection – but it can be harder when Joe’s around. At just twelve years of age Molly’s eldest son Danny is the true man of the house, determined to see his mother and siblings safe – from raging floodwaters, hunger and intruders, man and reptile. Danny is mature beyond his years, but there are some things no child should see. He knows more than most just what it takes to be a drover’s wife. One night under the moon’s watch, Molly has a visitor of a different kind – a black ‘story keeper’, Yadaka. He’s on the run from authorities in the nearby town, and exchanges kindness for shelter. Both know that justice in this nation caught between two worlds can be as brutal as its landscape. But in their short time together, Yadaka shows Molly a secret truth, and the strength to imagine a different path. Full of fury and power, Leah Purcell’s The Drover’s Wife: The Legend of Molly Johnson is a brave reimagining of the Henry Lawson short story that has become an Australian classic. Brilliantly plotted, it is a compelling thriller of our pioneering past that confronts head-on issues of today: race, gender, violence and inheritance.

Henry Lawson's short story 'The Drover's Wife' is an Australian classic that has sparked interpretations on the page, on canvas and on the stage. But it has never been so thoroughly, or hilariously, reimagined as by Ryan O'Neill, remixing and revising Lawson's masterpiece in ninety-nine different ways. You'll be amused, delighted and surprised by a Year 8 essay, a sporting commentary, a pop song, a cento, a dance and many more. Inventive and unexpected, this is laugh-out-loud literature from one of Australia's finest satirists.

Since Henry Lawson wrote his story 'The Drover’s Wife' in 1892, Australian writers, painters, performers and photographers have created a wonderful tradition of drover's wife works, stories and images. The Russell Drysdale painting from 1945 extended the mythology and it, too, has become an Australian icon. Other versions of the Lawson story have been written by Murray Bail, Barbara Jefferis, Mandy Sayer, David Ireland, Madeleine Watts and others, up to the present, including Leah Purcell's play and Ryan O’Neill’s graphic novel. In essays and commentary, Frank Moorhouse examines our ongoing fascination with this story and has collected some of the best pieces of writing on the subject. This remarkable, gorgeous book is, he writes, 'a monument to the drovers' wives'.

Henry Lawson's short story The Drover's Wife is an Australian classic that has sparked interpretations on the page, on canvas and on the stage. But it has never been so thoroughly, or hilariously, reimagined as by Ryan O'Neill, remixing and revising Lawson's masterpiece in 101 different ways. The variations include a a pop song, a sporting commentary, a 1980s computer game, an insurance claim, a Hollywood movie adaptation, a cryptic crossword and even the selection of paint swatches you can see on this back cover. Inventive and unexpected, this is laugh-out-loud literature from the author of the award-winning Their Brilliant Careers. Inventive and unexpected, this is laugh-out-loud literature from one of Australia's finest satirists.

Henry Lawson's short story 'The Drover's Wife' is an Australian classic that has sparked interpretations on the page, on canvas and on the stage. But it has never been so thoroughly, or hilariously, reimagined as by Ryan O'Neill, remixing and revising Lawson's masterpiece in 101 different ways. The variations include a pop song, a sporting commentary, a 1980s computer game, an insurance claim, a Hollywood movie adaptation, a cryptic crossword and even a selection of paint swatches. Inventive and unexpected, this is laugh-out-loud literature from the author of the award-winning Their Brilliant Careers. 'Pitch perfect...hilarious... This is a book that begs to be read aloud' THE AUSTRALIAN'More go than Queneau' DAVID BELBIN 'A cerebrally imaginative tour de force' FRANK MOORHOUSE

Shortlisted for the 2017 Miles Franklin Literary Award Absurd, original and highly addictive . . . In Their Brilliant Careers, Ryan O'Neill has written a hilarious novel in the guise of sixteen biographies of (invented) Australian writers. Meet Rachel Deverall, who discovered the secret source of the great literature of our time - and paid a terrible price for her discovery. Meet Rand Washington, hugely popular sci-fi author (of Whiteman of Cor) and inveterate racist. Meet Addison Tiller, master of the bush yarn, "The Chekhov of Coolabah", who never travelled outside Sydney. Their Brilliant Careers is a playful set of stories, linked in many ways, which together form a memorable whole. A wonderful comic tapestry of the writing life, this unpredictable and intriguing work takes Australian writing in a whole new direction . . . Shortlisted, 2017 NSW Premier's Literary Awards ‘You have to admire O’Neill’s delicious bravura. He’s been one of the few short fiction writers of recent years willing to play around with the form’s possibilities ... Apart from the fact there are more funny lines in O’Neill’s 288 pages than there are likely to be in the entirety of Australian literature elsewhere this year, the profiles are woven smartly together, as the characters’ fates and careers intertwine.’ —Saturday Paper ‘Ryan O’Neill combines conventions of biography and short story in an exhaustively brazen blend of Australian literary history and plausible yet gloriously bonkers invention.’ —Elke Power, Readings Monthly ‘Their Brilliant Careers ... brims with crackerjack wit. Pressure is subtly built; punchlines are explosive.’ —Australian Book Review ‘Ryan O’Neill has embarked on the task of creating a satirical, funny alternative history to Australian literature, an exercise he has achieved admirably and with brilliance.’ —Writers Bloc ‘[Ryan O'Neill] offers a book that is a piss-take, a celebration, a revisionist history and, perhaps most impressively, exceedingly good fun.’ —Dominic Amerena, the Australian ‘O'Neill has arranged a beautiful board of slain waxwings, no less funny or moving for being, in the final estimate of things, no more than shadows of the never living and the forever dead.’ —Adam Rivett, Sydney Morning Herald Ryan O’Neill is the author of The Weight of a Human Heart. He was born in Glasgow in 1975 and has lived in Africa, Europe and Asia before settling in Newcastle, Australia, with his wife and two daughters. His fiction has appeared in The Best Australian Stories, The Sleepers Almanac, Meanjin, New Australian Stories, Wet Ink, Etchings and Westerly. His work has won the Hal Porter and Roland Robinson awards and been shortlisted for the Queensland Premier’s Steele Rudd Award and the Age Short-Story Prize. He teaches at the University of Newcastle.

Drovers hold an iconic place in our Australian identity, due to the courage and perseverance needed to transport cattle and sheep hundreds of kilometres through rural and outback areas. But what of the women and children who travelled with them?

'The Weight of a Human Heart' turns the rules of storytelling on their head. A series of graphs illustrates the disintegration of a marriage, step by excruciating step. A literary feud, and an affair, play out in the book review section of a national newspaper. A young girl learns her mother's disturbing secrets.

'Dan Rhodes is a true original' – Hilary Mantel When the sleepy English village of Green Bottom hosts its first literary festival, the good, the bad and the ugly of the book world descend upon its leafy lanes. But the villagers are not prepared for the peculiar habits, petty rivalries and unspeakable desires of the authors. And they are certainly not equipped to deal with Wilberforce Selfram, the ghoul-faced, ageing enfant terrible who wreaks havoc wherever he goes. Sour Grapes is a hilarious satire on the literary world which takes no prisoners as it skewers authors, agents, publishers and reviewers alike.