Over the last decade, the rapid pace of innovation with drone technology has led to dozens of new and innovative commercial and scientific applications, from Amazon drone deliveries to the patrolling of national parks with drones. But what is less understood is how the spread of unmanned technology will change the patterns of war and peace in the future. Will the use of drones produce a more stable world or will it lead to more conflict? Will drones gradually replace humans on the battlefield or will they empower soldiers to act more precisely, and humanely, in crisis situations? How will drones change surveillance around the world and at home? The Drone Age traces the rise of unmanned technology and how it is reshaping our world. The spread of drones is reordering geopolitical fault lines and providing new ways for states to test the nerves and strategic commitments of their rivals. Drones are also allowing terrorist groups like the Islamic State to take to the skies and to level the playing field against their enemies. Across the world, the low financial cost of drones and the reduced risks faced by pilots is making drone technology an essential tool for militaries, peacekeeping forces and even private companies. From large surveillance drones to insect-like micro-drones, unmanned technology is revolutionizing the way that states and non-state actors compete with each other and is providing game-changing benefits to those who can most rapidly adapt unmanned technology to their own purposes. Yet peacekeeping and humanitarian organizations are also utilizing drones too. An essential guide to a surprisingly complex disruptive force in world politics, The Drone Age shows how the mastery of drone technology will become central to the ways that governments and non-state actors seek power and influence in the coming decades.

This volume's contributors offer a new critical language through which to explore and assess the historical, juridical, geopolitical, and cultural dimensions of drone technology and warfare. They show how drones generate particular ways of visualizing the spaces and targets of war while acting as tools to exercise state power. Essays include discussions of the legal justifications of extrajudicial killings and how US drone strikes in the Horn of Africa impact life on the ground, as well as a personal narrative of a former drone operator. The contributors also explore drone warfare in relation to sovereignty, governance, and social difference; provide accounts of the relationships between drone technologies and modes of perception and mediation; and theorize drones’ relation to biopolitics, robotics, automation, and art. Interdisciplinary and timely, Life in the Age of Drone Warfare extends the critical study of drones while expanding the public discussion of one of our era's most ubiquitous instruments of war. Contributors. Peter Asaro, Brandon Wayne Bryant, Katherine Chandler, Jordan Crandall, Ricardo Dominguez, Derek Gregory, Inderpal Grewal, Lisa Hajjar, Caren Kaplan, Andrea Miller, Anjali Nath, Jeremy Packer, Lisa Parks, Joshua Reeves, Thomas Stubblefield, Madiha Tahir

Welcome to the Drone Age. Where self-defense has become naked aggression. Where courage has become cowardice. Where black ops have become standard operating procedure. In this remarkable and often shocking book, Laurie Calhoun dissects the moral, psychological, and cultural impact of remote-control killing in the twenty-first century. Can a drone operator conducting a targeted killing be likened to a mafia hitman? What difference, if any, is there between the Trayvon Martin case and the drone killing of a teen in Yemen? We Kill Because We Can takes a scalpel to the dark heart of Western foreign policy in order to answer these and many other troubling questions.

"This book is a vital addition to understanding the way forward for drones in our national airspace." —Jeramie D. Scott, senior counsel, Electronic Privacy Information Center Drones are among the most exciting and promising new technologies to emerge in the last few decades. Photographers, firefighters, filmmakers, engineers, and retailers have all used drones to improve public safety, innovate, and enhance creativity. Yet drones pose unique regulatory and privacy issues, and lawmakers at the federal and state levels are adopting policies that both ensure the safety of our national airspace and restrict the use of warrantless aerial surveillance. At a time when low-flying drones are affordable and ubiquitous, how useful are the airspace regulations and privacy laws designed for traditional airplanes and helicopters? Is there a way to build a regulatory and legal environment that ensures entrepreneurs and hobbyists can safely use drones while also protecting us from intrusive aerial surveillance? In Eyes to the Sky: Privacy and Commerce in the Age of the Drone, experts from legal, regulatory, public policy, and civil liberty communities tackle these pressing problems. The chapters in this volume highlight not only what we can learn from the history of drone regulation but also propose policies that will allow for an innovative and dynamic drone sector while protecting our privacy. As drone technologies rapidly advance, Eyes to the Sky offers readers the current state of drone capabilities and regulations and a glimpse at exciting and disturbing uses of drones in the near future.

With Obama's election to the presidency in 2008, many believed the United States had entered a new era: Obama came into office with high expectations that he would end the war in Iraq and initiate a new foreign policy that would reestablish American values and the United States' leadership role in the world. In this shattering new assessment, historian Lloyd C. Gardner argues that, despite cosmetic changes, Obama has simply built on the expanding power base of presidential power that reaches back across decades and through multiple administrations. The new president ended the “enhanced interrogation” policy of the Bush administration but did not abandon the concept of preemption. Obama withdrew from Iraq but has institutionalized drone warfare—including the White House's central role in selecting targets. What has come into view, Gardner argues, is the new face of American presidential power: high–tech, secretive, global, and lethal. Killing Machine skillfully narrates the drawdown in Iraq, the counterinsurgency warfare in Afghanistan, the rise of the use of drones, and targeted assassinations from al-Awlaki to Bin Laden—drawing from the words of key players in these actions as well as their major public critics. With unparalleled historical perspective, Gardner's book is the new touchstone for understanding not only the Obama administration but the American presidency itself.

In warzones, ordinary commercially-available drones are used for extraordinary reconnaissance and information gathering. They can also be used for bombings - a drone carrying an explosive charge is potentially a powerful weapon. At the same time asymmetric warfare has become the norm - with large states increasingly fighting marginal terrorist groups in the Middle East and elsewhere. Here, Nicholas Grossman shows how we are entering the age of the drone terrorist - groups such as Hezbollah are already using them in the Middle East. Grossman will analyse the ways in which the United States, Israel and other advanced militaries use aerial drones and ground-based robots to fight non-state actors (e.g. ISIS, al Qaeda, the Iraqi and Afghan insurgencies, Hezbollah, Hamas, etc.) and how these groups, as well as individual terrorists, are utilizing less advanced commercially-available drones to fight powerful state opponents. Robotics has huge implications for the future of security, terrorism and international relations and this will be essential reading on the subject of terrorism and drone warfare.

This book assesses the ethical implications of using armed unmanned aerial vehicles (‘hunter-killer drones’) in contemporary conflicts. The American way of war is trending away from the heroic and towards the post-heroic, driven by a political preference for air-powered management of strategic risks and the reduction of physical risk to US personnel. The recent use of drones in the War on Terror has demonstrated the power of this technology to transcend time and space, but there has been relatively little debate in the United States and elsewhere over the embrace of what might be regarded as politically desirable and yet morally worrisome: risk-free killing. Arguably, the absence of a relationship of mutual risk between putative combatants poses a fundamental challenge to the status of war as something morally distinguishable from other forms of violence, and it also undermines the professional virtue of the warrior as a courageous risk-taker. This book considers the use of armed drones in the light of ethical principles that are intended to guard against unjust increases in the incidence and lethality of armed conflict. The evidence and arguments presented indicate that, in some respects, the use of armed drones is to be welcomed as an ethically superior mode of warfare. Over time, however, their continued and increased use is likely to generate more challenges than solutions, and perhaps do more harm than good. This book will be of much interest to students of the ethics of war, airpower, counter-terrorism, strategic studies and security studies in general.

In the battle for the streets of Mosul in Iraq, drones in the hands of ISIS terrorists made life hell for the Iraq army and civilians. Today, defense companies are racing to develop the lasers, microwave weapons, and technology necessary for confronting the next drone threat. Seth J. Frantzman takes the reader from the midnight exercises with Israel’s elite drone warriors, to the CIA headquarters where new drone technology was once adopted in the 1990s to hunt Osama bin Laden. This rapidly expanding technology could be used to target nuclear power plants and pose a threat to civilian airports. In the Middle East, the US used a drone to kill Iranian arch-terrorist Qasem Soleimani, a key Iranian commander. Drones are transforming the battlefield from Syria to Libya and Yemen. For militaries and security agencies—the main users of expensive drones—the UAV market is expanding as well; there were more than 20,000 military drones in use by 2020. Once the province of only a few militaries, drones now being built in Turkey, China, Russia, and smaller countries like Taiwan may be joining the military drone market. It’s big business, too—$100 billion will be spent over the next decade on drones. Militaries may soon be spending more on drones than tanks, much as navies transitioned away from giant vulnerable battleships to more agile ships. The future wars will be fought with drones and won by whoever has the most sophisticated technology.

This book documents the political ecosystem that legitimized violent military action against military-age males in US military operations after September 11, 2001. It first introduces the military-age male as a category used to identify insurgent combatants who have blended into civilian environments. Though US officials maintained that military-age males were not automatically assumed to be combatants, defense and intelligence professionals nevertheless used biases related to gender, age, religion and race to interpret the battlespace. Based on an analysis of the Obama administration’s decision to exclude adolescent boys and men from drone warfare’s collateral damage count, and an examination of similar problems with combatant identification under the Bush administration, the author argues that the military-age male category contributed to the deterioration of civilian protection. The concluding chapters discusses the link between counterinsurgency, drone warfare, and emerging trends in artificial intelligence and autonomy in weapons systems, highlighting the relation between algorithmic discrimination and the misidentification of civilians as combatants.

"This volume is published in conjunction with the exhibition To See Without Being Seen: Contemporary Art and Drone Warfare, organized by the Mildred Lane Kemper Art Museum at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, and on view there January 29 to April 24, 2016."--Page 96.