Colin Colahan was an Australian painter of outstanding ability and reputation who from the 1920s to the 1970s was remarkably productive. Colahan was one of the more brilliant pupils of the painter Max Meldrum. Identification with the unfashionable 'Meldrumites' is one explanation for Colahan's disappearance from the public gaze. The other has murkier origins in the still unsolved murder of his girlfriend, Mollie Dean, in 1930. There was nothing of substance to link Colahan to the brutal murder, but fevered public speculation cast a depressing shadow for many years and helped propel him to Europe in 1935. There he stayed for the rest of his long life. The story of Colahan's personal life is tantalising in itselfandmdash;three marriages, five children, numerous lovers, beautiful houses in England and Italy, portrait painter of the rich and famous. It was an urbane life. He was a witty, charming, talented man. This intimate, engaging portrait is indeed most welcome, and will restore Colahan's life and work to its rightful place in the history of Australian art.

The need for a scientifically literate citizenry, one that is able to think critically and engage productively in the engineering design process, has never been greater. By raising engineering design to the same level as scientific inquiry the Next Generation Science Standards’ (NGSS) have signaled their commitment to the integration of engineering design into the fabric of science education. This call has raised many critical questions...How well do these new standards represent what actually engineers do? Where do the deep connections among science and engineering practices lie? To what extent can (or even should) science and engineering practices co-exist in formal and informal educational spaces? Which of the core science concepts are best to leverage in the pursuit of coherent and compelling integration of engineering practices? What science important content may be pushed aside? This book, tackles many of these tough questions head on. All of the contributing authors consider the same core question: Given the rapidly changing landscape of science education, including the elevated status of engineering design, what are the best approaches to the effective integration of the science and engineering practices? They answered with rich descriptions of pioneering approaches, critical insights, and useful practical examples of how embodying a culture of interdisciplinarity and innovation can fuel the development of a scientifically literate citizenry . This collection of work builds traversable bridges across diverse research communities and begins to break down long standing disciplinary silos that have historically often hamstrung well-meaning efforts to bring research and practice from science and engineering together in meaningful and lasting ways.

On the fortieth anniversary of Pierre Commoy and Gilles Blanchard’s romantic union, this volume traces four decades of artistic collaboration between the photographer and painter known as Pierre et Gilles. This year-by-year retrospective of their vast oeuvre, accompanied by an incisive essay by art critic Éric Troncy, showcases the genesis and development of their sublime, audacious, and explicitly confected fusion of photography and painting. Highly sophisticated and shamelessly sexy, their art—stylized, idealized painted photographs—synthesizes tropes drawn from celebrity and mainstream gay culture with timeless themes of religion, mythology, and beauty, and many works feature international stars including Madonna, Naomi Campbell, Dita Von Teese, Kylie Minogue, Karl Lagerfeld, Mick Jagger, and Iggy Pop. The book is available in a trade edition and in a limited art edition of 200 copies that features a signed and numbered limited edition print created especially for the book and presented in a deluxe clamshell case.

Exhibition catalogue; portraits of individuals originally created and exhibited in 1934 as 'The last of the Victorians'; Aboriginal people from Lake Tyers in Gippsland; process used by Leason to arrange and paint the portraits; critical and Aboriginal response; includes brief biographical information on the subjects.

In his graphic biography Nick Cave: Mercy on Me, Reinhard Kleist paints an expressive and enthralling portrait of the musician, novelist, poet, and actor. It is, according to Nick Cave himself, "a complex, chilling and completely bizarre journey into Cave World." Nick Cave & The Bad Seeds: An Art Book collects Kleist's moody and expressive portraits of the musician and his band, spanning 30 years of writing, recording, and live performance. Kleist also returns readers to Cave's imaginative world with comic book reimaginings of "Deanna," "The Good Son," and "Stagger Lee." Filled with visual delights, this record-size art book is a kaleidoscopic portrait of Nick Cave's wide-ranging career as a storyteller, musician, and cultural icon.

The painter and stained-glass designer William "Jock" Frater (1890–1974) was one of Australia's most prominent early Modernists. Frater is acknowledged by art historians to be the painter who introduced Post-Impressionist principles to Australia and challenged the notion that art is an imitation of nature.

An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.