Shelley has to pick up the socks she’s left all over her room. But when she opens her sock drawer, a tiny troublemaking boy appears. She has to make her bed, but there he is again, underneath the sheets watering a tomato plant. Soon enough this tiny terror is making a mess all over the house and Shelley’s efforts to get rid of him only make him grow bigger. The solution, to everyone’s surprise, is banishment by hugs and kisses! A newly designed Classic Munsch picture book introduces this charming tale of a tiny, yet persistent interloper to a new generation of young readers.

Cast number: 3.

A spine-tingling tale of book bonding. In this wordless story, a little boy finds a book that he loves at the library. It’s a match made in kid lit heaven. But not for the book. Sometimes the little boy’s excitement gets the better of him and the book suffers from possibly too much love: bent pages, tears, hugs, tossing, and shaking. The poor book requires first aid from his friends. Every time the boy comes to the library, the books hide and plan escape routes. But when the book gets away from imminent danger in the boy’s hands, the look of loss in the boy’s eyes is enough to turn a tragic tale into a love story. The boy soon learns that the book is not just an object and is so much more on the inside. He loves the story the book gives him more than the fun he had playing with it. Bob Kolar’s charming and hilarious illustrations show how sometimes our love for a good book can be too much, but with a more gentle touch, books can give us much comfort and joy.

The first book in Tarryn Fisher's fan-favorite Love Me with Lies trilogy, The Opportunist is the twisty, unconventional second-chance love story you didn't see coming! When Olivia Kaspen spots her ex-boyfriend in a Miami record shop, she ignores good sense and approaches him. It’s been three years since their breakup, but when Caleb reveals he’s suffering from amnesia after a recent car accident, first she feels regret—and then opportunity. If he doesn't remember her, then he also doesn’t remember her manipulation, her deceit, or the horrible way she broke his heart. Seeing a chance to reunite with Caleb, she keeps their past, and the details around the implosion of their relationship, a secret. Wrestling to keep her true identity and their sordid history under wraps, Olivia’s greatest obstacle is Caleb’s wicked new girlfriend, Leah, who's equally determined to possess the man who no longer remembers her. But soon Olivia must face the consequences of her lies, and in the process discover that sometimes love falls short of redemption.

Shunned at school because he sprouts flowers every full moon, Rink Bowagon makes a special pair of shoes for a classmate who is able to appreciate his unique abilities.

A tender and beautifully illustrated debut children’s book from a New York Times bestselling team A city savvy stray cat named Pretty Boy has always managed to make it on his own. He’s as vain as they come, and he won’t admit to being dependent on anyone. But as he discovers the pleasures of friendship, he learns that home really is where the heart is. Or, at the very least, home is where his friends are. And with friends all around New York City, Pretty Boy will always have a place to call home. The author and illustrator team who brought us the New York Times bestseller The Christmas Tree introduce an unforgettable animal adventure in the tradition of A Cricket in Times Square and The One and Only Ivan. The result is a story that will captivate readers of all ages with its warmth and wit.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY RT BOOK REVIEWS Sure to thrill readers of Susan Mallery and Rachel Gibson, Molly O’Keefe’s sizzling series cranks up the tension as a bad boy rides into town on his motorcycle—and teaches the girl next door to lose control when it comes to desire. After years of running, Wyatt Svenson has now parked himself in Bishop, Arkansas, trying to do the right thing and parent a son he didn’t even know he had until recently. Over six feet tall and packed with muscles and power, Ty likes to get his hands dirty, fixing his motorcycle at night and keeping his mind away from the mistakes he’s made. Then his pretty neighbor shows up on his driveway, doesn’t bother to introduce herself, and complains about the noise. First impression? She should loosen up. Funny that she turns out to be his son’s elementary school art teacher—and the only one willing to help his troubled boy. Ty needs her. In more ways than one. Though Shelby Monroe is safe in her structured life, she is drawn to Ty’s bad-boy edge and rugged sexuality. What if she just lets it all go: her worries about her mother, her fear of heartbreak, and her tight self control? What if she grabs Ty and takes a ride on the wild side? “What if” becomes reality—intense, exhilarating . . . and addictive. But Ty wants more than a secret affair. He wants it all with Shelby. But will she take a chance and open her heart? Ty is determined to convince Shelby to take the biggest risk of her life: on him. Praise for Between the Sheets “Phenomenal . . . The story is deep, complex, and rich, with emotional tones of hope, loss, regret, pain, and so many flavors of love.”—Publishers Weekly (starred review) “The characters are genuine, their stories are authentic and there is a rawness of emotion that is completely unexpected. The chemistry Ty and Shelby share is electric and their sex scenes are sizzling on a whole new level. This is a fantastic read that surprises and thoroughly delights.”—RT Book Reviews (4-1/2 stars, Top Pick) “Dark, edgy, and emotionally turbulent, Between the Sheets is a . . . modern-day romance that speaks of second chances, love, heartbreak, redemption, and hope.”—Smexy Books “Once again, Molly O’Keefe explodes the traditional trope and creates characters that breathe. . . . Between the Sheets did what great books should do and let me live beside these people of Bishop and come to care about them. A lot.”—The Best Reviews “An intense, heartbreaking and poignant novel that is also insanely hot and incredibly passionate . . . another powerful novel of love and healing by Molly O’Keefe that old and new fans of the Boys of Bishop series do not want to miss.”—Book Reviews & More by Kathy

City Stages combines primary archival research with the scholarly literature emerging from both the humanities and social sciences.

In the last decades of the twentieth century, North American drama has powerfully enacted the problematic notions of cultural memory and identity, as the essays assembled in this critical anthology demonstrate. Echoing Derrida's non-essentialist interpretation of the term «signature», this collection provides an innovative focus on North American theatre and drama as a site of latent cultural memories. In this volume, the concept of cultural memory offers a privileged vantage point from which to redefine issues of diasporic identities, exilic predicaments, and multi-ethnic subject positions at the dawn of a new century. Playwrights examined here include noted Canadian and US artists such as Marie Clements, Eva Ensler, Lorraine Hansberry, Tomson Highway, Cherríe Moraga, Djanet Sears, Guillermo Verdecchia, August Wilson, and Chay Yew, to cite but a few. In the process of remembering, North American dramatists develop new aesthetic modes in which the signatures of the past merge with the present and foreshadow an imagined future.

In Performing Autobiography, Jenn Stephenson presents an innovative new approach to autobiography studies that links the growing field of research to drama. Stephenson’s analysis engages with performance histories to demonstrate the extent to which the dramatic form, which recasts autobiography as ambiguously fictive, ensures that the experience of the plays remains open to revision, alteration, and interpretation. As such, Performing Autobiography understands this form not to be the impossible documentation of the backward-looking narrative of one’s life, but rather an evolving process of self-creation and transformation. Stephenson explores the autobiographical form by analysing seven works by Canadian playwrights written and performed between 1999 and 2009, including Judith Thompson’s Perfect Pie, Daniel MacIvor’s In On It, and Timothy Findley’s Shadows. Her analysis encourages us to see autobiography as a uniquely political act, one that, where enacted on stage, illustrates the variety of ways that self-reflection and interpretation has an expanding role in contemporary culture.