After a harrowing experience in Bosnia, war photographer Mitch Coltrane makes a vow. From now on, he will only take those pictures that celebrate life; that document hope instead of despair. Still, wartorn images continue to haunt him. He learns to shield himself by fixating on a beautiful woman in an old photograph. But slowly he grows obsessed. Who is she? He must know. And as Coltrane searches for answers, he falls hopelessly in love, forgetting that the past can sometimes intrude on the present, with terrifying consequences.

When Igor Insarov, KGB agent, meets an Auschwitz survivor who can identify him as an SS Colonel, he reacts with savage speed - within a day, his former victim is dead.

While carrying out research in Paris, American historian John Craig is surprised when he runs into his old college professor. Sussman is a worried man. A survivor of Auschwitz, he in shock, having seen and been seen by one of the Nazis who tortured him in the camp. But SS Colonel Berg has been dead for ten years – or has he? Before Craig can help solve the riddle, Sussman is found dead and Craig is being questioned by the police. As various international organisations are drawn into the hunt for Sussman’s killer, he realises that the ex-Nazi is far more than just a wanted war criminal. Soon Craig’s search for the truth takes him from Paris to the island of Mykonos, where he must unmask a dangerous and powerful foe.

A cult hit is back, the way it was always meant to be seen, from co-creators JOE CASEY (GODLAND) and CHARLIE ADLARD (THE WALKING DEAD). Cameron Daltrey is an L.A. bail bondsman. His specialty is criminals of the superhuman persuasion, the type who rarely make their court dates. And so Cameron leads an interesting double life: bail bondsman by day, masked bounty hunter by night.

A selection of poems by contemporary American author Anne Sexton, drawn primarily from eight previously published collections.

Now available. Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

In a landscape at once the brutal American South as it is the brutal mind, Boy with Thorn interrogates the genesis of all poetic creation—the imagination itself, questioning what role it plays in both our fascinations with and repulsion from a national history of racial and sexual violence. The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.

From the antics of Flavor Flav on Flavor of Love to the brazen behavior of the women on Love & Hip Hop, so-called negative images of African Americans are a recurrent mainstay of contemporary American media representations. In Double Negative Racquel J. Gates examines the generative potential of such images, showing how some of the most disreputable representations of black people in popular media can strategically pose questions about blackness, black culture, and American society in ways that more respectable ones cannot. Rather than falling back on claims that negative portrayals hinder black progress, Gates demonstrates how reality shows such as Basketball Wives, comedians like Katt Williams, and movies like Coming to America play on "negative" images to take up questions of assimilation and upward mobility, provide a respite from the demands of respectability, and explore subversive ideas. By using negativity as a framework to illustrate these texts' social and political work as they reverberate across black culture, Gates opens up new lines of inquiry for black cultural studies.

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

When Denise Levertov died on December 20, 1997, she left behind forty finished poems, which now form her last collection, This Great Unknowing. Few poets have possessed so great a gift or so great a body of work—when she died at 74, she had been a published poet for more than half a century. The poems themselves shine with the artistry of a writer at the height of her powers.