"The Dorrington Deed-Box" is a captivating book written by Arthur Morrison that takes readers on a thrilling journey through the dark underbelly of London. Martin Hewitt is a private detective who specializes in solving complex cases and unraveling intricate mysteries. In "The Dorrington Deed-Box," he becomes entangled in a web of crime and deception surrounding a mysterious box belonging to a wealthy and influential man named Dorrington. The box is said to contain valuable and potentially damaging documents that could ruin the lives of many. As Hewitt delves deeper into the case, he encounters a range of fascinating characters, including con artists, thieves, and corrupt individuals from all walks of life. The plot twists and turns, keeping readers on the edge of their seats as Hewitt navigates through a world of secrets, betrayal, and hidden agendas.

DigiCat Publishing presents to you this special edition of "The Dorrington Deed-Box" by Arthur Morrison. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The Dorrington Deed Box is a collection of short stories by the British writer Arthur Morrison published in 1897. It contains six stories featuring cases of the unscrupulous London-based private detective Horace Dorrington, told from the viewpoint of one his clients and potential victims James Rigby.It was part of a general boom of detective stories in the wake of Arthur Conan Doyle's creation of Sherlock Holmes. Morrison had previously written stories about an honest private detective Martin Hewitt, but with Dorrington he created a more cynical character who won't hesitate to commit armed robbery or murder to suit his own ends.

The Dorrington Deed Box is a collection of short stories by the British writer Arthur Morrison published in 1897. It contains six stories featuring cases of the unscrupulous London-based private detective Horace Dorrington, told from the viewpoint of one his clients and potential victims James Rigby.It was part of a general boom of detective stories in the wake of Arthur Conan Doyle's creation of Sherlock Holmes. Morrison had previously written stories about an honest private detective Martin Hewitt, but with Dorrington he created a more cynical character who does not hesitate to commit armed robbery or murder to suit his ends.

The Dorrington Deed Box is a collection of short stories by the British writer Arthur Morrison published in 1897. It contains six stories featuring cases of the unscrupulous London-based private detective Horace Dorrington, told from the viewpoint of one his clients and potential victims James Rigby.It was part of a general boom of detective stories in the wake of Arthur Conan Doyle's creation of Sherlock Holmes. Morrison had previously written stories about an honest private detective Martin Hewitt, but with Dorrington he created a more cynical character who does not hesitate to commit armed robbery or murder to suit his ends.

Concentrating on works by authors such as Fergus Hume, Arthur Conan Doyle, Grant Allen, L.T. Meade, and Marie Belloc Lowndes, Christopher Pittard explores the complex relation between the emergence of detective fictions in the 1880s and 1890s and the concept of purity. The centrality of material and moral purity as a theme of the genre, Pittard argues, both reflected and satirised a contemporary discourse of degeneration in which criminality was equated with dirt and disease and where national boundaries were guarded against the threat of the criminal foreigner. Situating his discussion within the ideologies underpinning George Newnes's Strand Magazine as well as a wide range of nonfiction texts, Pittard demonstrates that the genre was a response to the seductive and impure delights associated with sensation and gothic novels. Further, Pittard suggests that criticism of detective fiction has in turn become obsessed with the idea of purity, thus illustrating how a genre concerned with policing the impure itself became subject to the same fear of contamination. Contributing to the richness of Pittard's project are his discussions of the convergence of medical discourse and detective fiction in the 1890s, including the way social protest movements like the antivivisectionist campaigns and medical explorations of criminality raised questions related to moral purity.

The Dorrington Deed Box is a collection of short stories by the British writer Arthur Morrison published in 1897. It contains six stories featuring cases of the unscrupulous London-based private detective Horace Dorrington, told from the viewpoint of one his clients and potential victims James Rigby.It was part of a general boom of detective stories in the wake of Arthur Conan Doyle's creation of Sherlock Holmes. Morrison had previously written stories about an honest private detective Martin Hewitt, but with Dorrington he created a more cynical character who won't hesitate to commit armed robbery or murder to suit his own ends.

The Dorrington Deed Box is a collection of short stories by the British writer Arthur Morrison published in 1897. It contains six stories featuring cases of the unscrupulous London-based private detective Horace Dorrington, told from the viewpoint of one his clients and potential victims James Rigby.It was part of a general boom of detective stories in the wake of Arthur Conan Doyle's creation of Sherlock Holmes. Morrison had previously written stories about an honest private detective Martin Hewitt, but with Dorrington he created a more cynical character who won't hesitate to commit armed robbery or murder to suit his own ends.

This book investigates the development of crime fiction in the 1880s and 1890s, challenging studies of late-Victorian crime fiction which have given undue prominence to a handful of key figures and have offered an over-simplified analytical framework, thereby overlooking the generic, moral, and formal complexities of the nascent genre.