Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him via a conversation with the librarian Sybil Lansdown to Gallows Cottage and a meeting with Doctor Stalletti. Tommy Crawler, Bertram Cody's chauffeur is also there. Arriving home, Martin finds Lew Pheeney being followed by a man for whom he recently worked.

Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him via a conversation with the librarian Sybil Lansdown to Gallows Cottage and a meeting with Doctor Stalletti. Tommy Crawler, Bertram Cody's chauffeur, is also there. Arriving home, Martin finds Lew Pheeney being followed by a man for whom he recently worked. "Doing what?" demands Martin. Lew finally confesses. "I was trying to open a dead man's tomb!" The telephone rings. It is Mr. Havelock.

Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him via a meeting with Doctor Stalletti. Tommy Crawler, Bertram Cody s chauffeur, is also there. Arriving home, Martin finds Lew Pheeney being followed by a man for whom he recently worked. Doing what? demands Martin. Lew finally confesses. I was trying to open a dead man s tomb! Thetelephone rings. It is Mr Havelock. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Edgar Wallace (1875-1932) was an English writer. As well as journalism, Wallace wrote screen plays, poetry, historical non-fiction, 18 stage plays, 957 short stories and over 170 novels, 12 in 1929 alone. More than 160 films have been made of Wallace's work._x000D_ Excerpt:_x000D_ "He waited suggestively, but Lew Pheeney shook his head. "I'm not telling. The story would give away a man who's not a good fellow, and not one I admire; but I can't let my personal feelings get the better of me, and you'll have to go on guessing. And I'm not lying, I'll tell you how it happened." He gulped down a cup of hot coffee and pushed cup and saucer away from him. "I don't know this fellow who asked me to do the work — not personally. He's been in trouble for something or other, but that's no business of mine. One night he met me, introduced himself, and I went to his house — brr!" he shivered. "Martin, a crook is a pretty clean man — at least, all the crooks I know; and thieving's just a game with two players; me and the police. If they snooker me, good luck to 'em! If I can beat them, good luck to me! But there's some dirt that makes me sick, just makes my stomach turn over. When he told me the job he wanted me for, I thought he was joking..."_x000D_

The Door with Seven Locksby Edgar Wallace Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him via a meeting with Doctor Stalletti. Tommy Crawler, Bertram Cody s chauffeur, is also there. Arriving home, Martin finds Lew Pheeney being followed by a man for whom he recently worked. Doing what? demands Martin. Lew finally confesses. I was trying to open a dead man s tomb! Thetelephone rings. It is Mr Havelock.We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Door with Seven Locks is a 1940 black-and-white British film, created and released shortly after the British Board of Film Censors lifted its mid-1930s ban on supernatural-themed and horror genre films. It was based on the novel The Door with Seven Locks by Edgar Wallace.

Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him via a conversation with the librarian Sybil Lansdown to Gallows Cottage and a meeting with Doctor Stalletti. Tommy Crawler, Bertram Cody's chauffeur is also there. Arriving home, Martin finds Lew Pheeney being followed by a man for whom he recently worked.

We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.A short but interesting detective story. Dick Martin plans for an early retirement from the police force seeking a quite life. His final job is to bring in Lew Pheeney, wanted in connection with a bank robbery. When Lew confesses to trying to open a dead man's tomb, however, Martin has a mystery he must unravel. He races to find the connection between an attractive young librarian, a mad scientist and the vanished heir to a vast fortune, as everyone becomes entangled in a web of fraud, deceit, torture and murder. What dangers did he face in understanding the mystery behind the door with seven locks? Combines a mystery thriller plot with considerable dashes of gothic horror, and just the faintest hint of science fiction.

Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him via a conversation with the librarian Sybil Lansdown to Gallows Cottage and a meeting with Doctor Stalletti. Tommy Crawler, Bertram Cody's chauffeur is also there. Arriving home, Martin finds Lew Pheeney being followed by a man for whom he recently worked.

Richard Horatio Edgar Wallace (1 April 1875 - 10 February 1932) was an English writer. He joined the army at age 21 and was a war correspondent during the Second Boer War, for Reuters and the Daily Mail. Struggling with debt, he left South Africa, returned to London, and began writing thrillers to raise income, publishing books including The Four Just Men (1905). Drawing on his time as a reporter in the Congo, covering the Belgian atrocities, Wallace serialised short stories in magazines such as The Windsor Magazine and later published collections such as Sanders of the River (1911). In 1931 he moved to Hollywood, where he worked as a script writer for RKO. He died suddenly from undiagnosed diabetes, during the initial drafting of King Kong (1933). Wallace was such a prolific writer that one of his publishers claimed that a quarter of all books in England were written by him.