As the Black Death rampages across Europe, two creatures of the Elder World clash over the rotting corpse of Christendom in Scott Oden's third book in the Grimnir Series Skrælingr. Orcnéas. Fomoraig. He is Grimnir . . . For over a century, he has tracked the dragon, Níðhöggr -- the Malice-Striker -- from the shores of Lake Vänern, across the Baltic Sea, through Russia, and down into the Mediterranean; he has hounded the wyrm from Old Muscovy to Messina. And finally, to the Eternal City -- to Rome, itself. And in Rome, on a cold November night in 1347 AD, on the ruined steps of Old St. Peter’s basilica, Grimnir’s saga comes crashing to an end. A crossbow bolt, loosed in terror, slays him out of hand. It is a mundane finale to a life spent hip-deep in bloodshed and slaughter, surrounded by steel and savagery and the sorcery of the Elder World. But Death is just the beginning . . . Now, on the grim and misty isle of Nástrond, under the shadows of Yggðrasil, Grimnir is plunged headlong into the twisted Valhalla that is the afterlife of his people. Here, bloody in-fighting, schemes and betrayals are the order of the day. Grimnir is forced to contend with a cabal of witches, with giants and trolls who have never felt the light of Miðgarðr’s moon, and with his own rapacious kin as he journeys beyond the shores of Nástrond to find answers. And with every death, Grimnir unravels another thread of a monstrous secret woven at the dawn of time -- one that will turn him from the pawn of unknown gods into the most powerful being in the Nine Worlds. And the most hunted. For he, alone, holds the key to Ragnarök and the Doom of Odin . . .

A Gathering of Ravens was called "satisfying...complex...and a pleasure to read" (Publishers Weekly, starred review). Now, Scott Oden continues the saga of Grimnir in this new epic Viking fantasy novel, Twilight of the Gods. In A Gathering of Ravens, he fought for vengeance. Now, Grimnir is back to fight for his survival. It is the year of Our Lord 1218 and in the land of the Raven-Geats, the Old Ways reach deep. And while the Geats pay a tax to the King in the name of the White Christ, their hearts and souls belong to the gods of Ásgarðr. But no man can serve two masters. Pledging to burn this Norse heresy from the land, famed crusader Konráðr the White leads a host against the Raven-Geats, using torch and sword to bring forth the light of the new religion. But the land of the Raven-Geats has an ancient protector: Grimnir, the last in a long line of monsters left to plague Miðgarðr. And he will stand between the Raven-Geats and their destruction. Aided by an army of berserkers led by their pale queen, Grimnir sparks off an epic struggle—not only against the crusaders, but against the very Gods. For there is something buried beneath the land of the Raven-Geats that Odin wants, something best left undisturbed. Something the blood of the slain, Christian and pagan, will surely awaken.

A retelling of the Norse sagas about Odin, Freya, Thor, Loki, and the other gods and goddesses who lived in Asgard before the dawn of history.

Beowulf meets The Lord of the Rings meets Bernard Cornwell in an epic novel of vengeance, faith and the power of myth. To the Danes, he is skraelingr; to the English, he is orcnéas; to the Irish, he is fomoraig. He is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. He is Grimnir, and he is the last of his kind—the last in a long line of monsters who have plagued humanity since the Elder Days. Drawn from his lair by a thirst for vengeance against the Dane who slew his brother, Grimnir emerges into a world that’s changed. A new faith has arisen. The Old Ways are dying, and their followers retreating into the shadows; even still, Grimnir’s vengeance cannot be denied. Taking a young Christian hostage to be his guide, Grimnir embarks on a journey that takes him from the hinterlands of Denmark, where the wisdom of the ancient dwarves has given way to madness, to the war-torn heart of southern England, where the spirits of the land make violence on one another. And thence to the green shores of Ireland and the Viking stronghold of Dubhlinn, where his enemy awaits. But, unless Grimnir can set aside his hatreds, his dream of retribution will come to nothing. For Dubhlinn is set to be the site of a reckoning—the Old Ways versus the New—and Grimnir, the last of his kind left to plague mankind, must choose: stand with the Christian King of Ireland and see his vengeance done or stand against him and see it slip away?

*Includes pictures of important places and historic illustrations and art depicting Thor and other important Norse figures. *Explains the historical origins of the god, the mythological tales about him, and the literary evolution of Thor. *Includes a Bibliography for further reading. "Across the rainbow bridge of Asgard, Where the Booming Heavens Roar, You'll behold in breathless wonder, the God of Thunder, Mighty Thor!" - Theme Song from the television show Mighty Thor (1966) "In swelling rage | then rose up Thor,--Seldom he sits | when he such things hears,--And the oaths were broken, | the words and bonds,The mighty pledges | between them made." - Voluspa Line #26 from the Poetic Edda A hammer no mortal can lift. A flame-haired fiery storm god. A comic book alien-hero-god who defends humanity. The swastika. Even the name "Thursday" ("Thor's Day"). Despite the virtual disappearance of the indigenous Norse religion and mythology several centuries ago, modern society still regularly encounters the storm god Thor, who continues to be brought back to life in the form of literature and was recently the protagonist in a big-budget Hollywood movie. What is it about this god, out of the hundreds (if not thousands) of deities that were consigned to the dustbin of history by the world's major religions, that so captures people's imaginations today? A better understanding of Thor's appeal can be found in just about every aspect of the history and evolution of the figure over the centuries, including the origins of the god, the evocative imagery used to describe him, and even the parallels between Thor and similar gods and heroes. All of this has been buffeted by literature, such as the stories about Thor found in the Prose Edda and the Poetic Edda, and the connection societies have had with Thor for hundreds of years, even up until today. This work also examines the decline and displacement of Norse mythology by Christianity, the reasons why Thor was often the last god worshiped by the Norse, and today's remnants of Thorism, including his parallels in other faiths, his role in revived Neo-Heathenism and his appearance in other media as a hero in comics and films. Along with pictures and a bibliography, you will learn about Thor like you never have before, in no time at all.

"This book is made of the stories told by the Northern folk,-the people who live in the land of the midnight sun, where summer is green and pleasant, but winter is a terrible time of cold and gloom; where rocky mountains tower like huge giants, over whose heads thunder rolls and crashes, and under whose feet are mines of precious metals."--p.1-2.

A masterpiece of immortal action and boundless drama, Stan Lee and Jack Kirby's Thor is a cornerstone of the Marvel Universe. And in this Epic Collection, Thor's saga explodes onto the cosmic stage with the debut of Ego, the Living Planet! And the action continues nonstop with the High Evolutionary, Ulik the Troll and the unstoppable Destroyer! Then, Loki conspires to have Odin strip Thor of his power and banish him to Earth. Stranded, Thor must struggle to survive the machinations of his scheming half brother, all while attempting to return to All-Father Odin's good graces! Plus: The return of Lady Sif - and battles against the Growing Man, Replicus, the Super-Skrull and your favorite enchanted-crowbar-wielding galoot, the Wrecker! Collecting THOR (1966) #131-153 and ANNUAL #2.

"Packs a punch worthy of the Thunderer himself. It rocks!" -- Joanne Harris, author of The Gospel of Loki "Holdt wows in her Norse mythology inspired debut an electrifying adventure" -- Publishers Weekly, starred review A dead man, walking between the worlds, foresees the end of the gods. A survivor searching for a weapon releases a demon from fiery Muspelheim. A village is slaughtered by Christians, and revenge must be taken. The bonds between the gods and Midgard are weakening. It is up to Hilda, Ragnar, their tribesmen Einer and Finn, the chief's wife Siv and Tyra, her adopted daughter, to fight to save the old ways from dying out, and to save their gods in the process. Following in the steps of Neil Gaiman & Joanne Harris, the author expertly weaves Norse myths and compelling characters into this fierce, magical epic fantasy.

Describes the cycle of myths about the Argonauts and the quest for the Golden Fleece, as well as the tales of the Creation of Heaven and Earth, the labors of Hercules, Theseus and the Minotaur, etc.

To be captured by the Northern Thing means to be taken with the Norse stories of the Gods. If that describes you, then The Norse Myths should help. It contains the most complete versions of the Norse myths available in the English language. The Norse Myths is presented as a narrative from the beginning of creation to the final great battle of Ragnarok, followed by the Rebirth. The Norse Myths is split into several parts: Part One: In the Beginning. Eight chapters that set up the Universe. Part Two: The Adventures. Twelve chapters about the adventures of Gods, Elves, Jotuns, Humans. Part Three: The Ending of All Things. Overarching in all the stories is Ragnarokr, the Doom of the Gods. Even in the humorous stories there's a sense of fatality. Part Three is eight chapters leading to the final battle (Ragnarokr) and the subsequent Rebirth into a more Utopian world. Finally, there is a complete Glossary of all the characters, places, and objects in the book. The spelling used in the book is presented with definitions of the word and alternate spellings, followed by a complete description. And there's a Genealogy chart showing the familial relationships of many of the characters. Norse mythology comes from the Nordic countries, including Sweden, Denmark, Norway, and Iceland. These countries were heavily influenced by Teutonic (German) mythology. This book contains all of the legends which pertain to the Gods. Future volumes will be about family sagas like The Niebelungenlied (The Ring Saga). There is a deep foreboding, a sense of doom, that pervades Norse mythology. The Gods are not immortal. They can be injured and need to be healed. They can find themselves bent with old age. Against the right enemy they can be killed. From the beginning the Gods know they are in a violent battle of good versus evil. The Gods, mankind of Midgardr, and light elves, are doing what they can to stave off the last battle, Ragnarokr, the Doom of the Gods. They fight against evil giants, ferocious wolves, giant sea serpents, and the cunning Loki. The Nordic countries have harsh winters resulting in a mythology that is darker than most. The Norse hero wants to die a hero's death, in battle, fighting for right. The worst death is the straw death, in bed, old, infirm, and away from the fight. The hero who dies in battle goes to Valhalla or one of the other fighting halls to practice and prepare for the last great battle. Those who die straw deaths go to the torturous halls in Niflheimr. Glory does not await them. Pain, venous snakes, and starvation awaits them. Yet, there is hope . . . always hope. There is the vision of a better life filled with peace and tranquility, the Rebirth. Norse mythology has influenced many fantasy novels including The Lord of the Rings by J.R.R. Tolkien, who taught Norse mythology at Oxford. The Norse Myths will take you to a world of legend with Thor, Odin, Loki, Gods, Goddesses, monsters, giants, and dwarves doing what they can to help or hurt each other.