Adolescence, like childhood, is more than a biologically defined life stage: it is also a sociohistorical construction. The meaning and experience of adolescence are reformulated according to societal needs, evolving scientific precepts, and national aspirations relative to historic conditions. Although adolescence was by no means a “discovery” of the early twentieth century, it did assume an identifiably modern form during the years between the Great War and 1950. The Dominion of Youth: Adolescence and the Making of Modern Canada, 1920 to 1950 captures what it meant for young Canadians to inhabit this liminal stage of life within the context of a young nation caught up in the self-formation and historic transformation that would make modern Canada. Because the young at this time were seen paradoxically as both the hope of the nation and the source of its possible degeneration, new policies and institutions were developed to deal with the “problem of youth.” This history considers how young Canadians made the transition to adulthood during a period that was “developmental”—both for youth and for a nation also working toward individuation. During the years considered here, those who occupied this “dominion” of youth would see their experiences more clearly demarcated by generation and culture than ever before. With this book, Cynthia Comacchio offers the first detailed study of adolescence in early-twentieth-century Canada and demonstrates how young Canadians of the period became the nation’s first modern teenagers.

Adolescence, like childhood, is more than a biologically defined life stage: it is also a sociohistorical construction. The meaning and experience of adolescence are reformulated according to societal needs, evolving scientific precepts, and national aspirations relative to historic conditions. Although adolescence was by no means a “discovery” of the early twentieth century, it did assume an identifiably modern form during the years between the Great War and 1950. The Dominion of Youth: Adolescence and the Making of Modern Canada, 1920 to 1950 captures what it meant for young Canadians to inhabit this liminal stage of life within the context of a young nation caught up in the self-formation and historic transformation that would make modern Canada. Because the young at this time were seen paradoxically as both the hope of the nation and the source of its possible degeneration, new policies and institutions were developed to deal with the “problem of youth.” This history considers how young Canadians made the transition to adulthood during a period that was “developmental”—both for youth and for a nation also working toward individuation. During the years considered here, those who occupied this “dominion” of youth would see their experiences more clearly demarcated by generation and culture than ever before. With this book, Cynthia Comacchio offers the first detailed study of adolescence in early-twentieth-century Canada and demonstrates how young Canadians of the period became the nation’s first modern teenagers.

The Guardians have always been a part of 226 Veronica's life. Since she was a small child, she has been told stories of how heroes saved the world from a global war. Now, in honor of the four Guardians who saved them from extinction, the people of the Dominion worship them as gods. But 226 Veronica suspects that the four-known as the Leader, Educator, Enforcer, and Caregiver-are not the just rulers their subjects believe them to be. Instead, the Guardians have ushered in a rule of terror and paranoia. When they catch any sign of individuality on their many cameras, they destroy it immediately. Rather than living a life of true equality, the people suffer a grey existence. When 226 Veronica begins questioning the Guardians' intentions, she finds herself in a unique position to get answers. She is directly employed by the Guardians and sent to live in the great Pyramid, which houses the government. As 226 Veronica starts to uncover the secrets hidden within the Pyramid, she will finally learn the truth about the Guardians, the war, and her own place in the Dominion-and what she discovers could send the entire Dominion into chaos.

Calvin Baker first entered the literary landscape at the age of twenty-three with the publication of Naming the New World, which Publishers Weekly called brilliant ... Baker] proves himself a powerful new male voice in African American literature. Since his second novel, Once Two Heroes, Baker has continued to be acclaimed by the major media from USA Today to The Village Voice and GQ. And now, with Dominion, Baker has written his most ambitious, important, and timely book yet. Dominion tells the story of Jasper Merian, newly freed from slavery in Virginia at the close of the seventeenth century, who leaves for the uncharted free territory to the west. There, he aims to carve out a utopia in the wilderness of the Carolinas. While grappling with the legacy he has left behind, Jasper must build a home for himself to pass down to his two sons--one enslaved, the other free. Despite the hardships of frontier life and the malignant local spirit Ould Lowe, Jasper and his wife, Sanne, manage to build the thriving estate, Stonehouses. The farm passes through three generations, ministered in turn by Jasper's son Magnus and his grandson Caleum. Their lives bring them up against the natural (and occasionally supernatural) world, colonial politics, the injustices of slavery, the Revolutionary War, and questions of fidelity and the heart. When Caleum, discharged from the colonial army, lingers in New Amsterdam with another woman instead of returning to his family, the threads binding Stonehouses together begin to unravel. Ould Lowe, long restrained, again haunts the land, and, like his grandfather, Caleum must ultimately face the demon. Footed in both myth and modernity, Calvin Baker crafts a rich, intricate, and moving novel, with meditations on God, responsibility, and familial legacies. While masterfully incorporating elements of the world's oldest and greatest stories, the end result is a bold contemplation of the origins of America.

A terrifying virus. A global tyranny. Humanity remembers no better life. It’s time to give them one. Troy Kandoya wants nothing to do with his brother’s Kota movement. But when the DRK virus threatens mankind and strange portals open in the sky, the Kota are the only people with answers. Troy becomes Trok, the immortal Kota Interceder, and he soon finds himself responsible for more than he ever imagined. After 500 years of war, genetic manipulation, viral plague, and the Dominion tyranny, Trok must unite four prophesied Kota Warriors destined to save Earth. But nothing about these heroes is what Trok expected. Loree is an assassin with the ability to dematerialize. Zaak is forced to grow up on an alien planet. Alex is a telepath missing a year of her life. Ryu has incredible mutate-genes of strength. Together, the Warriors join Earth’s rebels and use their abilities to fight the Dominion. But rebel politics are complicated. And always, the Dominion threatens its subjects with an unstoppable weapon – the dehumanizing DRK virus. For centuries, no one’s been able to stop the Dominion and the DRK. Can four Warriors really make a difference?

Elena may be the only Spoken Mage in history, wielding more power than her mageborn year mates, but she struggles with her limitations. Unable to stockpile written workings as they do, she always risks burnout. But when the Armed Forces draw the students into their war, they may need Elena's power and flexibility to keep them all alive.

Includes reports of the government departments.