The spectacular murders of a distinguished British scientist, his wife, and their young daughter in the depths of rural France in 1952 prompted one of the most notorious criminal investigations in postwar Europe. It is still a matter of passionate debate in France. Sir Jack Drummond, with his wife, Lady Anne, and their ten-year-old daughter, Elizabeth, were on holiday on the French Riviera when they stopped to make camp just off the road near a farm called La Grand’ Terre in Provence. The family was found murdered the next morning. More than two years later, the barely literate, seventy-five-year-old proprietor of La Grand’ Terre, Gaston Dominici, was brought to trial, convicted, and condemned to death by guillotine. When Dominici was convicted, there was general agreement that the ignorant, pitiless, and depraved old peasant had gotten what he deserved. At the time, he stood for everything backward and brutish about a peasantry left behind in the wake of France’s postwar transformation and burgeoning prosperity. But with time perspectives changed. Subsequent inquiries coupled with widespread doubts and misgivings prompted President de Gaulle to order his release from prison in 1960, and by the 1980s many in France came to believe—against all evidence—that Gaston Dominici was innocent. He had become a romanticized symbol of a simpler, genuine, and somehow more honest life from a bygone era. Reconstructing the facts of the Drummond murders, The Dominici Affair redefines one of France’s most puzzling crimes and illustrates the profound changes in French society that took place following the Second World War.

The spectacular murders of a distinguished British scientist, his wife, and their young daughter in the depths of rural France in 1952 prompted one of the most notorious criminal investigations in postwar Europe. It is still a matter of passionate debate in France. Sir Jack Drummond, with his wife, Lady Anne, and their ten-year-old daughter, Elizabeth, were on holiday on the French Riviera when they stopped to make camp just off the road near a farm called La Grand' Terre in Provence. The family was found murdered the next morning. More than two years later, the barely literate, seventy-five-year-old proprietor of La Grand' Terre, Gaston Dominici, was brought to trial, convicted, and condemned to death by guillotine. When Dominici was convicted, there was general agreement that the ignorant, pitiless, and depraved old peasant had gotten what he deserved. At the time, he stood for everything backward and brutish about a peasantry left behind in the wake of France's postwar transformation and burgeoning prosperity. But with time perspectives changed. Subsequent inquiries coupled with widespread doubts and misgivings prompted President de Gaulle to order his release from prison in 1960, and by the 1980s many in France came to believe--against all evidence--that Gaston Dominici was innocent. He had become a romanticized symbol of a simpler, genuine, and somehow more honest life from a bygone era. Reconstructing the facts of the Drummond murders, The Dominici Affair redefines one of France's most puzzling crimes and illustrates the profound changes in French society that took place following the Second World War.

"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--

Inventing the Popular: Working-Class Literature and Culture in Nineteenth-Century France explores texts written, published and disseminated by a politically and socially active group of working-class writers during the first half of the nineteenth century. Through a network of exchanges featuring newspapers, poems and prose fiction, these writers embraced a vision of popular culture that represented a clear departure from more traditional oral and printed forms of popular expression; at the same time, their writing strategically resisted nascent forms of mass culture, including the daily press and the serial novel. Coming into writing at a time when Romanticism had expanded beyond the borders of the lyric je, these poets explored the social dimensions of connectivity and social relation finding interlocutors and supporters in the likes of Pierre-Jean de Béranger, Alphonse de Lamartine, George Sand and Eugène Sue. The relationships they developed among themselves and the major figures of an increasingly socially-oriented Romanticism were as rich with emancipatory promise as well as with reactionary temptation. They constitute an extensive archive of everyday life and utopian anticipation that reframe social romanticism as a revelatory if problematic model of engaged writing.

Jean Gabin was more than just a star of iconic movies still screened in film festivals around the world. To many, he was France itself. During his 45-year career, he acted in 95 films, including Le Quai des Brumes, La Grande Illusion, Touchez Pas au Grisbi and French Cancan. From his start as a reluctant song and dance man at the Moulin Rouge and Folies Bergere, Gabin became a first-magnitude actor under such directors as Julien Duvivier, Marcel Carne and Jean Renoir. This revealing biography traces his involvement in the realisme poetique and film noir movements of the 1930s and 1940s, his unhappy Hollywood years, his role in the World War II liberation of France, his tumultuous affairs with Michele Morgan and Marlene Dietrich and his real-life role as a Normandy gentleman farmer.

An Avant-garde Theological Generation examines the Fourvière Jesuits and Le Saulchoir Dominicans, theologians and philosophers who comprised the influential reform movement the nouvelle théologie. Led by Henri de Lubac, Jean Daniélou, Yves Congar, and Marie-Dominique Chenu, the movement flourished from the 1930s until its suppression in 1950. It aims to remedy certain historical deficiencies by constructing a history both sensitive to the wider intellectual, political, economic, and cultural milieu of the French interwar crisis, and that establishes continuity with the Modernist crisis and the First World War. Chapter One examines the modern French avant-garde generations that have shaped intellectual and political thought in France, providing context for a historical narrative of the nouvelle théologie. Chapters Two and Three examine the influential older generations that flourished from 1893 to 1914, such as the Dreyfus generation, the generation of Catholic Modernists, and two generations of older Jesuits and Dominicans, which were instrumental in the Fourvière Jesuits' development. Chapter Four explores the influence of the First World War and the years of the 1920s, during which the Jesuits and Dominicans were in religious and intellectual formation, relying heavily on unpublished letters and documents from the Jesuits archives in Paris (Vanves). Chapter Five analyses the crises of the interwar period and the emergence of the wider generation of 1930-to which the nouveaux théologiens belonged-and its intellectual thirst for revolution. Chapter Six examines the emergence of the ressourcement thinkers during the tumultuous years of the 1930s. The decade of the 1940s, explored in Chapter Seven, saw the rise to prominence of the members of the generation of 1930, who, thanks to their participation in the resistance, emerged from the Second World War, with significant influence on the postwar French intellectual milieu. Finally, the monograph concludes in Chapter Eight with an examination of the triumph of French Left Catholicism and the nouvelle théologie during the 1960s at the Second Vatican Council. .

A fast-growing legal system and economy in medieval and early modern Rome saw a rapid increase in the need for written documents. Brokers of Public Trust examines the emergence of the modern notarial profession—free market scribes responsible for producing original legal documents and their copies. Notarial acts often go unnoticed, but they are essential to understanding the history of writing practices and attitudes toward official documentation. Based on new archival research, Brokers of Public Trust focuses on the government officials, notaries, and consumers who regulated, wrote, and purchased notarial documents in Rome between the 14th and 18th centuries. Historian Laurie Nussdorfer chronicles the training of professional notaries and the construction of public archives, explaining why notarial documents exist, who made them, and how they came to be regarded as authoritative evidence. In doing so, Nussdorfer describes a profession of crucial importance to the people and government of the time, as well as to scholars who turn to notarial documents as invaluable and irreplaceable historical sources. This magisterial new work brings fresh insight into the essential functions of early modern Roman society and the development of the modern state.