Felicia Hemans (1793-1835) was an English poet. Her first poems, dedicated to the Prince of Wales, were published in Liverpool in 1808, when she was only fifteen. Her major collections, including The Forest Sanctuary and Other Poems (1825), Records of Woman With Other Poems (1828) and Songs of the Affections (1830) were immensely popular, especially with female readers. Her other works include: Poems (1808), The Domestic Affections and Other Poems (1812), On the Restoration of the Works of Art to Italy (1816), Wallaceas Invocation to Bruce (1819), The Sceptic (1820), Hymns on the Works of Nature: For the Use of Children (1827) and Early Blossoms (1836).

Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.

This book argues that poetry played a major role in the mediation of the Revolutionary and Napoleonic wars to the British public, and that the wars had a significant impact on poetic practices and theories in the Romantic period. It examines a wide range of writers, both canonical (Wordsworth,Coleridge, and Byron) and non-canonical (Smith, Southey, Scott, and Hemans), and locates their work within the huge amount of war poetry published in newspapers and magazines. It shows that poetry was a crucial form through which what were seen as the first modern or 'total' wars were imagined inBritain and that it was central to the cultural and political debates over the conflict with France. While the Revolutionary and Napoleonic wars compelled poets to re-examine their roles, it was poetry itself which produced a major transformation of the imagining of war that would be influentialthroughout the nineteenth century.