Originally published in 1968. In The Dome and the Rock: Structure in the Poetry of Wallace Stevens, James Baird traces the process of Wallace Steven's Grand Poem and the total structure that it accomplished in language. In the words of Professor Baird, "The full art of Stevens is organized with architectural precision. The shape of the mind becomes a building, the framework of which is founded in a willed symmetry of design." In The Dome and the Rock, James Baird exposes the capacity of Wallace Stevens to design his poetry in a manner similar to an architect, and he "reveals the craftsmanship of [Wallace's] acts as builder."

The Dome of the Rock was fully restored in the last half-century, it was built during the reign of Herod.

Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.

"The Crescent on the Temple" elucidates how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. That “Temple,” represented as the Muslim shrine, is often surmounted by a crescent.

Constructed at the end of the seventh century, the Dome of the Rock dominates the old town of Jerusalem. This new chronology allows for a reinterpretation of the iconography of the building, making use of contemporary evidence including coins and texts carved on stone.

This study presents the first comprehensive survey of the abundant early Islamic sources that recognize the historical Jewish bond to the Temple Mount (Masjid al-Aqsa) and Jerusalem. Analyzing these sources in light of the views of contemporary Muslim religious scholars, thinkers and writers, who – in the context of the Arab-Israeli conflict – deny any Jewish ties to the Temple Mount and promote the argument that no Jewish Temple ever stood on the Temple Mount. The book describes how this process of denying Jewish ties to the site has become the cultural rationale for UNESCO decisions in recent years regarding holy sites in Jerusalem, Bethlehem and Hebron, which use Muslim Arabic terminology and overlook the Jewish (and Christian) history and sanctification of these sites. Denying the Jewish ties to the Temple Mount for political purposes inadvertently undermines the legitimacy of Islam’s sanctification of Al-Aqsa and the Dome of the Rock as well as the credibility of the most important sources in Arabic, which constitute the classics of Islam and provide the foundation for its culture and identity. Identifying and presenting the Jewish sources in the Bible, Babylonian Talmud and exegesis on which these Islamic traditions are based, this volume is a key resource for readers interested in Islam, Judaism, religion and political science and history in the Middle East.

The first modern guide to theTemple Mount for visitors of all religions. The authoritative text of JERUSALEM: THE TEMPLE MOUNT contains priceless information and is richly documented with detailed maps, plans and stunningly evocative reconstructive illustrations.,

2ND REVISED EDITION Jerusalem after the Babylonian captivity was all but destroyed. It was in the time of Nehemiah, governor of the province of Judah or Yehud, that the grand reconstruction of the city took place. Jerusalem in the Time of Nehemiah takes us on an Archaeological Tour of Nehemiah's Jerusalem illuminating all the sites, gates and walls of the city. It is richly illustrated with models of reconstructions, photographs, drawings and illustrative maps.,

Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.

Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.