This Bram Stoker Award–winning collection is “certain to stick in your mind long after you’ve turned the last page” (St. Louis Post-Dispatch). Includes “Big Momma,” a finalist for the International Thriller Writers Award for Best Short Story Here are six of Joyce Carol Oates’s most “frightening—and deeply disturbing—short stories” (Pittsburgh Post-Gazette). In the titular story, a boy becomes obsessed with his cousin’s doll after her tragic death. As he grows older, he begins to collect “found dolls” from surrounding neighborhoods . . . each with its own sinister significance. In “Gun Accident,” a teenage girl is delighted to house-sit for her favorite teacher, until an intruder forces his way inside—changing more than one life forever. The collection closes with the taut tale of a mystery bookstore owner whose designs on a rare bookshop in scenic New Hampshire devolve into a menacing game with real-life consequences. “At the heart of each story is a predator-prey relationship, and what makes them so terrifying is that most of us can easily picture ourselves as the prey, at least at some time during our lives” (Minneapolis Star-Tribune). “Everything she writes, in whatever genre, has an air of dread, because she deals in vulnerabilities and inevitabilities, in the desperate needs that drive people . . . to their fates. A sense of helplessness is the essence of horror, and Oates conveys that feeling as well as any writer around.” —Terrence Rafferty, The New York Times Book Review “One of the stranger parts of the human condition may be our deep fascination, and at times troubling exploration, of the darker aspects of our nature . . . No other author explores the ugly, and at times, blazingly unapologetic underbelly of these impulses quite like Joyce Carol Oates in The Doll-Master.” —Pittsburgh Post-Gazette “In her new collection . . . [Oates] relishes moments of gothic melodrama, while rooting them firmly in grindingly ordinary American lives.” —The Guardian “Oates convincingly demonstrates her mastery of the macabre with this superlative story collection . . . This devil’s half-dozen of dread and suspense is a must read.” —Publishers Weekly, starred review

Detectives Byrne and Balzano return to the streets of Philadelphia to put an end to a macabre succession of murdered children. A quiet Philadelphia suburb. A woman cycles past a train depot with her young daughter. There she finds a murdered girl posed on a newly painted bench. Beside her is a formal invitation to a tea dance in a week's time. Seven days later, two more young victims are discovered in an abandoned house, posed on painted swings. At the scene is an identical invitation. This time, though, there is something extra waiting for Detectives Kevin Byrne and Jessica Balzano: a delicate porcelain doll. It's a message. And a threat. With the killers at large, Detectives Byrne and Balzano have just seven more days to find the link between the murders before another innocent child is snatched from the streets.

"Seventeen brand-new tales of dolls"--Jacket.

“Du Maurier is in a class by herself.” —New York Times Perhaps best known for her immortal gothic masterwork Rebecca—the basis for the Academy Award-winning motion picture directed by Alfred Hitchcock—Daphne de Maurier began her illustrious writing career penning short stories. In The Doll, thirteen of du Maurier’s early shorter fictional works have been collected—each story written before the author’s twenty-third birthday and some in print for the first time since the 1930s. Compelling tales of human foibles and tragic romance, the stories in The Doll represent the emergence of a remarkable literary talent who later went on to create Jamaica Inn, The Birds, and other classic works. This breathtaking collection of short fiction belongs on the bookshelf of every Daphne du Maurier fan.

In this autobiographical novel, Albania’s most renowned novelist and poet Ismail Kadare explores his relationship with his mother in a delicately wrought tale of home, family, creative aspirations, and personal and political freedom. “Houses like ours seemed constructed with the specific purpose of preserving coldness and misunderstanding for as long as possible.” In his father’s great stone house with hidden rooms and even a dungeon, Ismail grows up with his mother at the center of his universe. Fragile as a paper doll, she finds herself at odds with her tight–lipped and wise mother–in–law who, as is the custom for women of a certain age, will never again step foot over the threshold to leave her home. Young Ismail finds it difficult to understand his mother’s tears, though he can understand her boredom. She told him the reason herself in a phrase that terrified and obsessed the boy: “The house is eating me up!” As Ismail explores his world, his mother becomes fearful of her intellectual son—he uses words she does not understand, writes radical poetry, falls in love far too easily, and seems to renounce everything she believes in. He will, she fears, have to exchange her for some other superior mother when he becomes a famous writer. The Doll is a delicate and disarming autobiographical novel, an exploration of Kadare’s creative aspirations and their tangled connections to his childhood home and his mother’s tenuous place within it.

The Dollmaker was originally published in 1954 to immediate success and critical acclaim. In unadorned and powerful prose, Harriette Arnow tells the unforgettable and heartbreaking story of the Nevels family and their quest to preserve their deep-rooted values amidst the turmoil of war and industrialization. When Gertie Nevels, a strong and self-reliant matriarch, follows her husband to Detroit from their countryside home in Kentucky, she learns she will have to fight desperately to keep her family together. A sprawling book full of vividly drawn characters and masterful scenes, The Dollmaker is a passionate tribute to a woman's love for her children and the land.

Here are seven original designs to suit the skills of any crafter from the ra west beginner to the most sophisticated talent. Whether for play or display, they will become keepsake dolls that are sure to be cherished. Line, full-color, and two-color illustrations.

When the doll was handed to me, I said he looked like hell. The woman who sold him to me replied that something coming from hell was bound to look like it. From the very first day paranormal investigator Stephen Lancaster brought him home, Norman the Doll raised hell. He caused sudden infestations of rats and spiders. He frightened dogs and put children in trances. He even moved on his own in video surveillance footage. That was just the beginning. Norman takes you on a chilling journey into Stephen's life with a doll that has held the spirit of an unborn child for over fifty years—a haunted doll that still lives in Stephen's house. What began as a curious find at an antique store soon escalated to a supernatural nightmare that could only be eased by locking Norman away in his own room. Praise: "Dedicated readers of horror and internet creepypasta stories will thrill to the mounting evil and the ersatz solution Lancaster and his wife devise to appease Norman. A must-read for fans of the Chucky and Annabelle movies."—Booklist

“[Evokes] both Jeanette Winterson and Ian McEwan . . . an elegiac and uplifting novel about the indissoluble bonds between mothers and daughters, and a reminder of how the imagination can set you free.” — The Guardian On Ruby’s thirteenth birthday, a wish she didn’t even know she had suddenly comes true: the couple who raised her aren’t her parents at all. Her real mother and father are out there somewhere, and Ruby becomes determined to find them. Venturing into the forest with nothing but a suitcase and the company of her only true friend—the imaginary Shadow Boy—Ruby discovers a group of siblings who live alone in the woods. The children take her in, and while they offer the closest Ruby’s ever had to a family, Ruby begins to suspect that they might need her even more than she needs them. And it’s not always clear what’s real and what’s not—or who’s trying to help her and who might be a threat. Told from shifting timelines, and the alternating perspectives of teenage Ruby; her mother, Anna; and even the Shadow Boy, The Doll Funeral is a dazzling follow-up to Kate Hamer’s breakout debut, The Girl in the Red Coat, and a gripping, exquisitely mysterious novel about the connections that remain after a family has been broken apart.