"His life had come to this: save a few deer from the jaws of dogs. He was a small man sent to perform a small task." Howard Elman is a man whose internal landscape is as disordered as his front yard, where native New Hampshire birches and maples mingle with a bullet-riddled washer, abandoned bathroom fixtures, and several junk cars. Howard, anti-hero of this first novel in Ernest Hebert's highly acclaimed Darby Chronicles, is a man who is tough and tender. Howard's battle against encroaching change symbolizes the class conflict between indigenous Granite Staters scratching out a living and citified immigrants with "college degrees and big bank accounts." Like the winter-weakened deer threatened by the dogs of March--the normally docile house pets whose instincts arouse them to chase and kill for sport--Howard, too, is sorely beset. The seven novels of Hebert's Darby Chronicles cover 35 years in the life of a small New England town as seen through the eyes of three families--the Elmans, the Salmons, and the Jordans--each representing a distinct social class. It all starts with The Dogs of March, cited for excellence in 1980 by the Hemingway Foundation (now the Pen Faulkner Award for Fiction).

Now in paperback--the internationally acclaimed psychological thriller from Governor General's Award nominee Allan Stratton. Cameron and his mom have been on the run for five years. His father is hunting them--or at least that's what Cameron's been told. When they settle into an isolated farmhouse, Cameron soon finds himself embroiled in the unsolved mystery of a woman and child who disappeared decades ago, and he starts to hear and see things that just aren't possible. What's hiding in the night? What's buried in the past? Are there dark secrets to uncover, or is Cameron's own mind playing tricks on him? In The Dogs, acclaimed author Allan Stratton manages to deliver at once a page-turning thriller and a powerful exploration of the realities of domestic violence and its after-effects.

Features whimsical depictions of dogs in various themed settings, including "Saloon Bar Dog," "Buddhist Dogs Searching for Happiness," and "Dog Baby Substitute."

Dogs in space visit each of the planets in the solar system, finding no one at home anywhere, and return to Earth.

Collects photographs of dogs throughout New York City's Central Park.

In what promises to become an "Omnivore's Dilemma" for dog lovers—breed devotees and adoption advocates alike—The Dog Merchants is the first book to explain the complex and often surprisingly similar business practices that extend from the American Kennel Club to local shelters, from Westminster champions to dog auctions.Without judging dog lovers of any stripe, The Dog Merchants makes it clear that money spent among these dog merchants has real-world effects on people and canines. Kavin reveals how dog merchants create markets for dogs, often in defiance of the usual rules of supply and demand. She takes an investigative approach and meets breeders and rescuers at all levels, shedding much-needed light on an industry that most people don't even realize is an industry.Kavin’s goal is to advance the conversation about how all dogs are treated, from puppy mills to high-kill shelters. She shows that a great deal can be improved by understanding the business practices behind selling dogs of all kinds. Instead of pitting rescue and purebred people against each other, The Dog Merchants shows how all dog lovers can come together, with one voice as consumers, on behalf of all our beloved companions.

General George Armstrong Custer and his wife, Libbie Custer, were wholehearted dog lovers. At the time of his death at Little Bighorn, they owned a rollicking pack of 40 hunting dogs, including Scottish Deerhounds, Russian Wolfhounds, Greyhounds and Foxhounds. Told from a dog owner's perspective, this biography covers their first dogs during the Civil War and in Texas; hunting on the Kansas and Dakota frontiers; entertaining tourist buffalo hunters, including a Russian Archduke, English aristocrats and P. T. Barnum (all of whom presented the general with hounds); Custer's attack on the Washita village (when he was accused of strangling his own dogs); and the 7th Cavalry's march to Little Bighorn with an analysis of rumors about a Last Stand dog. The Custers' pack was re-homed after his death in the first national dog rescue effort. Well illustrated, the book includes an appendix giving depictions of the Custers' dogs in art, literature and film.

In 1924, Professor Ueno Eizaburo of Tokyo Imperial University adopted an Akita puppy he named Hachiko. Each evening Hachiko greeted Ueno on his return to Shibuya Station. In May 1925 Ueno died while giving a lecture. Every day for over nine years the Akita waited at Shibuya Station, eventually becoming nationally and even internationally famous for his purported loyalty. A year before his death in 1935, the city of Tokyo erected a statue of Hachiko outside the station. The story of Hachiko reveals much about the place of dogs in Japan's cultural imagination. In the groundbreaking Empire of Dogs, Aaron Herald Skabelund examines the history and cultural significance of dogs in nineteenth- and twentieth-century Japan, beginning with the arrival of Western dog breeds and new modes of dog keeping, which spread throughout the world with Western imperialism. He highlights how dogs joined with humans to create the modern imperial world and how, in turn, imperialism shaped dogs' bodies and their relationship with humans through its impact on dog-breeding and dog-keeping practices that pervade much of the world today. In a book that is both enlightening and entertaining, Skabelund focuses on actual and metaphorical dogs in a variety of contexts: the rhetorical pairing of the Western "colonial dog" with native canines; subsequent campaigns against indigenous canines in the imperial realm; the creation, maintenance, and in some cases restoration of Japanese dog breeds, including the Shiba Inu; the mobilization of military dogs, both real and fictional; and the emergence of Japan as a "pet superpower" in the second half of the twentieth century. Through this provocative account, Skabelund demonstrates how animals generally and canines specifically have contributed to the creation of our shared history, and how certain dogs have subtly influenced how that history is told. Generously illustrated with both color and black-and-white images, Empire of Dogs shows that human-canine relations often expose how people—especially those with power and wealth—use animals to define, regulate, and enforce political and social boundaries between themselves and other humans, especially in imperial contexts.